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  • 1.
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Albert Löfgren (1872−1930)2016Other (Other academic)
    Abstract [sv]

    Gustaf Albert Löfgren (f. Andersson Gren) föddes 21 september 1872 i Hasslösa, Västergötland, och dog i närliggande Eggby 4 januari 1930. Han var musiker, dirigent, tonsättare och arrangör. På klarinett var den mångsidige instrumentalisten Löfgren en av sin tids mest framstående solister. Han skolades inom militärmusiken, medan kompositionerna utgick från folkmusiken. Rapsodierna SlåttergilleSvensk fantasi och Forna dar fick ett brett erkännande i samtiden.

  • 2.
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Björn Schildknecht (1905-1946)2015Other (Other academic)
    Abstract [sv]

    Björn Albert Schildknecht, född 7 juni 1905 i Stockholm och avliden där 10 juli 1946, var tonsättare, arrangör och kapellmästare. Hans kompositionsverksamhet utvecklades huvudsakligen inom film- och teatermusik, men han komponerade även symfonisk orkestermusik, piano- och kammarmusik, schlager, sånger och visor. Hans symfoni tillhör de mer experimentella symfoniska verk som skrevs i Sverige under 1930-talet. Operan Giorgione väntar fortfarande på sitt uruppförande.

  • 3.
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    En aktuell vetenskap om musiken: Är musikvetenskaplig forskning om nutidens musiksamhälle möjlig?2016In: Musikliv i snabb förändring – hur förändras forskningen?: Konferensbidrag, 2016, p. 10-10Conference paper (Refereed)
  • 4.
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Experimentell musikproduktionsvetenskap som kulturforskande musikvetenskap: Ett produktionsperspektiv på musik2015In: Danish musicology online, ISSN 1904-237X, p. 7-27Article in journal (Refereed)
    Abstract [en]

    The article discusses how musicological research on recorded music and “Music Production Studies” perspectives, respectively, together can help shape a media and production-centered research paradigm in musicology. It begins with an overview of how the production of music has been studied as a scientific object. A proposal is presented on how the interdisciplinary field of research – studying production of music and the mediatization of recorded music – can be developed into a broader media paradigm in musicology as a discipline. “The production perspective”, which includes production as a method, is then introduced. It is exemplified by a case study. 

  • 5.
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Gullö, Jan Olof (red). Elva studier om kreativitet I musikproduktion. Till invigningen av Kungl. Musikhögskolans nya campus 2017. Utgiven av Kungl. Musikhögskolan, 2017. 142 s. ill.  ISBN 978-91-983869-0-52018In: STM-SJM, ISSN 0219-4937, E-ISSN 1946-5238, Vol. 100Article, book review (Other academic)
  • 6.
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Gunnar Malmström (1892−1961)2016Other (Other academic)
    Abstract [sv]

    Erik Gunnar Malmström, född i Uppsala 25 mars 1892 och död i Stockholm 4 februari 1961, var tonsättare, arrangör, kapellmästare, musikdirektör och pianist. Hans viktigaste musikaliska insatser gjordes inom filmmusikens område, först inom stumfilm och sedan ljudfilm, både som arrangör och tonsättare. Han var en varm anhängare av konsekvent tillämpad wagneriansk ledmotivteknik i filmmusiken. Som tonsättare av konstmusik skapade han också flera kammarmusikverk och melodramer.

  • 7.
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Helmer Alexandersson (1886-1927)2015Other (Other academic)
    Abstract [en]

    Karl Helmer Alexandersson, born on 16 November 1886 and died in Stockholm on 24 December 1927, was a composer and violinist. During his life he gained considerable success both with his second symphony and his film music, although without achieving true recognition. Within film music he was one of the most important Swedish pioneers. However, he died early, at the age of 41 in extreme poverty.

  • 8.
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Hjalmar Meissner (1885-1940)2015Other (Other academic)
    Abstract [en]

    Carl Hjalmar Meissner was born 1 March 1865 in Helsinki, Finland and died 28 May 1940 in Stockholm. He was a Finnish-Swedish pianist, conductor, arranger, composer and author. As a conductor, he worked mainly as a bandleader for military music and theatre ensembles, but also as an opera and symphony orchestra conductor. His profession as a composer arose mostly from his work as pianist and conductor. He was married to operetta singer Emma Meissner in 1899.

