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  • 1.
    Feiler, Yael
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    A Manifesto for an Israeli She Monster2007In: Staging International Feminism, Palgrave Macmillan, Houndmills, Basingstoke, Hampshire RG21 6XS, England , 2007, p. 203-211Chapter in book (Other academic)
  • 2.
    Feiler, Yael
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Att välja och att välja bort: Rapport om ett antal svenska teatrars rutiner och kriterier gällande rekrytering av dramatiker, med särskild fokus på genus och jämställdhetsaspekten2009Report (Other (popular science, discussion, etc.))
    Abstract [sv]

    I rapporten Att välja och att välja bort: om ett antal svenska teatrars rutiner och kriterier gällande rekrytering av dramatiker med särskilt fokus på genus och jämställdhetsaspekten redogörs för teatrars rutiner och praktiker gällande repertoar, krierier för urval och beställning av dramatik samt hantering av frågor kring jämställdhet. De berörda teatrarna är: Dramaten, Riksteatern, Göteborgs stadsteater, Backa Teater, Östgötateatern och Norrlandsopera. Redogörelsen baseras på konstnärliga ledares och kulturpolitikers uttalanden i dessa frågor. Uttalanden är grupperade enligt tre huvudteman som även utgör rapportens kapitelindelning: 1. Praktiker, urvalskriterier och beslutsordning 2. Jämställdhet: Hinder, möjligheter, visioner och praktiska verktyg 3. Politiskt inflytande på den konstnärliga verksamheten.

  • 3.
    Feiler, Yael
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    Cultural Context and Contextual Theatricality:: AUDIENCE SURVEY AND THE THEATRICAL EVENT2007In: Nordic Theatre Studies, Vol. 19Article in journal (Refereed)
    Abstract [en]

    This paper aims to introduce a new method in reception studies, initially developed by Israeli scholar Anat Gesser-Edelsburg, and used by scholars at the Department of Theatre and Dance studies in Stockholm for a public survey at the Swedish National Theatre.

    The method's point of departure is the concept of The Theatrical Event, and it aims to make it possible to anticipate and to interpret social impact and changes in viewpoints caused by theatre performances.

    It is illustrated by a model entitled the Change Potential, which demonstrates the complex interaction between theatre performances and the surrounding world, and which ends in pointing out three possible ways in which theatre performances can be expected to influence spectators: The Reinforcement Model, The Change Model, and The Entrenchment Model.

    In this paper the model is used as a tool of understanding interesting figures collected during a public survey carried out in 2005 in connection with a production of Shakespeare’s The Merchant of Venice at The Royal Dramatic Theatre in Stockholm. The figures give evidence of changes in several viewpoints, among which increased anti-Semitic viewpoints caused by the performance.

    After examining the production’s Change Potential, consisting of Reality Conventions, Invitation to the Theatre and Rhetoric and Aesthetic Strategies, it is suggested that the change caused by the performance can be understood within the frame of The Reinforcement Model, which means that the Theatrical Event only strengthened already existing attitudes towards Jews in Swedish society.

