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  • 1.
    Khouri (=von Wachenfeldt), Paula
    Stockholm University, Faculty of Humanities, Department of French, Italian and Classical Languages.
    "Vision de l’innocence chez Camus"2000In: XIV Skandinaviska Romanistkongressen, Stockholm: Almqvist&Wiksell International. , 2000Chapter in book (Other academic)
  • 2.
    Nyberg, Klas
    et al.
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    von Wachenfeldt, Paula
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Introduktion2015In: Det svenska begäret : Sekler av lyx- konsumtion / [ed] paula von Wachenfeldt, Klas Nyberg, Stockholm: Carlsson Bokförlag, 2015, p. 7-23Chapter in book (Other academic)
  • 3.
    von Wachenfeldt, Paula
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Communicating Seduction: Luxury Fashion Advertisement in Video Campaigns2018In: Studies in Communication Sciences, ISSN 1424-4896, E-ISSN 2296-4150Article in journal (Refereed)
  • 4.
    von Wachenfeldt, Paula
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Fashioning the Self in Pre-Modern and Post-Modern Society2012In: Proceedings CIMODE 2012: 1º Congresso Internacional de Moda e Design / [ed] A. C. Broega, K. Castilho, J. Cunha, B. Providência, Guimarães: Universidade do Minho , 2012, p. 1362-1371Conference paper (Refereed)
  • 5.
    von Wachenfeldt, Paula
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    Fiktion som fakta eller fakta som fiktion? Det franska exemplet.2009In: Historier: Arton- och nittonhundratalens skönlitteratur som historisk källa, Göteborg: Göteborgs Universitet , 2009Chapter in book (Other academic)
  • 6.
    von Wachenfeldt, Paula
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    I fiktionens gömmor döljer sig en modeskatt2013In: Parnass, ISSN 1104-0548, no 1Article in journal (Other academic)
    Abstract [sv]

    Paula von Wachenfeldts artikel, I fiktionens gömmor döljer sig en modeskatt, är en av flera artiklar som på olika sätt berör hur kläder och utseende ger liv och karaktär åt litterära gestalter och hur författare genom historien har använt sig av mode för att definiera sina påhittade figurers sociala ställning, deras personlighet och deras politiska och estetiska värderingar.

  • 7.
    von Wachenfeldt, Paula
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    I lyxens tjänst: Borgerliga värderingar och ideal i den moderna tiden2015In: Det svenska begäret: Sekler av lyxkonsumtion / [ed] Paula von Wachenfeldt, Klas Nyberg, Stockholm: Carlsson Bokförlag, 2015Chapter in book (Other academic)
  • 8.
    von Wachenfeldt, Paula
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    Kvinnlig emancipation eller förslavande konsumtion i varuhushandeln hos Zola?2010In: Kommers.: Historiska handelsformer i Norden under 1700- och 1800-talen. / [ed] Gudrun Andersson & Klas Nyberg, Gävle: Gävle offset , 2010Chapter in book (Other academic)
  • 9.
    von Wachenfeldt, Paula
    Stockholm University, Faculty of Humanities, Department of French, Italian and Classical Languages.
    La fiction en doute: Le cas de La Petite Bijou de Patrick Modiano2008In: Moderna Språk, ISSN 0026-8577, Vol. 102, no 2, p. 48-56Article in journal (Refereed)
  • 10.
    von Wachenfeldt, Paula
    Stockholm University, Faculty of Humanities, Department of French, Italian and Classical Languages.
    La quête de l'innocence dans l'oeuvre d'Albert Camus2005In: Moderna Språk, Vol. XCIX, no 1Article in journal (Refereed)
  • 11.
    von Wachenfeldt, Paula
    Stockholm University, Faculty of Humanities, Department of French, Italian and Classical Languages.
    Le paradis perdu et retrouvé: Étude de l'innocence et de la culpabilité dans l'oeuvre d'Albert Camus2003Doctoral thesis, monograph (Other academic)
    Abstract [en]

    The aim of this dissertation is to investigate a recurrent idea that dominates the works of Albert Camus, namely the search for man’s innocence. A study of this notion, however, will to the same extent require an examination of guilt, since the signification of the first depends on the second and since both exist in Camus.

