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  • 1.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Adolf Fredrik Lindblad: Symfoni D-dur: Monumenta musicae svecicae 212004Other (Refereed)
  • 2.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    An inventory of Swedish music vol. III: twenty 19th-century composers from Du Puy to Söderman2013Book (Refereed)
  • 3.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Berättelsen om hur Rienzipartituret hamnade i Stockholm2016In: Tidskriften Opera, ISSN 1651-3770, Vol. 5, p. 68-71Article in journal (Other (popular science, discussion, etc.))
  • 4.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Die Königliche Schwedische Hofkapelle und die Meyerbeer-Tradition in Stockholm2008In: The Opera Orchestra in 18th and 19th Century Europe: II: The Orchestra in the Theatre - Composers, Works and Performance, Berlin: Berliner Wissenschafts Verlag , 2008Chapter in book (Other academic)
  • 5.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics. Musikvetenskap.
    Die Rezeption des Rienzi in Stockholm 1844–19052015In: Wagnerspectrum, ISSN 1614-9459, Vol. 22, p. 85-114Article in journal (Other academic)
  • 6.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    "Four Marriages and a Funeral" - Die Institution des Hofkapellmeisteramtes in Stockholm 1792-18182018In: Das Amt des Hofkapellmeisters um 1800: Bericht des wissenschaftlichen Symposiums zum 250. Geburtstag des dänischen Hofkapellmeisters Friedrich Ludwig Aemilius Kunzen (1761-1817), Det Kongelige Danske Videnskabernes Selskab / Royal Danish Academy of Sciences and Letters, 27. September 2011 / [ed] Joachim Kremer, Heinrich W. Schwab, Neumünster: Bockel , 2018, p. 59-89Chapter in book (Refereed)
  • 7.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Franz Berwald Sämtliche Werke, Band 25, Supplement. Ola Eriksson, Michael Kube, Bonnie Lomnäs och Erling Lomnäs. Red: Margareta Rörby. Kassel: Bärenreiter, 20122014In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 96, no 1, p. 3-6Article, book review (Other academic)
  • 8.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology. Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Halevy's La juive in Stockholm 1835-18662017In: Dokumenterat, E-ISSN 1404-9899, Vol. 49, p. 17-41Article in journal (Other academic)
  • 9.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology. Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Halevy's La juive in Stockholm, 18662018In: Grand opera outside Paris: opera on the move in nineteenth-century Europe / [ed] Jens Hasselager, London: Routledge, 2018, p. 80-94Chapter in book (Refereed)
  • 10.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Halévy’s La Juive in Stockholm, 18662018In: Grand Opera Outside Paris: Opera on the Move in Nineteenth-Century Europe / [ed] Jens Hesselager, Routledge, 2018, p. 80-94Chapter in book (Refereed)
    Abstract [en]

    The opera La Juive by Fromental Halévy was first performed in Paris in 1835. It rapidly became a worldwide success, and was performed – and discussed – all over Europe within a few years of the Parisian premiere. La Juive was first performed in Stockholm 1866. This chapter deals with especially the press reactions to the first performance. The case of the reception of Halévy’s La Juive is a good example of the complex interaction and mobility of ideas, aesthetics, musical works, performers, performance practices, vocal and instrumental techniques, but also in acting, direction, production and scene techniques during the period.