  • 9.
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Lång-Kalles och Edvins sånger: Muntligt traderad och medialiserad proletär musikkultur från skillingtryck och 78-varvsskiva till rullband och digitaliserat ljud2019In: Puls Musik- och dansetnologisk tidskrift, ISSN 2002-2972, Vol. 4, p. 47-79Article in journal (Refereed)
    Abstract [en]

    Lång-Kalle’s and Edvin’s Songs: Orally Transmitted and Mediatised Proletarian Music Culture from Chapbooks and 78’s to Tape and Digitised Sound

    In this article, etic-emic problems in the study of early 20th century Swedish working class culture are examined through the analysis of two Swedish and Norwegian proletarian songs; the navvy song “Järnvägsvisa”, from the Ofoten railway project in northern Norway in 1898–1903, and the strike song “Hamnarbetarnes Strejkmarsch”, from 1907. The songs are studied as orally transmitted and mediated tradition as well as technologically mediatised cultural artefacts. My perspective in this study is double: the songs represent working class history and the early labour movement in Sweden, but they are also a part of my own family history. The song tradition stems from Karl-Wilhelm “Lång-Kalle” Larsson, who was a navvy in Norway in 1902. Lång-Kalle learned the “Järnvägsvisa” song there, maybe from the songwriter Edvard Unger, and eventually taught his daughter Ragnhild the song, which later was recorded on reel-to-reel tape recorder in a family environment in 1970. Lång-Kalle and his brother Edvin Larsson were both well-known dockers in the Örebro port in the early 20th century. In that context the Larsson brothers were key individuals in organising the first dockers’ trade union in the town, and the strike song, “Hamnarbetarnes Strejkmarsch”, is probably connected to a conflict with English blacklegs. The “Järnvägsvisa” song was digitised from tape in 2017, and “Hamnarbetarnes Strejkmarsch” was reinterpreted as a song in 2018.

  • 10.
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Musik av Urminnes Hävd: perspektiv på Norrlåtars fonogramproduktion 1974-19942015In: Musikk, folk og landskap / [ed] Paal Fagerheim & Ove Larsen, Stamsund: Orkana Forlag, 2015, 1, p. 201-236Chapter in book (Refereed)
    Abstract [no]

    Denne boken belyser ulike musikkpraksiser i nordområdene. Bidragene i artikkelsamlingen kommer fra norske og svenske forskere innen musikkvitenskap og spenner fra forskning på nyere samisk musikk, rock, rap, reggae til folkemusikk.

    • Når kom egentlig The Beatles til Korgen?
    • Er Nord-Norge og Nord-Sverige preget av mer musikalsk kreativitet enn sentrale strøk?
    • Hva betyr verdensmusikksjangeren for sørsamisk identitet?
    • Kan man spille samisk musikk, uten å være same?
    • Hvorfor blir rap og reggae ofte knyttet til Bodø?
    • Hva er sammenhengen mellom følelser av vemod og nordsvensk populærmusikk?

    Alle disse spørsmålene berøres og diskuteres i denne boken, i tillegg til andre tema. Det gis ingen entydige svar, men sammenhenger mellom musikk og geografi er sentralt for mange av tekstene.

  • 11.
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Musik och spatialitet i 2000-talets amatör- och semiprofessionella musikproduktion2015In: Konferensbidrag: Vidgade vyer över musiken: Stockholms Universitet, november 2015, 2015, p. 8-9Conference paper (Refereed)
  • 12.
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Sounds and Songs from the Amateur Super Sonic Scientist(s): The Tape Recorder and Home Tape Recording Culture in Sweden 1950– 19702017Conference paper (Other academic)
  • 13.
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Svedbom, Pehr Jonas Fredrik Vilhelm, Kompositör, Litteraturhistoriker, Musikhistoriker (1843 – 1904)2016In: Svenskt biografiskt lexikon, H. 168, De Suremain-Svedelid / [ed] Åsa Karlsson, Stockholm: Svenskt biografiskt lexikon , 2016, , p. 5Chapter in book (Other academic)
  • 14.
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Sven Sköld (1899−1956)2016Other (Other academic)
    Abstract [sv]

    Sven Josua Sköld föddes på Lidingö, Stockholm, 20 juli 1899, och avled på samma ort 23 oktober 1956. Han var cellist, dirigent och tonsättare. Sina mest betydande musikaliska insatser gjorde han som tonsättare, arrangör och kapellmästare vid Radiotjänst och som kompositör av musik till svensk ljudfilm. I båda medierna tillhör han de mest produktiva och inflytelserika musikskaparna i Sverige under 1940- och 1950-talen.

