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  • 1.
    Barkhuus, Louise
    et al.
    Stockholm University, Faculty of Social Sciences, Department of Computer and Systems Sciences.
    Rossitto, Chiara
    Stockholm University, Faculty of Social Sciences, Department of Computer and Systems Sciences.
    Ekenberg, Love
    Stockholm University, Faculty of Social Sciences, Department of Computer and Systems Sciences.
    Forsberg, Rebecca
    Stockholm University, Faculty of Social Sciences, Department of Computer and Systems Sciences.
    Sauter, Willmar
    Stockholm University, Faculty of Social Sciences, Department of Computer and Systems Sciences.
    Interactive Performances as a Means of Social Participation and Democratic Dialogue2014In: International Reports on Socio-Informatics (IRSI), ISSN 1861-4280, E-ISSN 1861-4280, Vol. 11, no 1, p. 11-20Article in journal (Refereed)
    Abstract [en]

    In this position paper we present our ongoing research in relation to cultivating democracy and civic participation through the writing and performance of interactive theater experiences1. We provide an example of a performance that facilitates audience participation through expression and sharing of opinions and emotions, by means of digital technologies. The performance leads to further discussion within the community and inspires more artistic and theatrical experiences in this context.

  • 2.
    Ekenberg, Love
    et al.
    Stockholm University, Faculty of Social Sciences, Department of Computer and Systems Sciences.
    Forsberg, Rebecca
    Stockholm University, Faculty of Social Sciences, Department of Computer and Systems Sciences.
    Sauter, Willmar
    Stockholm University, Faculty of Social Sciences, Department of Computer and Systems Sciences.
    Antigone’s Diary – A Model for Democratic Decision Making in Suburban Stockholm2016In: Contemporary theatre review (Hardback), ISSN 1026-7166, Vol. 26, no 2, p. 227-240Article in journal (Refereed)
    Abstract [en]

    ”Antigone has disappeared, but we found her diary. Join us in the search of her traces.” Sophocles’ drama has been transferred to a suburb of Stockholm. Students in a local highschool have recreated the classical tale in their own environment, guided by director Rebecca Forsberg from the RATS Theatre. RATS stands for “Research in Artistic TechnologieS”, a section of the Department of Computer and System Science at Stockholm University. Cellular phones are not prohibited in this theatrical enterprise, on the contrary, they constitute the particular means of communication in this event. Whether you download an app into your own phone or lend a phone from the organizers – what you will hear are the fragments of Antigone’s diary. You will find sculptures, parks, kiosks and other places through the GPS and every time you come close to the next site of performance, your phone knows when you are there. And every time you leave the place, Antigone will ask you a question: “What makes you angry?” – “When can one break the rules?” Etc. You can answer the questions by means of text messages and once you have done so, you can see what other participants have answered before you. How does it end? Haimon, Antigone’s friend and lover, whispers into your ear: “What does freedom mean to you?” It is up to us, the participants, to find appropriate responses to this eternal question. This theatrical event, highly technified and reversing the relationship between agents and beholders, gives rise to a number of intricate questions. The problems at stake concern the creative process of this mobile drama, the technical challenges to make it work, the theoretical implications of this multimedia performance, and, finally, the outcome in terms of civic engagement and its potentials of public decision making.

  • 3.
    Ernst, Manilla
    et al.
    Department of Child and Youth Studies, Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies, Centre for the study of children's culture.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Antigone’s diary – Young Audiences as Co-creators of GPS-guided Radio Drama2015In: Nordic Theatre Studies, ISSN 0904-6380, E-ISSN 2002-3898, Vol. 27, no 1, p. 32-41Article in journal (Refereed)
    Abstract [en]

    The play, Antigone’s Diary, is a re-written version of Sophocles’ classical play, developed with teenage schoolchildren in the riot-ridden suburb Husby, a 30-minute subway ride away from the centre of Stockholm. Rebecca Forsberg of RATS Theatre adapted the plot into an interactive radio performance with a mobile audience, walking through the suburb and responding via text messages to Antigone’s questions after each of the twelve scenes. Young audiences were of especial interest for this project. Therefore, school performances for teenagers are the focus of this survey. The responses of pupils were studied during and after performances by means of observations, qualitative interviews and quantitative analysis of the text messages that the participants sent in response to Antigone’s questions. The seriousness and enthusiasm of young audiences were one of the stunning outcomes of this survey and a number of quotations illustrate the immersive power of this production. Furthermore, this experiment also served as a text bed for the Department of Computer and System Science, to which Rats Theatre is closely tied. The multimedia performance, combining radio drama, mobile audiences in a local environment and the options of interactive participation, demonstrated the potential of participatory experiences to engage audiences in democratic processes that can be applied to issues of political interest and decision making in the public sphere.