  • 11.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    ”Hur Figaro kom till Sverige”2014In: Figaros bröllop / [ed] Astrid Pernille Hartmann, Göteborg: Göteborgsoperan , 2014, p. 50-54Chapter in book (Other academic)
  • 12.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Hur importen byggde upp kulturlivet: Essärecension av Tomi Mäkelä ”Fredrik Pacius, kompositör i Finland”2010In: Hufvudstadsbladet, ISSN 0356-0724, no 21/1Article, book review (Other (popular science, discussion, etc.))
  • 13.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Joachim Nikolas Eggert: Symphony in E-Flat Major (Score) (Edited by Avishai Kallai and Jari Eskola) Stockholm: Musikaliska konstföreningen, 2010. och Joachim Nikolas Eggert: Symphony in C-Major (Score) Stockholm: Musikaliska konstföreningen, 2010.2011In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 93, p. 96-98Article, book review (Other academic)
  • 14.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Johann Gottlieb Naumann und die Hofkapelle in Stockholm2006In: Johann Gottlieb Naumann und  die Europäischen Musikkultur des Ausgehenden 18. Jahrhunderts: Bericht über das internationale Symposium vom 8. bis 10. Juni 2001 im Rahmen der Dresdner Musikfestspiele 2001 / [ed] Ortrud Landmann und Hans-Günther Ottenberg, Hildesheim, Zürich, New York: Georg Olms Verlag , 2006, p. 227-248Chapter in book (Refereed)
  • 15.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    ”Judinnan i Sverige”2014In: Judinnan / [ed] Astrid Pernille Hartmann, Göteborg: Göteborgsoperan , 2014, p. 32-37Chapter in book (Other academic)
  • 16.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    La juive in Stockholm- traces and interpretations2014In: Abstract: konferensens hemsida, 2014Conference paper (Refereed)
  • 17.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Lindblad och Almqvist: Eva Öhrström, 2016. Adolf Fredrik Lindblad: en tonsättare och hans vänner. Skellefteå: Artois och Norma bokförlag. ISBN 978-91-7217-109-1. Lennart Hedwall, 2014. Tondiktaren Carl Jonas Love Almqvist: en musikalisk biografi. Hedemora: Gidlunds förlag. ISBN 978-91-7844-900-22017In: Svensk tidskrift för musikforskning, E-ISSN 2002-021X, Vol. 99, p. 154-157Article, book review (Other academic)
  • 18.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department of Musicology.
    Ludvig Norman. Konsertstycke för piano och orkester F-dur op 54.2008Other (Other (popular science, discussion, etc.))
  • 19.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    ’… musikens högsta och rikaste konstform …’ – aspekter på instrumentation, orkestrering och satsteknik i Alfvéns tre första symfonier2012In: Hugo Alfvén – liv och verk i ny belysning / [ed] Gunnar Ternhag och Joakim Tillman, Hedemora: Gidlunds , 2012, p. 41-64Chapter in book (Refereed)
  • 20.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Noterna missar många toner2018In: Forskning & framsteg, ISSN 0015-7937, no 6, p. 59-60Article in journal (Other (popular science, discussion, etc.))
  • 21.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Om konsten att skriva opopulär musik2011In: Musikvetenskapliga texter: Festskrift Holger Larsen / [ed] Jacob Derkert, Stockholm: Institutionen för musik- och teatervetenskap, Stockholms universitet , 2011, p. 2-12Chapter in book (Other academic)
  • 22.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Opera as a showcase for the modern: the Stockholm opera 1790-18202015Conference paper (Other academic)
  • 23.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Orginalpartitur till Wagners Rienzi återfunnet på Operan2016In: OV-revyn, ISSN 0282-7700, p. 14-16Article in journal (Other (popular science, discussion, etc.))
  • 24.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Patos och tradition: En bok om och med dirigenten Tor Mann2012In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 94, p. 118-119Article, book review (Other academic)
  • 25.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Recension/review: Kube, Michael, Eriksson, Ola, Lomnäs, Bonnie och Lomnäs, Erling (2012): Franz Berwalds Sämtliche Werke, Band 25, Supplement. (Kassel, Basel, London, New York och Prag: Bärenreiter-Verlag) ISMN 979-0-006-49532-02014In: Svensk tidskrift för musikforskning, ISSN 2002-021X, Vol. 96, no 1, p. 3-6Article, book review (Other academic)
  • 26.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Rienzi in Swedish (1865): the case of the Stockholm score2015In: The Wagner Journal, ISSN 1755-0173, Vol. 9, no 2, p. 19-34Article in journal (Other academic)
  • 27.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Robert Schumann 200 år2010In: Musikmagi, Berwaldhallens programtidning, no janArticle in journal (Other (popular science, discussion, etc.))
  • 28.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Rossinis musik: en flerstegsraket2017Other (Other (popular science, discussion, etc.))
  • 29.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Ständigt denne Mozart2014In: Programtidning: Radiokören, Sveriges Radios Symfoniorkester, p. 6-7Article in journal (Other (popular science, discussion, etc.))
  • 30.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Symfoniorkestertn växer fram2018In: Tidig musik: magasinet för musik från medeltid, renässans och barock, ISSN 1400-5123, no 2, p. 24-26Article in journal (Other (popular science, discussion, etc.))
    Abstract [sv]

    Symfoniorkestern har blivit till en omfattande kulturell företeelse med liknande besättning, repertoar, teknisk skolning och spelpraxis från San Francisco och Reykjavik till Umeå, Tokyo och Murmansk. Så har det inte alltid varit. Owe Ander berättar om den moderna symfoniorkesterns framväxt.

