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  • 1.
    Cederlöf, Henriette
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen. Södertörn University, Sweden.
    Alien Places in Late Soviet Science Fiction: The "Unexpected Encounters" of Arkady and Boris Strugatsky as Novels and Films2014Doktorsavhandling, monografi (Övrigt vetenskapligt)
    Abstract [en]

    This dissertation deals with how science fiction reflects the shift in cultural paradigms that occurred in the Soviet Union between the 1960s and the 1970s. Interest was displaced from the rational to the irrational, from a scientific-technologically oriented optimism about the future to art, religion, philosophy and metaphysics. Concomitant with this shift in interests was a shift from the future to an elsewhere or, reformulated in exclusively spatial terms, from utopia to heterotopia.

    The dissertation consists of an analysis of three novels by the Strugatsky brothers (Arkady, 1925-1991 and Boris 1933-2012): Inspector Glebsky’s Puzzle (Otel’ U pogibšego al’pinista, 1970), The Kid (Malyš, 1971) and Roadside Picnic (Piknik na obočine, 1972) and two films Dead Mountaineer’s Hotel (Hukkunud alpinisti hotell/ Otel’ U pogibšego al’pinista, Kromanov, 1979) and Stalker (Tarkovsky, 1980).  The three novels, allegedly treatments of the theme of contact with an extraterrestrial intelligence, were intended to be published in one volume with the title Unexpected Encounters. The films are based on two of the novels.

    In the novels an earlier Marxist utopia has given way to a considerably more ambiguous heterotopia, largely envisioned as versions of the West. An indication of how the authors here seem to look back towards history rather than forward towards the future is to be found in the persistent strain of literary Gothic that runs through the novels. This particular trait resurfaces in the films as well. 

    The films reflect how tendencies only discernable in the novels have developed throughout the decade, such as the budding Soviet consumer culture and the religious sensibilities of the artistic community.

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    fulltext
  • 2.
    Ågren, Mattias
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Phantoms of a Future Past: A Study of Contemporary Russian Anti-Utopian Novels2014Doktorsavhandling, monografi (Övrigt vetenskapligt)
    Abstract [en]

    The aim of this dissertation is to study the evolution of the Russian anti-utopian literary genre in the new post-Soviet environment in the wake of the defunct Soviet socialist utopia. The genre has gained a renewed importance during the 2000s, and has been used variously as a means of dealing satirically with the Soviet past, of understanding the present, and of pondering possible courses into the future for the Russian Federation. A guiding question in this study is: What makes us recognize a novel as anti-utopian at a time when the idea of utopia may appear obsolete, when the hegemony of nation states has been challenged for several decades, and when art has been drawn towards the aesthetics of hybridity? The main part of the dissertation is comprised of detailed analyses of three novels: The Slynx (Kys', 2001) by Tatyana Tolstaya; Homo Zapiens/Babylon (Generation ‘P’, 1999) by Viktor Pelevin; and Ice Trilogy (Ledianaia Trilogiia, 2002−2005) by Vladimir Sorokin. The further development of the genre is subsequently discussed on the basis of seven novels published in the past decade.

    A main argument in the dissertation is that the genre has been modified in ways which can be seen as a response to social and political changes on a global scale. The waning power of the nation state, in particular, and its broken monopoly as the bearer of social projects marks a new context, which is not shared by the classic works of the genre. Analysis of this evolution in post-Soviet anti-utopian novels draws on sociological as well as literary studies.

    The dissertation shows how the analysed novels use the possibilities of the genre to problematize various forms of societal discourse, and how these discourses work as mutations of utopia. Prominent among these are historical discourses, which reflect the increasing importance of historical narratives in public political debates in the Russian Federation.

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    Mattias Ågren Avhandling
  • 3.
    Ouvarova, Svetlana
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Metaistorija Bulata Okudžavy: Obraz dokumenta v romane Putešestvie diletantov2009Doktorsavhandling, monografi (Övrigt vetenskapligt)
    Abstract [en]

    This study examines Okudzhava’s depiction of the process of documentalization of the past as a defining feature of the novel Puteshestvie diletantov, giving reason to consider it a form of metahistory, or an artistic statement on the subject of historical knowledge.

