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  • 1.
    Abarca, David
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Avdelningen för japanska.
    Förebyggandet av självmord: En komparativ studie mellan Sverige och Japan2016Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
  • 2.
    Abdelmoez Wiklund, Joel
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Avdelningen för mellanösternstudier.
    Women’s status in Islamic texts and feminist interventions2017Inngår i: Orientaliska Studier, ISSN 0345-8997, nr 152, s. 5-14Artikkel i tidsskrift (Annet vitenskapelig)
  • 3.
    Aggeklint, Eva
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier.
    Ai Weiwei @ Helsinki på Helsinki Art Museum 25 september, 2015 – 28 februari, 20162015Inngår i: Kinarapport, ISSN 1404-3874, Vol. 4, s. 72-75Artikkel, omtale (Annet (populærvitenskap, debatt, mm))
  • 4.
    Aggeklint, Eva
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier.
    Aspects on writing about contemporary Chinese Art: The bridal couple as a theme, 1980–20062007Konferansepaper (Annet vitenskapelig)
  • 5.
    Aggeklint, Eva
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Avdelningen för kinesiska.
    Frankenstein and his Bride in a Conceptual Chinese Work of Photography2014Konferansepaper (Annet vitenskapelig)
  • 6.
    Aggeklint, Eva
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier.
    Frankenstein’s monster as translation: Articulations of artistic creativity, individuality and freedom of expression2016Inngår i: Journal of Contemporary Chinese Art, ISSN 2051-7041, Vol. 3, nr 1-2, s. 47-67Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article presents an interpretation of conceptual artist Qiu Zhen’s photographic work Me and My Bride: Satan’s Wedding No. 5 (2008) within the theoretical framework of Homi K. Bhabha’s Third Space. Because of its hybrid status and the work’s subtle likeness to certain visual elements related with the story of Frankenstein the interpretation is closely connected to that narrative. More specifically, the article uses this particular literary-photographical and cross-cultural panorama to explore artistic creativity, individuality and freedom of expression as articulated in this conceptual and postmodern work that was produced in the wake of preparing for the 2008 Olympic Games. The article further explores how something foreign like Frankenstein may engage with ‘Chineseness’ and how ‘Chineseness’ may be emphasized through the usage of something foreign. Thus this article approaches the concept of ‘Chineseness’ as a wearer of a foreign coat, negotiating the hybrid as a highly performative but softly speaking political product on the Chinese art scene.

  • 7.
    Aggeklint, Eva
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier.
    Från salong till iscensättning: Fotografiet i Kina2015Konferansepaper (Annet vitenskapelig)
    Abstract [sv]

    Föreläsningen handlar om hur fotografiet nådde Kina och hur mediet sedan starten influerats av västerländsk, inhemsk kinesisk kultur och japanska trender. Med utgångspunkt i porträtt och salongsfoto på 1840-talet följer föreläsnigen utvecklingen fram till dagens internationellt uppmärksammade iscensatta fotografi och diskuterar hur det kan tolkas och förstås.

  • 8.
    Aggeklint, Eva
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Avdelningen för kinesiska.
    Gränslös prakt i Östasiatiska museets samling2016Inngår i: Kinarapport, ISSN 1404-1855, nr 4, s. 82-85Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 9.
    Aggeklint, Eva
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier.
    Kinesisk konst på OpenART i Örebro2015Inngår i: Kinarapport, ISSN 1404-3874, Vol. 4, s. 78-79Artikkel, omtale (Annet (populærvitenskap, debatt, mm))
    Abstract [sv]

    I år har den femte upplagan av Örebros konstbiennal OpenART gått av stapeln. Den är sedan 2013 den största konstbiennalen i Skandinavien och brukar visa verk av ett sjuttiotal konstnärer från olika delar av världen i stadsrummet och på museer. I år bidrog inte mindre än 13 kinesiska konstnärer och var därmed efter Sverige den mest representerade nationen. De två kinesiska utställningarna "Möten" och "Utan hämningar" fanns att beskåda 14juni–6 september och visade konstverk av Ai Weiwei, Chen Zhiguang, Cheng Dapeng, Chi Peng, Fu Zhongwang, Hu Weiyi, Li Binyuan, Liao Yijun, Song Dong, Wang Rui, Xu Bing, Yang Mushi och Yin Xiuzhen. Svensk-kinesiska föreningen var på plats och höll en visning i början av augusti. Här recenseras OpenARTs stora satsning på kinesisk samtidskonst.