    The notion of innocence in Albert Camus’ works L’Étranger, Caligula, Le Malentendu, La Peste, La Chute, L’Exil et le Royaume, Les Justes and the posthumous novel Le Premier Homme appears in three different dimensions: ethical, theological and as a state of virginity. The first dimension refers to the state of the accused man who is not guilty of a given crime, the second represents the state of the first man before sin, according to Christian principles, and the third dimension is to be found particularly in the purity of a child and all acts beyond good and evil.

    Through an analysis of the novels, the plays and the short stories of Camus, it is possible to establish that all the main characters are struggling to find either their own innocence or mankind’s in general. However, their search collides with two different types of guilt, whose significance can be identified thanks to the definitions given by Paul Ricœur, namely ethical-legal (éthico-juridique) and psycho-theological (psycho-théologique) guilt. The first sense of this concept regards the connection between penalty and responsibility, while the second concerns the Christian consciousness of original sin. Moreover, it may be seen that the question of innocence in Camus strongly implicates the question of happiness which is clearly revealed in the plays Caligula and Le Malentendu. This investigation indicates that innocence and happiness belong together, i.e. to be happy “l’homme camusien” has to first feel his innocence.

    There is another crucial point observed in this thesis: the impact that the unfinished novel Le Premier Homme has on understanding Camus’ thought and all his previous production. For it is in this last, autobiographic novel that one can discover the source of all the needs that have been haunting his writing throughout his life. It is in Le Premier Homme in particular that the thirst for innocence investigated in this dissertation is finally extinguished. And this takes place via a return to the simplicity of the world of Camus’ childhood and the relationship to nature, beyond any philosophical or religious language.

  • 12.
    von Wachenfeldt, Paula
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Nya perspektiv på lyxkonsumtion2013Conference paper (Other academic)
  • 13.
    von Wachenfeldt, Paula
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    När kläderna blottar karaktärerna i skönlitteraturen.: En studie av ett franskt och ett svenskt 1800-tals verk.2009In: Mode - en introduktion / [ed] Gindt & Wallenberg, Stockholm: Raster , 2009Chapter in book (Other academic)
  • 14.
    von Wachenfeldt, Paula
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    "The discourse of dress and behavior in Molière's Les Précieuses Ridicules"2011In: Developments in Dress History, 2011Conference paper (Other academic)
  • 15.
    von Wachenfeldt, Paula
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    The Language of Luxury in Eighteenth-Century France2013In: Fashion in Popular Culture: Literature, Media and Contemporary Studies / [ed] Joseph Hancock, Toni Johnson-Woods, Vicki Karaminas, Chicago: Intellect, University of Chicago Press , 2013, p. 207-Chapter in book (Refereed)
  • 16.
    von Wachenfeldt, Paula
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    The Myth of Luxury in a Fashion World2018In: Fashion, Style & Popular Culture, ISSN 2050-0726, E-ISSN 2050-0734, Vol. 5, no 3, p. 313-328Article in journal (Refereed)
    Abstract [en]

    If luxury is more relevant today it is perhaps due to its ubiquitous presence. This study examines the meaning of luxury and the myth that surrounds the exclusive goods. How do we classify luxury in relation to fashion? And how can we recognize a luxury item when most of the houses apply the same selling strategies as the ones of the fashion industry? A semiotic analysis of three luxury houses helps us to map out this blurry landscape and this by looking first at the sociocultural signs that are characteristic of a luxury brand, and second, by exploring today’s representations of luxury brands on the market. Findings indicate that the luxury label today can in reality only be restricted to a few houses while the myth of luxury is still trying to blow life in the consumer’s mind.

  • 17.
    von Wachenfeldt, Paula
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    The Taste of the Good Life: Representations of Luxury in Swedish Media2016In: Luxury: History, Culture, Consumption, ISSN 2051-1817, Vol. 2, no 2, p. 91-113Article in journal (Refereed)
    Abstract [en]

    Recognized as the welfare state with a protective social system based formerly on the idea of equality and concern, Sweden in the twenty-first century is undergoing a change in the attitude toward luxury consumption. This article examines the role of lifestyle magazines and social and visual media in creating idealized images that play on the idea of luxury. The discourse produced hereby indicates a remarkable change in the Swedish self-image and its approach to indulgence and excess.

  • 18.
    von Wachenfeldt, Paula
    et al.
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Nyberg, KlasStockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Det svenska begäret: Sekler av lyxkonsumtion2015Collection (editor) (Other academic)
1 - 18 of 18
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