    The image of the document plays a central role in the novel Puteshestvie diletantov. Through it, Okudzhava depicts the process of knowing and (re)creating the past, as well as the process of its deformation, supplementation and modification. In the form of a document, the past finds existence in time and space, finds its author and addressee, and becomes submerged in a constantly changing context.

    Okudzhava does not contest the truth of the past, but rather problematizes it, immersing the reader in its real element – the narrative one, permeated by the creative will of the individual. Within this element, two juxtaposed narrative streams stand out clearly: the fictional and the documentary, each shaping the picture of the past in different ways.

    By thematicizing the issue of documents as evidence, Okudzhava at the same time thematicizes the influence of narrativity on the process of our recreation of past events, as well as on the course of these same events. The act of compiling a document and the act of narration appear in the novel as the driving force of the action and are treated by the author of Puteshestvie diletantov as a fully fledged manifestation of human will in History.

    In this way, the metafictionality of the novel (its thematicization and problematization of various narrative forms) becomes the key to its metahistoricality (the thematicization and problematization of knowledge of the past, the composition of History), inasmuch as History itself is represented here in the form of a narrative stream.

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    FULLTEXT01
  • 4.
    Lane, Tora
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Rendering the Sublime: A Reading of Marina Tsvetaeva's Fairy-Tale Poem The Swain2009Doktorsavhandling, monografi (Övrigt vetenskapligt)
    Abstract [en]

    The present study is a reading of the folkloric fairy-tale poem The Swain (Mólodets) (1924) by the Russian Modernist poet Marina Tsvetaeva (1892-1941).

    The poem represents a high point in Tsvetaeva’s experiments with Russian folk art, and it is thoroughly folkloric in its theme, forms of writing and poetic language. At the same time, the poem can be linked to the attraction to folk art as a locus of the Sublime in literary tradition, which originates in German Romanticism, and finds its echoes in Russian Modernism. This study seeks to show that Tsvetaeva’s exploration of folk art in the poem was inspired by a quandary linked to the Sublime; namely the paradoxical question how to present in art what is too great to be represented.

    The poem is read as an image and an illustration of the poet’s understanding of the means of presenting the unrepresentable. Tsvetaeva renders the tale as an uncanny story about a horrifying elemental force. She seeks to avoid representation by bringing out the story in a poetic performance, which has the character of a lyrical drama, where the voices of the characters speak and sing in a direct manner. Within the canvas of the folkloric performance, the poet explores poetic language to render the Sublime. She experiments with secondary meanings in order to bring out a language, which at the same time is “secret” and “literal”, and where the element can be made present in its sublimity.

    Ladda ner fulltext (pdf)
    FULLTEXT01
  • 5.
    Bodin, Per-Arne
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Eternity and Time: Studies in Russian Literature and the Orthodox Tradition2007Bok (Övrigt vetenskapligt)
    Abstract [en]

    What influence has hesychasm had on Russian hymnography? What is the impact of the Christian theme in the famous terrorist Boris Savinkov's novel The Pale Horse? These are two of the questions addressed in this interdisciplinary study that examines the Orthodox tradition throughout Russian literature and culture. Issues such as the use of icons, hymns and hagiography from Medieval times up to Post Soviet Russia are studied, and crucial notions of Orthodox thought, such as hesychasm, the Trinity and the Apocalypse and their impact on Russian culture are interpreted. Questions such as transformation, repudiation, and unexpected encounters between different themes and motifs play a central role. Methodologically close to the Russian semiotics in its late phase, this work discusses common denominators for the use of this tradition through the ages. Altogether, the 17 studies in this volume contribute to the aesthetic appreciation of Russian literature and culture.