  • 4.
    Feiler, Yael
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    Shylock i rörelse: gestaltning, mottagande - nu och då2006In: Shakespeares Shylock och antisemitismen, Stiftelsen för utgivning av teatervetenskapliga skrifter , 2006, p. 29-60Chapter in book (Other academic)
  • 5.
    Gedin, David
    et al.
    Litteraturvetenskapliga institutionen, Uppsala universitet.
    Lysell, RolandStockholm University, Faculty of Humanities, Department of Literature and History of Ideas.Sauter, WillmarStockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.Stam, PerStockholm University, Faculty of Humanities, Department of Romance Studies and Classics.
    Arvet efter Strindberg – The Strindberg Legacy: Elva bidrag från den artonde internationella Strindbergskonferensen2014Conference proceedings (editor) (Other academic)
    Abstract [sv]

    Den artonde internationella Strindbergskonferensen Arvet efter Strindberg/The Strindberg Legacy ägde rum i Aula Magna vid Stockholms universitet 31.5-3.6 2012. Medarrangör till Stockholms universitet var Strindbergssällskapet. På Frescati samlades närmare åttio forskare från hela världen för att dela med sig av insikter och upptäckter under tre dagar. Fokus låg på Strindberg från vår tids utsiktspunkt. Hans inflytande har format teaterns, litteraturens och måleriets utveckling. Verken fungerar fortfarande som utgångspunkt och kommentar till den samtida debatten – inte bara i Sverige eller Norden utan över stora delar av världen. Detta gör forskningen kring Strindberg och hans verk angelägen ännu hundra år efter hans död.

  • 6.
    Hoogland, Rikard
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    A National Theatre Decentralized: Sweden's Three-and-a-half National Theatres2008In: National Theatres in a Changing Europe / [ed] S. E. Wilmer, Basingstoke: Palgrave Macmillan, 2008, p. 164-172Chapter in book (Other academic)
    Abstract [en]

    The founding, development and present status of Sweden's national theatres: The Royal Opera, The Royal Dramatic Theatre, The National Touring Theatre (Riksteatern) and the Children's Theatre Support Grant.

  • 7.
    Hoogland, Rikard
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Sauter, WillmarStockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.Cremona, Vicki AnnUniversity of Malta.Morris, GayUniversity of Cape Town.
    Playing Culture: Conventions and Extensions of Performance2014Collection (editor) (Refereed)
    Abstract [en]

    Playing Culture represents one of the corner stones in the model of the Theatrical Event, as developed by the Working Group of the International Federation for Theatre Research (IFTR). In this volume, thirteen scholars contribute to illuminate the significance and possibilities of playing within the framework of theatrical events. Playing is understood as an essential part of theatrical communication, from acting on stage to events far from theatre buildings. The playfulness characterizing academic traditions sets the tone in the introduction, illustrating the four sections of the book: Theories, Expansions, Politics and Conventions. The theoretical chapters depart from the classical Homo Ludens and offer a number of new perspectives on what play and playing implies in today’s mediatized culture. The contributions to the second section on extensions, deal with playing in non-theatrical circumstances such as market places, passports and stock holders’ meetings. The third section on the politics of playing focuses on wood-chopping women, saints and youngsters in South African townships – all demonstrating their social and political ambitions and purposes. The last section returns to the stage on which performers intend to represent, respectively, themselves, Bunraku puppets or the audience. Playing appears in many forms and in many places and constitutes a basic principle of theatre and performance. This book touches upon important theoretical implications of playing and offers a wide range of historical and contemporary examples. Playing Culture – Conventions and Extensions of Performance is the third book of the IFTR Working Group on The Theatrical Event. The first volume, entitled Theatrical Events – Borders Dynamics Frames was published in 2004, followed by Festivalising! Theatrical Events, Politics and Culture in 2007. The present volume continues to expand the vision of the Theatrical Event as a theory and model for the study of playing, theatre, performance and mediated events.

