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  • 1. Agger, Gunhild
    et al.
    Dirckinck-Holmfeld, Lone
    Gimmler, Antje
    Heinrich, Falk
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Introduction: Two Stories of the Arts and Humanities – and a Third Version Emerging2016In: Akademisk Kvarter, ISSN 1904-0008, E-ISSN 1904-0008, Vol. 13, no 10, p. 4-13Article in journal (Refereed)
    Abstract [en]

    During the past few decades, the arts and humanities in the West- ern world have been challenged by a strange contradiction between two very different stories about their raison d’être and value. The first story focuses on the expansion of universities, including the faculties of arts and humanities. The second story is dominated by a feeling of distress prompted by the constant questioning of the usefulness and applicability of the arts and humanities. As the con- tributions to this volume of Academic Quarter indicate, however, a third story may be about to emerge. 

  • 2.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Journalism, Media and Communication (JMK).
    Aki Kaurismäki2011In: Fifty Contemporary Film Directors / [ed] Yvonne Tasker, London: Routledge, 2011, 2, p. 224-233Chapter in book (Other academic)
  • 3.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Anita Barbro Kristina Björk2018In: Svenskt kvinnobiografiskt lexikon, Göteborg: Göteborgs universitet, 2018Chapter in book (Other academic)
    Abstract [en]

    Anita Björk was one of the most outstanding actors at Kungliga Dramatiska Teatern (Dramaten) for a large part of the 1900s.

  • 4.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Berättelse2008In: Film och andra rörliga bilder - en introduktion, Raster förlag Stockholm , 2008, p. 21-Chapter in book (Other academic)
    Abstract [sv]

    Alla gillar berättelser men hur och vad ser man på när man betraktar en film som en berättelse? Artikeln diskuterar olika berättarnivåer i svensk samtida populärfilm med utgångspunkt i Aristoteles Poetik.

  • 5.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Birgitta (Birgit) Eva Tengroth2018In: Svenskt kvinnobiografiskt lexikon, Göteborg: Göteborgs universitet, 2018Chapter in book (Other academic)
    Abstract [sv]

    Birgit Tengroth var en firad och uppskattad skådespelare och kontroversiell författare.

  • 6.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Elokuvakäsikrijoittamista vakiintumisen vuosikymmeninä: Raija Talvio (2015) Filmikirjailijat. Elokuvakäsikirjoittaminen Suomessa 1931–1941. Helsinki: Aalto-yliopisto, 327 s.2016In: Lähikuva, ISSN 2343-399X, Vol. 29, no 3, p. 78-80Article, book review (Other academic)
  • 7.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Elsa Viveca Torstensdotter Lindfors2018In: Svenskt kvinnobiografiskt lexikon, Göteborg: Göteborgs universitet, 2018Chapter in book (Other academic)
    Abstract [sv]

    Viveca Lindfors var en internationellt känd skådespelerska, hyllad för sina insatser inom film och teater både i Sverige och USA.

  • 8.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Eva Elisabeth Dahlbeck2018In: Svenskt kvinnobiografiskt lexikon, Göteborg: Göteborgs universitet, 2018Chapter in book (Other academic)
    Abstract [en]

    Eva Dahlbeck was an actor and an author who became famous in part for her roles in Ingmar Bergman’s Sommarnattens leendeand Kvinnors väntan.

  • 9.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Finska förlagor i svensk film2017Other (Other (popular science, discussion, etc.))
  • 10.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Fragment av det fortidige i Aki Kaurismäkis Mannen uten minne2009In: Veier tillbake: Filmhistoriske perspektiv / [ed] Brinch, S og Gjelsvik, A (eds), Kristiansand: Høyskolefølaget , 2009, p. 157-166Chapter in book (Other academic)
    Abstract [no]

    Artikel diskuterar och analyserar regissören Aki Kurismäki estetiska och narrativa grepp i filmen Mannen utan minne

  • 11.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Ingrid Bergman2018In: Svenskt kvinnobiografiskt lexikon, Göteborg: Göteborgs universitet, 2018Chapter in book (Other academic)
    Abstract [en]

    Ingrid Bergman was – and still is – one of the most famous film stars in the world and one of the most internationally renowned Swedes.

  • 12.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Kerstin Kristina Birgitta (Kim) Anderzon2018In: Svenskt kvinnobiografiskt lexikon, Göteborg: Göteborgs universitet, 2018Chapter in book (Other academic)
    Abstract [sv]

    Kim Anderzon var en uppskattad skådespelerska, men också en debattör och opinionsbildare som kunde framföra radikala åsikter utan att stöta sig med den allmänna opinionen.

  • 13.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Le Havre: elokuvan vastaanotto Ruotsissa2012In: Lähikuva, ISSN 0782-3053, Vol. 25, no 3, p. 84-88Article in journal (Refereed)
    Abstract [en]

    Aki Kaurismäki is one of the most well known Finnish film directors. This article explores the reception of his film Le Havre (2011) in Sweden. Most notably, the perception of the image of Kaurismäki has changed as his international fame has increased. From being depicted – according to a national steraotype in Sweden – as a constantly drunken Finn he now is perceived as an Artist with strong social pathos.

  • 14.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Journalism, Media and Communication (JMK).
    Passion at the threshold: Doctor Glas the flaneur in the films of Rune Carlstén and Mai Zetterling"2010In: Journal of Aesthetics & Culture, ISSN eISSN 2000-4214, Vol. 2, no 2, p. 1-12Article in journal (Refereed)
    Abstract [en]

    This article explores tropes of modernity in film adaptations of the 1905 novel Doctor Glas written by the Swedish author Hjalmar Söderberg. Drawing on Walter Benjamin and Miriam Hansen among others, the article attempts to show that certain expressive categories perceived as mutually exclusive by the contemporary audiences, in fact co-operate in order to constitute certain ‘‘points of impossibility’’ in the narrative and visual flow, where modern (gender) identities mutate and manifest themselves.