  • 6.
    Semenenko, Aleksei
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Hamlet the Sign: Russian Translations of Hamlet and Literary Canon Formation2007Doktorsavhandling, monografi (Övrigt vetenskapligt)
    Abstract [en]

    This work is an attempt to answer one simple question: What is Hamlet? Based on the material of Hamlet translations into Russian, the dissertation scrutinizes the problems of literary canon formation, translation and textuality proceeding in two parallel directions: the historical analysis of canon formation in translation and the conceptualization of Hamlet’s textuality. The methodological framework is defined in the context of Jurij Lotman’s semiotics of culture, which is invaluable for an understanding of the mechanisms of literary evolution, the theory of translation and literary canon formation.

    The study examines the history of Hamlet in Russia from 1748 until the present with special attention to analysis of the canonical translations, theater productions of the Shakespearean classic and the phenomenon of Hamletism. The case study of the 1964 film by Grigorij Kozincev focuses on the problem of the cinematographic canon of Hamlet. Further, the work scrutinizes various types of representation of Hamlet in such semiotic systems as the theater, the cinema, and the pictorial arts, and also examines how Hamlet functions as a specific type of sign.

    The final section returns to the question of canon formation and textuality. The results of the research show that 1) the literary canon appears to be closely associated with the concepts of genre and myth, 2) in order to become canonical it is imperative for a literary text to function on the level of microcanon and to be represented in modes other than the written.

  • 7.
    Grelz, Karin
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Beyond the noise of time: readings of Marina Tsvetaeva’s memories of childhood2004Doktorsavhandling, monografi (Övrigt vetenskapligt)
    Abstract [en]

    Although quite a few researchers have pointed to the significance of the childhood theme in Tsvetaeva’s work, no systematic analysis of her work has been done from this perspective. Nor have her childhood reminiscences been treated as a thematically consistent whole, but have rather been read as instances of the poet’s prose in general. The present study examines Marina Tsvetaeva’s memories of childhood in the context of her work and in the context of the cultural and political reality to which these reminiscences refer and in which they were written—i.e., Russia around the turn of the century and the Russian émigré world of 1930–1937.

    In the introductory investigation of the presence of the childhood theme in Tsvetaeva’s oeuvre, it is found that idealization of the naive, innocent state is a relatively constant feature and that the childhood memories can be read as a culmination of this set of motives. It is also stated that Tsvetaeva’s continuous striving in her poetry away from the world, out of time, is an integral part of the childhood thematics. This tendency is traced, in connection with the childhood theme, to the influence of writers of the late Russian Symbolist movement as well as to Boris Pasternak and Rainer Maria Rilke—all with roots in literary Romanticism. Childhood is moreover found to be something of a key theme that reveals fundamental differences in the relation to memory and language among the authors of Russian modernism. In Tsvetaeva' s case it is shown that her childhood memories contain the romantic essence of her aesthetics.

    The study also touches upon the symbolic and allegorical dimension of the texts—Tsvetaeva’s “otherspeak” in her prose. It is shown that the central scenes of these texts can be read as illustrations of an artistic and linguistic experience. In this regard the author’s narrative of childhood also appears to have been a suitable medium for articulating controversial aesthetic statements and taking a stand for an historical past and literary tradition that at the time seemed doomed to oblivion.

  • 8.
    Engström, Maria
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Cheruvimskie pesnopenija v russkoj liturgičeskoj tradicii2004Doktorsavhandling, monografi (Övrigt vetenskapligt)
    Abstract [en]

    This thesis is a contribution to a growing field of studies on the reception of Byzantine culture in Russia. The object of investigation is the history of the Church Slavonic translation of the Cherubika, which constitute one of the most ancient and dogmatically important functional genres of Byzantine liturgical hymns. The chronological frame of this study is the 13th–17th century. Particular attention is focused on the last change in the liturgical texts in Muscovite Russia, in the mid-17th century. This liturgical reform, which led to the famous Schism in the Russian Church, is studied as part of the cultural reforms started by Tsar Alexis Romanov (1645-1676).