  • 8.
    Kanter, Theo
    et al.
    Stockholm University, Faculty of Social Sciences, Department of Computer and Systems Sciences.
    Rahmani, Rahim
    Stockholm University, Faculty of Social Sciences, Department of Computer and Systems Sciences.
    Walters, Jamie
    Stockholm University, Faculty of Social Sciences, Department of Computer and Systems Sciences.
    Sauter, Willmar
    Stockholm University, Faculty of Social Sciences, Department of Computer and Systems Sciences.
    Distributed Immersive Participation as Crowd-Sensing in Culture Events2014In: Journal of Virtual Worlds Research, ISSN 1941-8477, E-ISSN 1941-8477, Vol. 7, no 2Article in journal (Refereed)
    Abstract [en]

    This article investigates new forms for creating and enabling massive and scalable participatory immersive experiences in live cultural events, characterized by processes, involving pervasive objects, places and people. The multi-disciplinary research outlines a new paradigm for collaborative creation and participation towards technological and social innovation, tapping into crowd-sensing. The approach promotes user-driven content-creation and offsets economic models thereby rewarding creators and performers. In response to these challenges, we propose a framework for bringing about massive and real-time presence and awareness on the Internet through an Internet-of-Things infrastructure to connect artifacts, performers, participants and places. Equally importantly, we enable the in-situ creation of collaborative experiences building on relevant existing and stored content, based on decisions leveraging multi-criteria clustering and proximity of pervasive information, objects, people and places. Finally, we investigate some new ways for immersive experiences via distributed computing but pointing forward to the necessity to do more with regard to collaborative creation.

  • 9.
    Martin, Jacqueline
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Fischer-Lichte, Erika
    Ström, Ove
    Understanding theatre: performance analysis in theory and practice1995Book (Other academic)
  • 10.
    Rosenberg, Tiina
    et al.
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Helander, Karin
    Stockholm University.
    Hammergren, Lena
    Stockholm University.
    Sauter, Willmar
    Stockholm University.
    Teater i Sverige2004Book (Other academic)
    Abstract [en]

    This book is a history of Swedish theatre.

  • 11.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    A Shnorershpil - en kompott ur teaterhistorien2013Other (Other (popular science, discussion, etc.))
  • 12.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    A theatrophobic dramatist: J.-J. Rousseau's position in theatre historiography and on today's stage2017In: Rousseau on stage: Playwrite, musician, spectator / [ed] Maria Gullstam, Michael O'Dea, Oxford: Voltaire Foundation, 2017, p. 227-254Chapter in book (Refereed)
  • 13.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    Aesthetic Aspects of the Theatrical Event, or: What makes an Event 'Theatrical'?2008In: Drama, Culture, and Event: Essays on the Theatre of the East and the West, Seijo Studies in Aesthetics and Art History, Tokyo , 2008, p. 157-170Chapter in book (Other academic)
    Abstract [en]

    The Appearance and Appearing (Martin Seel) of theatrical events and their aesthetic functions.

  • 14.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Back to the Future of Theatre Studies2010In: Theatre Research International, ISSN 0307-8833, Vol. 35, no 3, p. 297-298Article in journal (Refereed)
  • 15.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Bloomsday: James Joyce's Ulysses Celebrated as Theatrical Event2009In: Culture Unbound, ISSN 2000-1525, Vol. 1, p. 469-485Article in journal (Refereed)
    Abstract [en]

    James Joyce had decided that 16 June 1904 should be the one day in the life of Leopold Bloom, about which he wrote his 800 page novel Ulysses. In his book, Joyce actually followed Mr Bloom that entire day, from his getting up and having the nowadays famous kidney breakfast, to the late evening, when he had to break into his own house on 7 Eccle Street to have a drink with Stephen Dedalus, the other main figure of the novel. The centenary of that very day took, accordingly, place in 2004. I have borrowed the identity of Mr Bloom to describe some street scenes from the centennial celebrations of Bloomsday in Dublin. After this intro-ductory presentation, part two of this article will attempt to analyse Bloomsday in terms of a Theatrical Event, embedded in an unusual and striking playing culture. In a third part, Mr Bloom will once more be allowed to make some concluding comments.

