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  • 1.
    Malmsborg, Thomas
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas, History of Literature.
    Att lita till läsaren: Om impressionistiskt berättande i Stig Claessons författarskap med utgångspunkt i romanen Brev till en hembygdsgård2014Independent thesis Advanced level (degree of Master (One Year)), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    The objective of this paper – Trusting the reader: On impressionistic narrating in Stig Claesson's writings with the novel Brev till en hembygdsgård as starting point – is to examine narrative techniques used by the Swedish author Stig Claesson, specifically some which fall within the broad field known as literary impressionism: e.g. omission, repetition, juxtaposition, episodic narration and how access to the narrator’s as well as individual characters' consciousness is handled.

    The method used for the study will be that of illustrative comparison. The analysis will seek its theoretical grounds in the works by Gerard Genette and Jonathan Culler. In the major parts of the study, narrative techniques used by Claesson in the novel Brev till en hembygdsgård (1974), is examined with the help of Robert Paul Lamb and James Nagel, and their studies concerning the crafts of Ernest Hemingway and Stephen Crane. In addition, other novels by Claesson are used in order to find, illustrate and then compare his craftsmanship with techniques already studied and described by scholars and critics.

    The main result from the analysis is that a need to trust the reader follows from Claesson’s choice of narrative techniques; by having the narrating instance mainly represent perception – without allowing the narrator, or the characters of the narrative, to interpret what’s rendered – the reader is left to experience sensation on her own. To assist the reader, Claesson binds together his episodic narration with a frequent use of juxtaposition, in which colors, objects and scenes already used, are re-used – hence having one scene charge the next, and so on, with previously evoked emotions. Furthermore, Claesson frequently uses omission in conjunction with repetition as a narrative technique; often when the narrator returns to an already used scene, she is excluding some of the information given to the reader earlier in exchange for some previously omitted information or for elements belonging to other scenes. The study finds that a consequence of Claesson’s combination of the above mentioned techniques, is that his texts calls for a reader to take an active part in creating meaning both from the text and from their own experience.

    Finally, the study suggests that Claesson, like any craftsman, recognized that once the work is done and delivered, it is up to the recipient to use it according to their own ability, imagination and discretion.

  • 2.
    Cullhed, Anders
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas, History of Literature.
    "Blotta namnen, tingen förutan"...: Tre exempel på figurationens roll för den medeltida fiktionaliteten2013In: Tal, makt, vansinne: En vänbok till Ulf Olsson / [ed] Thomas Götselius, Caroline Haux, Jesper Olsson & Per Anders Wiktorsson, Höör: Symposion Brutus Östlings bokförlag, 2013, 1, p. 24-31Chapter in book (Other academic)
  • 3.
    Hackman, Boel
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Demokratisk undervisning: om Anna Sandströms och Kvinnliga medborgarskolans pedagogik2012In: Litteraturens arbetare: en vänbok till Per-Olof Mattsson / [ed] Christer Johansson, Per Anders Wiktorsson, Lund: Ellerströms förlag, 2012, p. 295-305Chapter in book (Other academic)
  • 4.
    Wiktorsson, Per Anders
    Stockholm University, Faculty of Humanities, Department of History of Literature and History of Ideas.
    Den utvidgade människan: Om Eyvind Johnsons Krilontrilogi2010Doctoral thesis, monograph (Other academic)
    Abstract [en]

    The aim of this dissertation is to understand the relation between a given literary work and the specific historical conditions under which it was written. Here, the conditions are those generated by World War II, the threats of Nazism, and the neutrality of Sweden, materialized as restrictions on the freedom of speech and press in Sweden during the war. These conditions are confronted and challenged by Eyvind Johnson’s Krilon Trilogy: the novels Grupp Krilon, 1941 [Group Krilon], Krilons resa, 1942 [Krilon’s Journey] and Krilon själv, 1943 [Krilon Himself].

    Methodologically, the discussion is informed by Foucauldian discourse analysis, the empirical framing of Johnson’s work is based on the sociology of literature, while different interpretative approaches are used for a detailed understanding of the text.

    With the protagonist, Johannes Krilon, as a point of departure, the dissertation analyzes how Johnson in his trilogy incorporates the historical conditions he is facing, and how he is forced both to adjust to them and to invent ways to negotiate, circumvent, and resist them. While Johnson has to observe the discourse of neutrality, he finds ways to make Krilon transcend these limitations by shaping him into a complex hero, constantly forming, re-forming and performing himself, reflecting upon his own shortcomings, and engaging in dialogic relations with his surroundings. In this flexibility, Krilon is construed as a trustworthy teller and provoker of the truth. The restrictions on the freedom of speech and the official politics of neutrality function as an incitement for the author to test the conditions he is writing under, which forces him into an aesthetic experimentation that includes both traditional and modernist strategies of writing, forming the trilogy into a parodical and allegorical machinery. As the central mode of the work, allegory enables Johnson to speak politically, while at the same time distancing his work from the contemporary realistic novel.