    The most characteristic feature of Orthodoxy is the principal unity of Scripture and Tradition, which in a hermeneutical perspective means the inseparability of text and context. The semiotic and interdisciplinary approach used in this study reflects this principle. The Slavic Cherubika are interpreted in a broad cultural perspective, and Church Slavonic translations are studied in the proper theological, rhetorical and linguistic contexts.

    Although the 17th-century translations made in Moscow were based on late Greek and South Slavic sources, they reconstruct the original dogmatic message of the Byzantine Cherubika and are hence closer to the Tradition than earlier Slavonic translations.

    This study offers a new interpretation of the nature of the Schism. It is shown that the main cause of the controversy between Reformists and Old Believers lies in their different understandings of the connection between Text and Ritual. The traditional medieval interpretation of the Cherubika is influenced by certain iconographical themes, other liturgical texts and the priest’s actions during the liturgy. The transition from a liturgocentric interpretation of sacral texts to a descriptive theological interpretation was a break from the characteristic Russian form of liturgocentrism and the beginning of a new cultural era.

  • 9.
    Grelz, Karin
    et al.
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Witt, SusannaStockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Telling forms: 30 essays in honour of Peter Alberg Jensen2004Samlingsverk (redaktörskap) (Övrigt vetenskapligt)
  • 10.
    Galatsky, Natalia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för slaviska och baltiska språk, finska, nederländska och tyska, Slaviska språk.
    Variacija na ”Temu s variacijami”2004Ingår i: Telling forms, Stockholm: Acta Universitatis Stockholmiensis, 2004, s. 68-83Kapitel i bok, del av antologi (Övrigt vetenskapligt)
  • 11.
    Witt, Susanna
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Creating creation: readings of Pasternak's Doktor Živago2000Doktorsavhandling, monografi (Övrigt vetenskapligt)
    Abstract [en]

    This study investigates the process of creation in Boris Pasternak's Doktor Îivago (1957), both as depicted in and as realized by the novel. Statements on art, on literature in general and on specific texts are found to have a bearing on the novel itself, thus providing clues to its own poetics and philosophy of art.

    Ch. 1 examines the protagonist's understanding of art as dopisyvanie, or 'continuational writing.' This notion is applied to the relationship between Doktor Îivago and the Book of Revelation. One text appears to proceed from another as a continuation involving creative distortions. Such a manner of writing creates a literary continuum corresponding to the sensation of wholeness inherent in Pasternak. Ch. 2 examines the main hero's own creative activity, viewed as a process of articulation stretching throughout the novel. The analysis shows that writing is persistently modeled as painting: the semantics of the Russian word for painting, Ïivopis' ('life-writ'), is in various ways exploited narratively in the work.

    Ch. 3 provides a case study of the novel's 'continuation' of another literary work: Dostoevskij's The Brothers Karamazov. Convergences on the level of character description and plot form a background to thematic lines of pertinence to both novels: the protagonists' articulation of a mute word as an "answer to death," the notion of immortality as "life in others," the memory theme conveyed by the image of the slanting rays of the setting sun.

    Ch. 4 shows how the biological notion of mimicry connects with the implicit aesthetic discussion in Doktor Îivago. Mimicry appears as an image of the essence and existential mode of art, comprising some of the features analyzed in the previous chapters: the novel's relationship with other texts, the relationship between its poetry and prose sections and the question of its genre. Finally it is suggested that the forest serves as a stage for the demonstration of constitutive features of the novel's poetics and philosophy of art.