  • 16.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    Currents and trends in contemporary scholarship2007Collection (editor) (Other academic)
    Abstract [en]

    10 articles on theatre and dance studies

  • 17.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Cyclic Perserverence and Linear Mobility of Theatrical Events2010In: Representing the Past: Essays in Performance Historiography / [ed] Charlotte M Canning & Thomas Postlewait, Iowa City: University of Iowa Press , 2010, 1, p. 117-141Chapter in book (Other academic)
    Abstract [en]

    This article illustrates the function of time in theatre historiography. Examples are The Marriage of Figaro and Georg Suttner's exhibition of the Old Town of Stockholm

  • 18.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Deconstructing Turning Points A postscript on the canonization of the avant-garde 19002017In: Nordic Theatre Studies, ISSN 0904-6380, E-ISSN 2002-3898, Vol. 29, no 1, p. 162-180Article in journal (Refereed)
    Abstract [en]

    Deconstructing Turning Points is an attempt to understand why and how the period around the turn of the nineteenth century has been described as a breakthrough of modern theatre. Texts by Gösta M. Bergman, Christopher Innes and Erika Fischer-Lichte about this period are examined in order to see how these authors construct periodization. Leaning towards Thomas Postlewait's concept of periods and Jacques Derrida's deconstructive approach to discourse, the article points out some paradigmatic assumptions in the discussed texts. The three authors are not compared - writing in different languages and for different purposes - but some of the underlying paradigms become visible, namely their relation to historical development and their view of theatre as the work of the director. As an alternative, the article turns to archival possibilities. New concepts of what an archive is and can do, as Derrida sees them, open up for a living and challenging relation to archival sources, not just as evidence of prefabricated hypotheses, but as inspiring traces of the past.

  • 19.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Devising - en historisk sidoblick2013In: Samtal om Devising: en antologi från Barnteaterakademin / [ed] Anna Berg, Lisa Lindén, Kristina Ros, Göteborg: Barnteaterakademin , 2013, p. 66-72Chapter in book (Other academic)
  • 20.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    Eventness: A Concept of the Theatrical Event2008Book (Other academic)
    Abstract [en]

    How to understand and apply theaories of the Theatrical Event.

  • 21.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Ieina Ziurovas (Enters the Spectator)2014In: Scena Lietuvos, ISSN 1822-4210, Vol. 35, no 2, p. 32-37Article in journal (Other (popular science, discussion, etc.))
    Abstract [sv]

    Åskådarens betydelse för teatern betraktas som konstitutiv för konstarten och dess möjligheter att kommunicera.

  • 22.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Interference between Present and Absent Performers: Time-Specific Performance as Phenomenal Experience2012In: Nordic Theatre Studies, ISSN 0904-6380, E-ISSN 2002-3898, Vol. 24, p. 76-84Article in journal (Refereed)
    Abstract [en]

    Interference between Present and Absent Performers: Time-Specific Performance as Phenomenal Experience The performance of the play Lise & Otto employed digital technology in an innovative and surprising way. Two performers presented their characters in two locations that were connected by fibre optic cables. The audiences, situated in two suburbs in Stockholm, saw either the actress or the actor live in front of them, while the other performer's image and voice were transmitted digitally. The simultaneous actions emphasized a cleavage of space - symbolic in a play about atomic fission - and created a yearning for the absent performer. This phenomenon can be described as time-specific performance, analogous to site-specific performance, while at the same time questioning the paradigm of presence as as a condition of theatrical events. The article argues for an extension of the theoretical concepts of theatre studies in order to cope with contemporary technological innovations, time-specificity, and unexpected theatrical experiences.

  • 23.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Playing Culture - An Introduction2014In: Playing Culture: Conventions and Extensions of Performance / [ed] V.A. Cremona, R. Hoogland, G. Morries, W. Sauter, Amsterdam, New York: Rodopi, 2014, p. 7-20Chapter in book (Refereed)
  • 24.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Playing Is Not Pretending2014In: Playing Culture: Conventions and Extensions of Performance / [ed] V. A. Cremona, R. Hoogland, G. Morries, W. Sauter, Amsterdam: Rodopi, 2014, p. 63-82Chapter in book (Refereed)
    Abstract [en]