  • 5.
    Olsson, Ulf
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
    "Det finns alltså fortfarande fattiga människor i Sverige" Lars Norén som trasproletärförfattare2012In: Litteraturens arbetare: En vänbok till Per-Olof Mattsson / [ed] Christer Johansson & Per Anders Wiktorsson, Lund: Ellerströms förlag, 2012, p. 67-77Chapter in book (Other academic)
  • 6.
    Wiktorsson, Per Anders
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas, History of Literature.
    En svår stund och ett kort uppehåll: Om Eyvind Johnson och novellkonsten2012In: Litteraturens arbetare: En vänbok till Per-Olof Mattsson / [ed] Christer Johansson & Per Anders Wiktorsson, Lund: Ellerströms förlag, 2012, p. 107-118Chapter in book (Other academic)
  • 7.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas, History of Literature.
    Ett skópos för undervisningen i litteraturhistoria?2012In: Litteraturens arbetare. En vänbok till Per-Olof Mattsson / [ed] Christer Johansson & Per Anders Wiktorsson, Lund: Ellerströms förlag, 2012, p. 307-313Chapter in book (Other academic)
  • 8.
    Wiktorsson, Per Anders
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Eyvind Johnson. Kritik III, (1936-1946)2016Collection (editor) (Other academic)
  • 9.
    Johansson, Christer
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
    Eyvind Johnsons Romanen om Olof som metaroman2012In: Litteraturens arbetare: En vänbok till Per-Olof Mattsson / [ed] Christer Johansson & Per Anders Wiktorsson, Lund: Ellerströms förlag, 2012Chapter in book (Other academic)
  • 10.
    Bak, Krzysztof
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas, History of Literature.
    Fantasin i arbete: Om Gaston Bachelards telluriska onirism och Sara Lidmans Gruva2012In: Litteraturens arbetare: En vänbok till Per-Olof Mattsson / [ed] Christer Johansson & Per Anders Wiktorsson, Lund: Ellerströms förlag, 2012, 1, p. 203-215Chapter in book (Other academic)
  • 11.
    Druker, Elina
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas, History of Literature.
    Folkhemmet och den goda husmodern: Skildringar av hemarbete och bostadsplanering i Eva Billows illustrationer2012In: Litteraturens arbetare: En vänbok till Per-Olof Mattsson / [ed] red Christer Johansson, Per Anders Wiktorsson, Lund: Ellerströms förlag, 2012, 1, p. 285-294Chapter in book (Other academic)
  • 12.
    Wiktorsson, Per Anders
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    "För satan, min kropp vill inte ha ister". Om hungern i Eyvind Johnsons tidiga författarskap2015In: Omvägar till sanningen: nya perspektiv på Eyvind Johnsons författarskap / [ed] Christer Johansson, Anders Lindström, Höör: Symposion Brutus Östlings bokförlag, 2015, p. 101-129Chapter in book (Refereed)
  • 13.
    Wiktorsson, Per Anders
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
    Gåtans tal: Om Jonas Hassen Khemiris Invasion!2013In: Tal, makt, vansinne: En vänbok till Ulf Olsson / [ed] Thomas Göteslius, Caroline Haux, Jesper Olsson, Per Anders Wiktorsson, Höör: Symposion Brutus Östlings bokförlag, 2013, p. 117-127Chapter in book (Other academic)
  • 14.
    Wiktorsson, Per Anders
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    "I en så gasmolnsomtöcknad tid som vår": Eyvind Johnson som kritiker 1936–19462016In: Eyvind Johnson: Kritik lll (1936-1946) / [ed] Per Anders Wiktorsson, Lund: Ellerströms förlag, 2016, p. 11-34Chapter in book (Other academic)
  • 15.
    Öhrn, Magnus
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas, History of Literature.
    "Ja e rö', förstår du!": Hjalmar Wallander och hans skildringar av arbetarpojkar från 1920-talet2012In: Litteraturens arbetare: En vänbok till Per-Olof Mattsson / [ed] Christer Johansson & Per Anders Wiktorsson, Lund: Ellerströms förlag, 2012, p. 39-55Chapter in book (Other academic)
  • 16.
    Spens, Eva
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas, History of Literature.
    Klasskamp och mordutredningar: Om Elizabeth Georges detektivromaner2012In: Litteraturens arbetare: En vänbok till Per-Olof Mattsson / [ed] Christer Johansson och Per Anders Wiktorsson, Lund: Ellerströms förlag, 2012, p. 265-270Chapter in book (Other academic)
  • 17.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Kungliga Dramatiska Teatern som folkteater2012In: Litteraturens arbetare: En vänbok till Per-Olof Mattsson / [ed] Christer Johansson & Per Anders Wiktorsson, Lund: Ellerströms förlag, 2012, p. 273-284Chapter in book (Other academic)
  • 18.
    Wiktorsson, Per Anders
    et al.
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas, History of Literature.
    Johansson, ChristerStockholm University, Faculty of Humanities, Department of Literature and History of Ideas, History of Literature.
    Litteraturens arbetare: En vänbok till Per-Olof Mattsson2012Collection (editor) (Other academic)
  • 19.
    Andersson, Maria
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
    "Mina kamrater hästarna" Klass och kön i Harry Kullmans Stridshästen:  2012In: Litteraturens arbetare: En vänbok till Per-Olof Mattsson / [ed] Christer Johansson och Per Anders Wiktorsson, Lund: Ellerströms förlag, 2012Chapter in book (Other academic)
  • 20.
    Öhrn, Magnus
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas, History of Literature.
    Pippi 2.0: Om Astrid Lindgrens kanonisering2013In: Tal, makt, vansinne: En vänbok till Ulf Olsson / [ed] Thomas Götselius, Caroline Haux, Jesper Olsson & Per Anders Wiktorsson, Höör: Symposion Brutus Östlings bokförlag, 2013, p. 167-177Chapter in book (Other academic)
  • 21.
    Cullhed, Anders
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas, History of Literature.
    Rubén Darío: Liv och diktning2012In: Litteraturens arbetare: En vänbok till Per-Olof Mattsson / [ed] Christer Johansson, Per Anders Wiktorsson, Lund: Ellerströms förlag, 2012, p. 231-240Chapter in book (Other academic)
  • 22.
    Härnsten, Hedvig
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Skrivaren som inte skriver: En läsning av Melvilles Bartleby, the Scrivener2013In: Tal, makt, vansinne: En vänbok till Ulf Olsson / [ed] Thomas Götselius, Caroline Haux, Jesper Olsson, Per Anders Wiktorsson, Höör: Symposion Brutus Östlings bokförlag, 2013, p. 158-166Chapter in book (Other academic)
  • 23.
    Haux, Caroline
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Spegelscen: Allegori och fotografi i Henry Parlands Sönder2003In: Allegori, estetik, politik: Texter om litteratur / [ed] Ulf Olsson & Per Anders Wiktorsson, Eslöv: Symposion , 2003, p. 161-172Chapter in book (Refereed)
  • 24.
    Matevski, Daniel
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Stilens och berättarteknikens betydelse för tolkningen av Inger Edelfeldts novell "Sommar"2012Student paper second term, 5 credits / 7,5 HE creditsStudent thesis
    Abstract [sv]