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  • 12.
    Alberg Jensen, Peter
    et al.
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Lunde, IngunnStockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Severnyj sbornik: proceedings of the NorFA Network in Russian Literature 1995-20002000Samlingsverk (redaktörskap) (Övrigt vetenskapligt)
  • 13.
    Galatsky, Natalia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för slaviska och baltiska språk, finska, nederländska och tyska, Slaviska språk.
    Zapiski Popristjsjna kak chast’ retji Brodskogo2000Ingår i: Severnyj sbornik, Stockholm: Acta Universitatis Stockholmiensis, 2000, s. 277-293Kapitel i bok, del av antologi (Övrigt vetenskapligt)
  • 14.
    Galatsky, Natalia
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Записки Поприщина как часть речи Бродского2000Ingår i: Северный сборник: Proceedings of the NorFA Network in Russian Literature 1995-2000 / [ed] Peter Alberg Jensen, Ingunn Lunde, Stockholm: Almqvist & Wiksell, 2000, s. 255-267Kapitel i bok, del av antologi (Refereegranskat)
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    fulltext
  • 15.
    Ljunggren, Anna
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    At the crossroads of Russian modernism: studies in Innokentij Annenskij's poetics1997Bok (Övrigt vetenskapligt)
  • 16.
    Lövgren, Håkan
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Eisenstein's labyrinth: aspects of a cinematic synthesis of the arts1996Doktorsavhandling, monografi (Övrigt vetenskapligt)
  • 17.
    Ljunggren, Anna
    et al.
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Gurʹjanova, Nina A.Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Elena Guro: selected writings from the archives1995Samlingsverk (redaktörskap) (Övrigt vetenskapligt)
  • 18.
    Kazimiera, Ingdahl
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    A graveyard of themes: the genesis of three key works by Iurii Olesha1994Bok (Övrigt vetenskapligt)
  • 19.
    Kutik, Ilʹja Vitalʹevič
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    The ode and the odic: essays on Mandelstam, Pasternak, Tsvetaeva and Mayakovsky1994Doktorsavhandling, monografi (Övrigt vetenskapligt)
  • 20.
    Ljunggren, Magnus
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    The Russian Mephisto: a study of the life and work of Emilii Medtner1994Bok (Övrigt vetenskapligt)
  • 21.
    Jangfeldt, Bengt
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Jakobson-budetljanin / Roman Jakobson: [Jakobson the futurist] : sbornik materialov / sostavlenie, podgotovka teksta, predislovie i kommentarii: Bengt Jangfelʹdt1992Bok (Övrigt vetenskapligt)
  • 22.
    Ljunggren, Anna
    et al.
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Nilsson, Nils ÅkeStockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Elena Guro: selected prose and poetry1988Samlingsverk (redaktörskap) (Övrigt vetenskapligt)
  • 23.
    Jangfeldt, Bengt
    et al.
    Stockholms universitet, Humanistiska fakulteten.
    Kruus, Rein
    Stockholms universitet, Humanistiska fakulteten.
    Pisʹma k Avguste Baranovoj 1916-1938: [Letters to Augusta Baranova 1916-1938] / Igorʹ Severjanin ; sostavlenie, podgotovka teksta, vvedenie i kommentarii: Bengt Jangfelʹdt i Rejn Kruus1988Bok (Övrigt vetenskapligt)
  • 24.
    Kleberg, Lars
    et al.
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Lövgren, HåkanStockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Eisenstein revisited: a collection of essays1987Samlingsverk (redaktörskap) (Övrigt vetenskapligt)
  • 25.
    Alberg Jensen, Peter
    et al.
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Lönnqvist, BarbaraStockholms universitet, Humanistiska fakulteten, Slaviska institutionen.Björling, FionaStockholms universitet, Humanistiska fakulteten, Slaviska institutionen.Kleberg, LarsStockholms universitet, Humanistiska fakulteten, Slaviska institutionen.Sjöberg, AndersStockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Text and context: essays to honor Nils Åke Nilsson1987Samlingsverk (redaktörskap) (Övrigt vetenskapligt)
  • 26.
    Bergstrand, Märta
    Stockholms universitet, Universitetsbiblioteket. Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Från Karamzin till Trifonov: en bibliografi över rysk skönlitteratur i svensk översättning1985Bok (Övrigt vetenskapligt)