  • 4.
    Feiler, Yael
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Den nationella diskursens soldat och jag: om den israeliska kvinnans subjektposition vara eller icke2010In: Den nationella väven: Feministiska analyser / [ed] Maria Jansson, Maria Wendt, Cecilia Åse, Lund: Studentlitteratur , 2010, p. 173-190Chapter in book (Other academic)
  • 5.
    Feiler, Yael
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Det egna livets outtröttlige krönikör: Yael Feiler recenserar Harry Bernsteins nya bok2009In: Judisk krönika, ISSN 0345-5580, no 4, p. 11-11Article, book review (Other (popular science, discussion, etc.))
  • 6.
    Feiler, Yael
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    En insikt om minnet som livets kärna: Yael Feiler recenserar Nicol Krauss debutroman2009In: Judisk krönika, ISSN 0345-5580, no 3Article, book review (Other (popular science, discussion, etc.))
  • 7.
    Feiler, Yael
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    En svensk-judisk historia med kvinnor i förgrunden: Yael Feiler recenserar Marianne Goldmans dramatik2007In: Judisk krönika, no 4Article, book review (Other (popular science, discussion, etc.))
  • 8.
    Feiler, Yael
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    Första generationen2008In: I&M: Invandrare & Minoriteter, ISSN 1404-6857, Vol. Årgång 35, no Nr 1 2008, p. 26-27Article in journal (Other (popular science, discussion, etc.))
  • 9.
    Feiler, Yael
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    Gud som fader, landet som moder2008In: Judisk krönika, ISSN 0345-5580, Vol. Årgång 76, no 5, p. 16-17Article in journal (Other (popular science, discussion, etc.))
  • 10.
    Feiler, Yael
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    Inte alltid så privat2008In: arena: Sveriges ledande samhällsmagasin, ISSN 1652-0556, no #2 2008, p. 43-45Article in journal (Other (popular science, discussion, etc.))
  • 11.
    Feiler, Yael
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Kulturutredningens problem: Om kulturutredningens dubbelhet i förhållande till konst och kvalitet2009In: Tidskriften Arena, ISSN 1652-0556, no 2, p. 18-19Article in journal (Other (popular science, discussion, etc.))
  • 12.
    Feiler, Yael
    Institution för genus, kultur och historia, Södertörns högskola.
    Manifesto for an Israeli She Monster: The Plays of Miriam Kainy2009In: Feminist Aesthetics and Dramaturgy of Irene Salami-Agunloye / [ed] Emmy Unuja Idegu, The Department of Theatre and Film Arts, University of Jos , 2009, p. 134-144Chapter in book (Other academic)
  • 13.
    Feiler, Yael
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    Simson och Delila: Yael Feiler känner inte igen sig på Kungliga Operan2008In: Judisk krönika, ISSN 0345-5580, Vol. Årgång 76, no nr 6, p. 28-29Article in journal (Other (popular science, discussion, etc.))
  • 14.
    Feiler, Yael
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Till frihetens försvar: recension2010In: Arena, ISSN 1652-0556, no 6, p. 54-55Article, book review (Other (popular science, discussion, etc.))
  • 15.
    Feiler, Yael
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Transnationell kultur i marginalen: ett vitalt fenomen i motvind: Rapport från ett kartläggningsprojekt2010Report (Other academic)
    Abstract [en]

    The aim of the research project, resulting in the report “Transnationell kultur i marginalen” (Transnational Culture in the Margins), written by PhD Yael Feiler for The Multicultural Centre, with support from the Swedish Arts Council,

    was, to trace, to map, to contextualize and illuminate transnational cultural expressions and arrangements in contemporary Sweden, and to identify the obstacles and difficulties which obstruct those activities from being recognized and included in the cultural establishment.

    The method used was series of in-depth interviews with a large number of active practitioners working in different artistic genres in the outskirts of the Swedish cities Stockholm, Malmö and Gothenburg, as well as with politicians in charge of cultural issues.

    The results of the inquiry indicate that:

    • Transnational Culture in Sweden is a widespread and extensive phenomenon.     
    • Housing segregation on one hand, and ”compulsory integration” on the other, are, together with the dismantling of the welfare state, identified as central obstacles which obstruct those activities from being included in the cultural establishment.  
    • A continuous follow-up of transnational cultural expressions and activities is required if those should be included within a common cultural sphere.
  • 16.
    Feiler, Yael
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    What Happens When The Merchant of Venice is Being Staged?: A comparative analysis of the reception of three European productions2010In: Shakespeares Shylock och antisemitismen / [ed] Yael Feiler, Willmar Sauter, Stockholm: Stiftelsen för utgivning av teatervetenskapliga studier (Stuts) , 2010, 2. uppl., p. 133-162Chapter in book (Other academic)
  • 17.
    Feiler, Yael
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. teater- och dansvetenskap.
    Hoogland, RikardStockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. teater- och dansvetenskap.Westerling, KalleStockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. teater- och dansvetenskap.
    Willmar in the world: young scholars exploring the theatrical event : a Festschrift for Willmar Sauter on his 60th birthday2007Collection (editor) (Other academic)
  • 18.
    Feiler, Yael
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    Sauter, Willmar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    Shylock i rörelse: gestaltning, mottagande - nu och då2006In: Shakespeares Shylock och antisemitismen, Stiftelsen för utgivning av teatervetenskapliga skrifter , 2006, p. 29-60Chapter in book (Other academic)
  • 19.
    Sauter, Willmar
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Feiler, YaelStockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Shakespeares Shylock och antisemitismen: Ny utökad utgåva2010Collection (editor) (Other academic)
1 - 19 of 19
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