  • 15.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Journalism, Media and Communication (JMK).
    Questions on research methods in writing a feminist biography: A case of Mai Zetterling2010In: Contemporary Feminist Studies and its Relation to Art History and Visual Studies: Proceedings from a Conference in Gothenburg , March 28-29, 2007 / [ed] Bia Mankell och Alexandra Reiff, Göteborg: Art History and Visual studies at university of Gothenburgh , 2010, 1, p. 76-89Chapter in book (Other academic)
    Abstract [en]

    The chapter discusses methodological problems in writing a biography based on different sources such as newspaper articles and film

  • 16.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Ratavartijan kaunis Inkeri2008In: Valkoiset ruusut: Hannu Lemisen ja Helena Karan eläma ja elokuvat, Suomalaisen Kirjallisuuden Seura, Helsinki , 2008, p. 9-Chapter in book (Other (popular science, discussion, etc.))
    Abstract [en]

    Ratavartijan kaunis Inkeri (Leminen 1950) var en populär film i efterkrigstidens Finland och essän analyserar dess berättelsepotential utfrån Walter Benjamins tankar om modernitet.

  • 17.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Reflections in the mirror of melancholia: On the narrative and male heritage in Napapiirin sankarit/Lapland Odyssey (Karukoski, 2010)2013In: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 3, no 1, p. 87-92Article in journal (Refereed)
    Abstract [en]

    The article argues that Dome Karukoski’s Napapiirin sankarit/Lapland Odyssey (2010) inflects the journey narrative with irony and melancholy to reflect critically but comically on Finnish models of masculinity.

  • 18.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Robin Hood, Prince of Thieves - filmen2013In: Samband historia tema / [ed] Niklas Ericsson, Stockholm: Sanoma utbildning , 2013, p. 319-427Chapter in book (Other academic)
    Abstract [sv]

    Filmen Robin Hood, Prince of Thieves håller sig till originalberättelsen från medeltiden men innebär många anakronismer för att bätttre passa till den moderna publikens värdesystem.

  • 19.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Sininen viikko: kysymys anteeksiannosta2013In: Elokuvat kertovat, Matti Kassila / [ed] Kalevi Koukkunen, Kimmo Laine, Juha Seitajärvi, Helsingfors: Suomalaisen Kirjallisuuden Seura, 2013, p. 95-108Chapter in book (Other academic)
    Abstract [sv]

    I Matti Kassilas film Den Blå veckan/Sininen viikko (1954) tillbringar den unge fabriksarbetaren Usko en semestervecka i skärgården med en gift kvinna, Siiri. Filmen är baserad på Jarl Hemmers novell vid samma namn. Artikeln analyserar de moraliska konsekvenserna som parets "stulna" kärleksvecka leder till.

  • 20.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Siri Naima Matilda Wifstrand2018In: Svenskt kvinnobiografiskt lexikon, Göteborg: Göteborgs universitet, 2018Chapter in book (Other academic)
    Abstract [sv]

    Naima Wifstrand var en firad operettsångare samt film- och teaterskådepelare under större delen av 1900-talet.

  • 21.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Stellar Encounters: Stardom in Popular European Cinema2009Collection (editor) (Other academic)
    Abstract [en]

    The book expands om the seemingly contradictory question of why certain truly pupular stars have become obliterated from hegemonic accounts of (European) film history. In doing so, this volume exposes the equally vital impulse to conect stars to a specific national identity through language and national memory and specific genres

  • 22.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    The Passion of the Christ: Med döden förtrampade han Döden2012In: Döden i medierna: Våld, tröst och fascination / [ed] Anja Hirdman, Stockholm: Carlsson Bokförlag, 2012, p. 110-133Chapter in book (Other academic)
    Abstract [en]

    This essay analyses the Mel Gibson film The Passion of the Christ (2004) using the auteur-theory as a starting-point. The film pays hommage to the imagre of a suffering male body that is a recurrent theme in most of the films starring Mel Gibson. The ambition of the director has been to create as realistic a description as possible of the sufferning of Jesus Christ on the cross but instead, the film results in a well-masde copy of the Mediaeval depiction of the suffering of Christ.

  • 23.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    The Phantom Carriage and the concept of melodrama2014In: Re-mapping Lagerlöf: performance, intermediality and European transmissions / [ed] Helena Forsås-Scott, Lisbeth Stenberg, Bjarne Thorup Thomsen, Lund: Nordic Academic Press, 2014, p. 149-162Chapter in book (Other academic)
    Abstract [en]

    Selma Lagerlöf was interested in cinema and its possibilities to express inner motions of the characters. This arlticle is a study of Victor Sjöström's interpretation of the emotional capacities of her short story The Phantom Carriage.

  • 24.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    The unicanny in Kitchen Sink2011In: Short Film Studies, ISSN ISSN 2042-7824, Vol. 2, no 1, p. 83-86Article in journal (Refereed)
    Abstract [en]

    Drawing on Sigmund Freud's essay The Uncanny and Teresa de Lauretis' thoughts  on a film addressing the spectator as a woman through its "durations, perceptions, events, relationships and silences", this article  analyses some of the eerie moments in Kitchen Sink

  • 25.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Journalism, Media and Communication (JMK).
    Utopi eller Motstånd?: Om barn och vuxna i Ronja Röverdotter2010In: Motsträviga synsätt: Om rörliga bilder som bjuder motstånd / [ed] Margareta Rönnberg och Karolina Westling, Visby: Filmförlaget , 2010, 1, p. 45-61Chapter in book (Other academic)
1 - 25 of 25
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