    ”Sommar” är ett av de allra främsta exemplen på Inger Edelfeldts skicklighet som novellförfattare. Genom ett antal stilistiska och berättartekniska grepp utnyttjar hon novellens begränsade utrymme optimalt. Edelfeldt förmedlar här motiv och tema, utan att behöva ge avkall på vare sig person- eller miljöskildring och hon lyckas dessutom förmedla en rikedom av känsla och undermening. Uppsatsens syfte är att klargöra på vilket sätt Inger Edelfeldt skapar mening i novellen, utan att behöva skriva ned varenda bokstav i den historia hon vill förmedla: Vilka stilistiska och berättartekniska grepp används? Och vilken betydelse får dessa för tolkningen av berättelsen? Uppsatsen fokuserar på fyra olika analysområden (med såväl kvantitativa som kvalitativa drag): det sinnliga, det ljusa och det mörka, det rituella samt det utelämnade och det antydda. Det är just genom att använda sig av dessa stildrag och berättartekniska grepp som Edelfeldt, trots den knapphändiga informationen, skapar en djupare mening i texten.

  • 25.
    Götselius, Thomas
    et al.
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
    Haux, CarolineStockholm University, Faculty of Humanities, Department of Literature and History of Ideas.Olsson, JesperWiktorsson, Per AndersStockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
    Tal, makt, vansinne: en vänbok till Ulf Olsson2013Collection (editor) (Other academic)
  • 26.
    Götselius, Thomas
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
    ”Tal och tystnad i alfabetiseringen av Sverige: exemplet Jesper Swedberg”2013In: Tal, makt, vansinne: En vänbok till Ulf Olsson / [ed] Thomas Götselius, Caroline Haux, Jesper Olsson, Per Anders Wiktorsson, Höör: Brutus Östlings bokförlag Symposion , 2013, 500, p. 82-95Chapter in book (Refereed)
  • 27.
    Andersson, Maria
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
    Vansinnets saga2013In: Tal, makt, vansinne: En vänbok till Ulf Olsson / [ed] Thomas Götselius, Caroline Haux, Jesper Olsson & Per Anders WIktorsson, Höör: Brutus Östlings Bokförlag Symposion , 2013Chapter in book (Other academic)
  • 28.
    Lindström, Anders
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas, History of Literature.
    Vanvettets virvel2013In: Tal, makt, vansinne: En vänbok till Ulf Olsson / [ed] Thomas Götselius, Caroline Haux, Jesper Olsson, Per Anders Wiktorsson, Höör: Symposion Brutus Östlings bokförlag, 2013Chapter in book (Other academic)
  • 29.
    Spens, James
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
    "Åt rikemannen, åt penningekungen var veckans tunga dag är träl": Kring ett förbisett motiv i Heidenstams nittitalspoesi2012In: Litteraturens arbetare: En vänbok till Per-Olof Mattsson / [ed] Per-Olof Mattsson, Christer Johansson, Per Anders Wiktorsson, Lund: Ellerströms förlag, 2012Chapter in book (Other academic)
1 - 29 of 29
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