  • 15.
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    The Art of Record Production: An Introductory Reader for a new Academic Field. Red: Simon Frith och Simon Zagorski-Thomas. Farnham: Ashgate, 2012. xix + 301 s., ill., ISBN 978-14-09406-78-52014In: STM-SJM, ISSN 0219-4937, E-ISSN 1946-5238, Vol. 96:1, no 1, p. 1-3Article, book review (Other academic)
  • 16.
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    The making of virtual space in the King Crimson Box sets Larks tongues in aspic: Complete recordings, Starless, Road to Red, On [and off) the Road and Thrak Box: Live and Studio Recordings 1994–19972017Conference paper (Refereed)
    Abstract [en]

    When the founding fathers of progressive rock, British (-American) group King Crimson, produced their groundbreaking LP In the Court of the Crimson king in 1969, they established an eclectic yet recognizable style, with a strong musical and production virtuosity. Continuing for four decades, they became the only band of its generation to continually developing and expanding it’s style and techniques. Their music is not easily categorized: from the advanced rock music inspired by modern jazz and art music on the first four LP albums – and a lot of changes in the band personnel and set up of instruments – the music developed in the mid 1970’s to a dynamic, experimental hard rock with an art music attitude, containing sound worlds of percussion, violins and softer melodic elements blended with heavy, rhythmically complex, asymmetrical guitar riffs: The albums Larks tongues in aspic (1973), Starless and bible black (1974) and Red (1974) was highly influential. When the band was reformed with partly new musicians in 1981, they arrived with a different, of New wave and minimalism, influenced style. In a short span of three years, 1981–1984, they released albums Discipline, Beat and Three of a perfect pair, and reformed once more in 1994 to release the CD Thrak.   

    Importantly, in the same period they managed to take total creative and commercial control of all their recorded output, and it put them in a uniquely strong independent artistic position, connected to their loyal followers. Guitarist Robert Fripp, together with producer David Singleton, started up the company Discipline Global Mobile (DGM), and took care of all the recorded material of King Crimson and their spin off projects. As a consequence, they were able to release a lot of older recordings, partly through their ”Collector’s Club”.

    From 2010 and onwards all of their back catalogue was systematically re-released, some of their albums was also re-packaged in deluxe box sets: In the court of the crimson king, Larks tongues in aspic: Complete recordings, Starless, The Road to Red, On (and off) the Road and Thrak Box: Live and Studio Recordings 1994–1997. They all covering both studio recordings and live recordings that was produced in and around the period of the original recording sessions, in a various set of mixes, alternate takes and sound codec’s. In this presentation the focus is on sketching out an analysis of the mixing strategies on the surround mixes in DTS-HD Master Audio and LPCM 5.1 Surround of the studio recordings and live recordings, as it can be heard, using models for analysis of recordings, the Representation Model and the Room Model (Burlin 2008, 2012, 2015), showing how emerging conventions for surround mixing of experimental rock music is connected to recording ideals of documentarism and hyper realism.

  • 17.
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Trådspelaren och rullbandspelaren: Interaktivitet och konvergens i tidig magnetisk amatörinspelning 1949–19752019In: Musikens medialisering och musikaliseringen av medier och vardagsliv i Sverige / [ed] Ulrik Volgsten, Lund: Mediehistoria, Lunds universitet , 2019, p. 71-104Chapter in book (Refereed)
  • 18.
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Vilhelm Svedbom (1843-1904)2014Other (Other academic)
    Abstract [en]

    Per Jonas Fredrik Vilhelm Svedbom, born 8 March 1843 in Stockholm, died 25 December 1904 in Stockholm, was a literary historian, pianist, composer, conservatory music teacher and music administrator. His compositional production was derived essentially from the areas in which he had his education and where he had his professional occupation, the ‘academy’ in its broadest sense. His compositions comprise mainly works for the piano, solo songs with piano accompaniment, and choral pieces. Svedbom’s wife was a pianist, Hilma Svedbom, née Lindberg (1856−1921); they were married in 1884.

  • 19. Mattsson, Hållbus Totte
    et al.
    Fredriksson, Daniel
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Calle Jularbo och gammeldansen: en folkmusikpionjär i tidig svensk populärmusik2017In: / [ed] Thomas Florén, 2017Conference paper (Other academic)
  • 20. Pettersson, Tobias
    et al.
    Burlin, Toivo
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Av kärlek till musiken: Sällskapet Lilla Parnassen 75 år.2015 (ed. 1)Book (Other (popular science, discussion, etc.))
1 - 20 of 20
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