  • 31.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    The Rienzi score in Stockholm – a recently discovered Wagner autograph?2014In: Dokumenterat : bulletin från Musik- och teaterbiblioteket, ISSN 1404-9899, no 46, p. 35-59Article in journal (Other academic)
  • 32.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    The Royal Court Orchestra in Stockholm 1772-18852008In: The Opera Orchestra in 18th and 19th Century Europe: I: The Orchestra in Society / Volume 2, Berlin: Berliner Wissenschafts-Verlag , 2008Chapter in book (Other academic)
  • 33.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    ”The Wealt of the Nations”. Die Stockholmer Oper und die Entwicklung einer nationalen Identität in Schweden2011In: Studia Musicologica Academiae Scientiarum Hungaricae, Vol. 52, no 1-4, p. 443-455Article in journal (Refereed)
  • 34.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Tomi Mäkelä: Fredrik Pacius, kompositör i Finland2010In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 92Article, book review (Other academic)
  • 35.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Traces of a performance: A presentation and critical examination of the sources regarding the Rienzi premiere in Stockholm 18652015Conference paper (Refereed)
  • 36.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Wagnerreceptionen i Sverige 1840-18652014In: Musikforskning idag: Växjö, 11-13 juni 2014, 2014Conference paper (Other academic)
    Abstract [sv]

    Den svenske lexikografen Leonard Höijer (1815–1885) skrev 1864 i sitt Musiklexikon: ”Hans [Wagners] opera Tristan och Isolde har ännu inte blivit uppförd, men utkommit i partitur och clavérutdrag”. Hans kommentar är karaktäristisk för den svenska situationen, där många kände till Wagners sena Musikdramen, redan innan någon av Wagners tidigare operor hade satts upp på Kungliga teatern i Stockholm. Pappret har för avsikt att undersöka den Svenska Wagner-receptionen från 1840-talet, fram till och inkluderande produktionen av Wagners grand opéra Rienzi i Stockholm i juni 1865.

    Första delen behandlar Wagnerreceptionen i Sverige före Rienzi: svenska musikers (sångare, dirigenter) kontakter med Wagners musik och skriftställeri under resor och studieuppehåll på kontinenten; de tidigast kända Wagnerframförandena (Foroni, Smetana, Czapek) i Sverige; publicering av noter och texter samt Wagner i massmedia. Andra delen behandlar förberedelserna inför och framförande av Rienzi 1865. Uruppförandet placeras in i sin historiska kontext samt yttre förutsättningar (den svenska grand opéra-traditionen, besättningsutveckling). Framförandet i Stockholm var det första av Rienzi utanför det tyska språkområdet och det andra över huvud taget av en Wagneropera. (Det första var det beryktade Tannhäuserframförandet i Paris 1861.) Det svenska källmaterialet är synnerligen rikhaltigt och i flera avseenden intressant. Receptionshistoriska aspekter.

  • 37.
    Ander, Owe
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Hallgren, Karin
    Franz Berwald Profane Musikwerke I: Franz Berwald Sämtliche Werke, Band 22.1Monumenta musicae svecicae1999Other (Refereed)
  • 38.
    Ander, Owe
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department of Musicology.
    Lundberg, Mattias
    Principer, frågor och problem i musikvetenskapligt editionsarbete.: Exempel från pågående inventerings-, editions- och utgivningsprojekt.2009In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 91Article in journal (Refereed)
  • 39. Sivuoja, Anne
    et al.
    Ander, OweStockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.Broman-Kananen, Ulla-BrittaHesselager, Jens
    Opera on the move in the Nordic countries during the long 19th century2012Collection (editor) (Refereed)
  • 40. Stockenstrand, Anna-Karin
    et al.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Arts Funding and Its Effects on Strategy, Management and Learning2014In: International Journal of Arts Management, ISSN 1480-8986, Vol. 17, no 1, p. 43-53Article in journal (Refereed)
    Abstract [en]

    This study investigates the effects of funding, and the pressure to justify one's existence in relation to funders, on the strategies, management control and conditions for long-term organizational learning and knowledge management in arts organizations. Published theories and previous studies of the relationship between organizational funding, strategy and management argue that, with the increased focus on costs and financial control, organizations will have difficulty maintaining an internal rationale based on culture and looser forms of control. The authors develop a framework that includes the concepts of knowledge management and long-term organizational learning. Using insights from a comparative case study of two chamber orchestras, one British and one Swedish, they analyze the conditions for the long-term build-up of artistic knowledge and thus the achievement of high quality.

1 - 40 of 40
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