  • 10.
    Aggeklint, Eva
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Avdelningen för kinesiska.
    Lars Nittves M+ i Hongkong: decenniets största och mesta museiprojekt2015Inngår i: Kina-rapport, ISSN 0345-5807, nr 3, s. 14-19Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
    Abstract [sv]

    M+museet för visuell kultur i Hongkong öppnar portarna för kinesisk samtidskonst och visuell kultur i ett unikt museiprojekt i Asien. 2018 står byggnaden på 60 000 kvm på plats med Herzog & de Meuron som arkitekt. M+ är dock mycket mer än byggnaden. Lars Nittve berättar under ett samtal i Umeå 2014 om hur det är att skapa ett nytt slags museum enligt demokratisk modell som inte tidigare funnits i Hongkong.

  • 11.
    Aggeklint, Eva
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier.
    M+: looking at the world from a Hong Kong perspective2015Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    M+ is the Museum of Art and Visual Culture in Hong Kong that is currently under construction. The new Hong Kong museum will open its doors to the world in 2019. The idea of placing a museum like M+ in the larger cultural infrastructure project of West Kowloon Cultural District (WKCD) came from a group of people that the Hong Kong Government put together in 2006. This group, known as the Museum Advisory Group, was to think through what kind of museum Hong Kong needed besides the already existing museums it already had. The initiative for this new museum thus initially came from the Hong Kong government. The funding comes from the Hong Kong Special Administrative Region and the decision to move ahead came in 2008–but it took until 2010 until Lars Nittve, at the time director of Moderna Museet in Stockholm, was contacted and asked to become its visionary leader. M+ is a distinct Hong Kong project, looked upon with scepticism from Beijing. This paper puts the project of M+ in the contexts of the rising international interest in contemporary Chinese art after the turn of the millenium, the rising prices on this art on the international market, the rising economic status of contemporary Chinese art on the mainland, adding the ambitious museum building boom on the mainland since around the Shanghai Expo in 2010. What are the main differences between the art museum projects on the mainland and the building of M+ in Hong Kong? How is it to work with this museum project in the Hong Kong SAR environment? What does the existence of a museum like M+ mean to China and the World?

  • 12.
    Aggeklint, Eva
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Avdelningen för kinesiska.
    Striptease à la Duchamp in China2016Inngår i: Orientaliska Studier, ISSN 0345-8997, nr 146, s. 9-30Artikkel i tidsskrift (Annet vitenskapelig)
  • 13.
    Aggeklint, Eva
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier.
    Ho, Hang Kei
    Introducing M+ as capital for a Hong Kong specific cultural identity2015Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    In the last decade the Hong Kong government has shown an interest in promoting large scale cultural development projects including Art Basel Hong Kong, the West Kowloon Cultural District (WKCD) as well as M+ The Museum of Arts and Visual Culture, all presenting Hong Kong as a cultural hub. The development of those projects can be seen as a way for the city to diversify its economy through creative industries (CI) and urban entrepreneurship (Raco and Gilliam, 2012), making the place more appealing for international workers and global tourism. However, ongoing grassroots political movements such as the 2014 Umbrella Movement suggest that the Beijing government is keen to intervene with Hong Kong’s affairs. As a result, its cultural identity is being challenged. In this paper we argue that the study of the yet conceptual M+ museum contribute with accruing capital of cultural identity when compared to likewise huge museum projects in mainland China. We will further argue that the Hong Kong museum will represent an original that other museums in the world may wish to copy.

  • 14.
    AL SAADI, TANIA
    Stockholms universitet, Humanistiska fakulteten, Institutionen för orientaliska språk, Avdelningen för mellanösternstudier.
    Evolution des "ouvertures" des romans arabes au cours du XXe siècle2009Inngår i: Arabica, ISSN 0570-5398, E-ISSN 1570-0585, ISSN 0570-5398, Vol. 56, nr 1, s. 61-89Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [fr]

    Cet article aborde quelques aspects et fonctions concernant le début d’un corpus de romans arabes du XXe siècle, constitué en fonction de leur diversité technique et thématique. L’analyse des débuts est basée sur une approche à la fois discursive et narrative et prend en compte les aspects suivants : les trois codes figuratifs (espace, temps, personnage), le rapport du début avec l’ensemble de la structure narrative du récit, la manière dont le début annonce les idéologies sous-jacentes, le lien éventuel entre le début et la fin du récit, enfin, les répercussions de l’évolution chronologique du roman arabe sur le début de celui-ci.