    As the title of this chapter indicates, the issues raised here concern the kinds of pretence that are thought to characterize playing and acting. Contrary to Michael Kirby's statement that 'to act means to feign', I will show that an actor neither can, nor wants, to pretend anything on stage. Fiction is not provided on stage but is established in the communicative act between Agent (A) and Beholder (B). Critically analyzing two texts by Bertolt Brecht on non-theatrical playing, I will argue that a number of circumstances have to be taken into consideration. The process of performing is theoretically and empirically seen as a form of playing, which allows for the distinction and communicative specification of various agents in their relation to equally specific forms of beholding. Each relationship in the public sphere between A and B constitutes a public event. This chapter searches for common ground amongst multifarious manifestations of playful behaviour, beyond various aesthetic forms and irrespective of more or less useful functions. In conclusion, playing is described as a reality-related experience: playing is always related to an event and events are never pretended.

  • 25.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Presence, Place and Participation2013In: Women in Science: En trilogi om Ada, Maryam och Lise / [ed] Rebecca Forsberg, Stockholm: Styxförlag , 2013, p. 45-56Chapter in book (Other academic)
  • 26.
    Sauter, Willmar
    Stockholm University, Faculty of Social Sciences, Department of Computer and Systems Sciences.
    Presence, Place and Participation: 'women in Science' in the Forefront of Digital Theatre2013In: Women in Science: a Trilogy about Ada, Maryam and Lise, Stockholm: styxförlag , 2013, no 0, p. 35-50Chapter in book (Other academic)
    Abstract [en]

    This article summarizes the performances of Rats Theatre included in the trilogy 'Women in Science', namely *Lise & Otto', 'Ada FTW' and 'Maryam'. These plays were performed partly in Kista/Husby in 2012/13 and again during a Festival at the Royal Dramatic Theatre in November/December 2013. The key issues of the article are time and place, presence and participation as well as theatre and multimedia. In conclusion, technology, arts and politics are discussed.

  • 27.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Publiken: Vad jag vet och vad jag skulle vilja veta2010In: Visslingar & Rop, ISSN 1401-5307, Vol. 24/24, p. 33-37Article in journal (Other (popular science, discussion, etc.))
    Abstract [sv]

    Reflektioner kring behovet av publikforskning inom teater- och performansområdet.

  • 28.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Teater på latin: 1500 marginaliserade år i teaterhistorien2014In: Periferi och centrum: Texter om marginalisering i förmodern tid, Lund: Nordic Academic Press, 2014, p. 77-90Chapter in book (Other academic)
    Abstract [sv]

    Aritkeln behandlar tidsspannet från den romerska teaterns början till de latinska spelen under högmedeltiden, epoker som knappt behandlas i teaterhistoriska översikter. Artikeln erbjuder några förklaringar till denna marginalisering och argumenterar för möjliga alternativa framställningssätt.

  • 29.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    The Audience2013In: The Cambridge Companion to Theatre History / [ed] David Wiles, Christine Dymkowski, Cambridge: Cambridge University Press, 2013, p. 169-183Chapter in book (Refereed)
  • 30.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. International Federation For Theatre Research, Canada.
    The Digital Enchantment of Drottningholm2014In: Nordic Theatre Studies, ISSN 0904-6380, E-ISSN 2002-3898, Vol. 26, no 1, p. 92-101Article in journal (Refereed)
    Abstract [en]

    How can we relate to a historical playing culture? In this essay, a counter-factual visit to the palaces and parks of Drottningholm outside Stockholm is presented. By means of digital technologies, this World Heritage Site could be animated with historical figures from the eighteenth century, thus giving a living picture of past playing. Even though such an encounter with the past is fully possible from a technical point of view, the realization of this project poses a number of practical and theoretical questions: How can the picture of eighteenth-century court life be broadened to include social perspectives of class, gender and ethnicity? What artistic decisions have to be taken to visualize the activities around the park and in the palace? What forms of interactions provided by the technology are suitable for various groups of visitors? Some answers to these questions are hinted at in this essay, but the general question of a poetics of playing remains in the abyss between the historical period and the contemporary access to it. Neither Friedrich von Schiller's treatise on the aesthetic education of man nor Emanuel Kant's rational view of judgment bridge the gap of historical distance. Could Hans-Georg Gadarner's idea of the melting of historical horizons ever become a reality in the experiences of future visitors? Eventually, this project might only provide some pleasures of a poetry of playing.