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    fulltext
  • 27.
    Nilsson, Nils Åke
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Velimir Chlebnikov: a Stockholm symposium, April 24, 19831985Proceedings (redaktörskap) (Övrigt vetenskapligt)
  • 28.
    Ljunggren, Anna
    Stockholms universitet, Humanistiska fakulteten.
    Juvenilia B. Pasternaka: 6 fragmentov o Relikvimini1984Doktorsavhandling, monografi (Övrigt vetenskapligt)
  • 29.
    Ingdahl, Kazimiera
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    The artist and the creative act: a study of Jurij Oleša's novel Zavist'1984Doktorsavhandling, monografi (Övrigt vetenskapligt)
  • 30.
    Kleberg, Lars
    et al.
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Nilsson, Nils ÅkeStockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Theater and literature in Russia 1900-1930: a collection of essays1984Samlingsverk (redaktörskap) (Övrigt vetenskapligt)
  • 31.
    Johansson, Kurt
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Aleksej Gastev: proletarian bard of the machine age / by Kurt Johansson1983Doktorsavhandling, monografi (Övrigt vetenskapligt)
  • 32.
    Jangfeldt, Bengt
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Perepiska 1915-1930 / V. V. Majakovskij i L. Ju. Brik ; sost., podgotovka teksta, vvedenie i komment.: Bengt Jangfelʹdt: [Correspondence 1915-1930] / [Vladimir Majakovskij and Lili Brik ; ed. by Bengt Jangfeldt]1982Bok (Övrigt vetenskapligt)
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    fulltext
  • 33.
    Nilsson, Nils Åke
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Studies in 20th century Russian prose1982Samlingsverk (redaktörskap) (Övrigt vetenskapligt)
  • 34.
    Ljunggren, Magnus
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    The dream of rebirth: a study of Andrej Belyj's novel Peterburg1982Doktorsavhandling, monografi (Övrigt vetenskapligt)
  • 35.
    Hellgren, Ludmila
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Dialogues in Turgenev's novels: speech-introductory devices1980Doktorsavhandling, monografi (Övrigt vetenskapligt)
  • 36.
    Nilsson, Nils Åke
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Art, society, revolution: Russia 1917-19211979Samlingsverk (redaktörskap) (Övrigt vetenskapligt)
  • 37.
    Nilsson, Nils Åke
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Russian romanticism: studies in the poetic codes1979Samlingsverk (redaktörskap) (Övrigt vetenskapligt)
  • 38.
    Lönnqvist, Barbara
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Xlebnikov and carnival: an analysis of the poem Poėt1979Doktorsavhandling, monografi (Övrigt vetenskapligt)
  • 39.
    Nilsson, Nils Åke
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Boris Pasternak: essays1976Samlingsverk (redaktörskap) (Övrigt vetenskapligt)
  • 40.
    Jangfeldt, Bengt
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Majakovskij and futurism 1917-19211976Doktorsavhandling, monografi (Övrigt vetenskapligt)
  • 41.
    Bodin, Per-Arne
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Nine poems from Doktor Živago: a study of Christian motifs in Boris Pasternak's poetry / by Per Arne Bodin1976Doktorsavhandling, monografi (Övrigt vetenskapligt)
  • 42.
    Rougle, Charles
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Three Russians consider America: America in the works of Maksim Gor'kij, Aleksandr Blok, and Vladimir Majakovskij1976Doktorsavhandling, monografi (Övrigt vetenskapligt)
  • 43.
    Hansson, Carola
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Fedor Sologub as a short-story writer: stylistic analyses / by Carola Hansson1975Doktorsavhandling, monografi (Övrigt vetenskapligt)
  • 44.
    Linnér, Sven
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Starets Zosima in The brothers Karamazov: a study in the mimesis of virtue1975Bok (Övrigt vetenskapligt)
  • 45.
    Jangfeldt, Bengt
    et al.
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Nilsson, Nils ÅkeStockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Vladimir Majakovskij: memoirs and essays1975Samlingsverk (redaktörskap) (Övrigt vetenskapligt)
  • 46.
    Nilsson, Nils Åke
    Stockholms universitet, Humanistiska fakulteten, Slaviska institutionen.
    Osip Mandelʹštam: five poems1974Bok (Övrigt vetenskapligt)
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