  • 31.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    The Drottningholm court theatre and the historicity of performance2012In: Nordic Theatre Studies, ISSN 0904-6380, E-ISSN 2002-3898, Vol. 23Article in journal (Refereed)
  • 32.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    [The Influence of August Strindberg on Contemporary Swedish Theatre]2013In: August Strindberg and Contemporary Swedish Theatre / 斯特林堡与瑞典当代戏剧 /Si te lin bao yu rui dian dang dai xi ju / [ed] Gong bao rong, Shanghai: Shanghai Theatre Academy , 2013, p. 3-19Chapter in book (Other academic)
    Abstract [sv]

    En överblick över Strindbergs betydelse för den svenska teatern under 1900-talet. Särskilt beaktas uppsättningar av Ett drömspel och av Fröken Julie samt nyare svenska författares förhållande till Strindberg.

  • 33.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    The Theatre of Drottningholm – Then and Now: Performance between the 18th and 21st centuries2014Book (Other academic)
    Abstract [en]

    The Theatre of Drottningholm – Then and Now tells the story of the Drottningholm Court Theatre, from 1776 – the year it was built – to today’s performances presented during annual summer festivals. The court theatre was rarely used after Gustav III’s death in 1792 until it was rediscovered in 1921, luckily for us, because this has meant that not only the auditorium but also the stage machinery, painted flats and backdrops have been almost perfectly preserved. This book provides a vivid picture of the Drottningholm Court Theatre: the architecture, the many different activities which took place here during the Gustavian era, and the use made of the theatre since its rediscovery to explore the nature of Baroque performance.

  • 34.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    The Theatrical Event: Dynamics of Performance and Perception2014 (ed. 2)Book (Refereed)
    Abstract [en]

    A collection of essays discussing and explaining the theoretical model of the Theatrical Event. Originally published in 2000.

  • 35.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Theatre - A Building, a Company. an Art Form?: Terminology versus Reality2009In: Methis - Studia Humaniora Estonica, ISSN 1736-6852, no 3, p. 18-25Article in journal (Refereed)
  • 36.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Theatre Research in the Nordic Countries (2000-2008)2009In: Theatre research international, ISSN 0307-8833, E-ISSN 1474-0672, Vol. 34, no 1, p. 66-83Article in journal (Other academic)
  • 37.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Thirty Years of Reception Studies: Empirical, Methodological and Theoretical Advances2010In: About Performance, ISSN 1324-6089, Vol. 10, no 1, p. 241-263Article in journal (Refereed)
    Abstract [en]

    The article traces the various projects on audience and reception research carried out at Stockholm University between 1980 and 2010. Emphasis is laid on the theoretical and methodological development in this research field.

  • 38.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Unknown Woman by Anna Odell: The Event, the Trial, the Work - Reflections on the Mediality of Performance2012In: Theatre research international, ISSN 0307-8833, E-ISSN 1474-0672, Vol. 37, no 3, p. 249-264Article in journal (Refereed)
    Abstract [en]

    This article is concerned with an extraordinary artwork created by a young Swedish art student, Anna Odell. Odell's re-enactment of an earlier suicide attempt on a bridge in Stockholm, filmed for an art installation, caused an outcry from the public and medical authorities and a court case that stimulated heated debate in the national press. Here I examine Odell's work for the 'critical' questions it in turn provokes about artistic creation and communication: the difficulties for the performance scholar in addressing the enactment when it is so generically hard to define; why the art/artist was found guilty of a 'fraudulent practice'; and what might be revealed and further problematized by theorizing the enactment as a cultural, socio-political event.

  • 39.
    Sauter, Willmar
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Feiler, YaelStockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Shakespeares Shylock och antisemitismen: Ny utökad utgåva2010Collection (editor) (Other academic)
  • 40.
    Sauter, Willmar
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Forsberg, Rebecca
    Stockholm University, Faculty of Social Sciences, Department of Computer and Systems Sciences.
    Digital teater i publikens tjänst?2012In: Teatertidningen, ISSN 1101-9107, no 4, p. 16-19Article in journal (Other (popular science, discussion, etc.))
  • 41.
    Sauter, Willmar
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Sigfridsson, Barbro
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    "Dessa bräder som föreställa världen"2009In: Socionomen. Facktidskriften för kvalificerat socialt arbete., ISSN 0283-1929, no 2, p. 22-27Article in journal (Other (popular science, discussion, etc.))
1 - 41 of 41
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