  • 15.
    AL SAADI, TANIA
    Stockholms universitet, Humanistiska fakulteten, Institutionen för orientaliska språk, Avdelningen för mellanösternstudier.
    Histoire de la littérature arabe moderne.Tome 1 : 1800-19452009Inngår i: Arabica, ISSN 0570-5398, E-ISSN 1570-0585, ISSN 0570-5398, Vol. 56, nr 2/3, s. 292-300Artikkel, omtale (Annet vitenskapelig)
  • 16.
    AL SAADI, TANIA
    Stockholms universitet, Humanistiska fakulteten, Institutionen för orientaliska språk, Avdelningen för mellanösternstudier.
    Techniques of Beginning in Arabic Novels after the 1960s: Thartharah fawq al-Nil by Najib Mahfuz2011Inngår i: From New Values to New Aesthetics: Turning Points in Modern Arabic Literature 1 / [ed] Gail Ramsay, Stephan Guth, Wiesbaden: Harrassowitz Verlag , 2011Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    The beginning of Arabic novels of the first half of the 20th century, including those belonging to the so called “realism” trend, are charatcerized by certain traits concerning, among other things, the way they insert the  three elements : space, time, character into the text, the reality effect  they create, and the presence of the narrator as an addressor. With  the introduction of new writing techiniques after the 60's, these  trends changed gradually. From, for example,  introducing the the (space, time character) as a block and describing them in length , creating a realistic setting for the story , and having a discrete presence of the addressor, they have evolved into more diverse models where the three elements are spred ; the realistic impression loses its importance ; and the interpolations of the addressor into the text are more frequent. The present article aims, firstly, to present the major teatures of that evolution, and secondly, to show through a detailed analysis of the beginning of Thatrthara fawq al-Nil, 1966 by N. Mahfuz that this work, written in a pivotal moment of the history of the Arabic novel, includes already the beginnings of that evolution.

  • 17.
    AL SAADI, TANIA
    Stockholms universitet, Humanistiska fakulteten, Institutionen för orientaliska språk, Avdelningen för mellanösternstudier.
    Tout est déjà dans le début: Les débuts des romans arabes du XXeme siècle2010Bok (Annet vitenskapelig)
    Abstract [fr]

    Cet ouvrage consiste en une étude détaillée des débuts d''un corpus de romans arabes du vingtième siècle, constitué en fonction de leur diversité technique et thématique. Il tente de répondre aux interrogations suivantes: Qu''est-ce qu''un début de roman? Quelles sont, sur le plan énonciatif, les "priorités" dans le début? Comment le début fonctionne-t-il par rapport à l''ensemble du récit? Les composantes principales de l''histoire y sont- elles annoncées et si oui, comment? Enfin, existe-t- il des aspects spécifiques aux débuts des romans arabes liés à la culture dont ils sont issus? L''auteur a, par ailleurs, adapté une approche à la fois discursive et narrative et pris en compte les aspects suivants: les trois codes figuratifs (espace, temps, personnage); le rapport du début avec l''ensemble de la structure narrative du récit; l''éventuel lien entre le début et la fin de celui- ci, enfin, la manière dont le début annonce les idéologies sous-jacentes. Cette démarche a, parallèlement, permis de dégager les convergences et les divergences entre les récits étudiés et d''y repérer une certaine évolution chronologique.

  • 18.
    Al Saadi, Tania
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Avdelningen för mellanösternstudier.
    Utopia/Dystopia through the Theme of Immigration in Two Arabic Short Stories2012Inngår i: Borders and Beyond: Crossings and Transitions in Modern Arabic Literature / [ed] Kerstin Eksell, Stephan Guth, Wiesbaden: Harrassowitz Verlag, 2012, s. 83-103Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    This article presents shortly the evolution of the concepts of Utopia and Dystopia in the Modern Arabic narrative literature. It focuses then on the Utopia/Dystopia related to the theme of immigration. The two short stories: Aknusu al-šams ʿan al-suṭūḥ (1994) by Ḥanān al-Šayḫ, and Bi-l-Ams Ḥalimtu Bika (1984) by Baha’ Tahir are chosen to underline several aspects of the Utopia/Dystopia of the immigrants life. Before leaving their homelands, they seem to have an Utopian image of the foreign country. After arriving there, this Utopian image disappears in the context of a negative reality: lonliness, racism, loss of landmarks.... At the same time, the Dystopia of the reality creates, itself, a new form of Utopia: the faraway homeland. Thus the process of immigration seems to start from the Utopian elsewhere and ends by the Utopian homeland.  

  • 19.
    Amer, Ramses
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier.
    Approaches to Management and Settlement of Inter-State Disputes in Southeast Asia: Implications for Regional Collaboration2012Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    The paper examines the approaches to management and settlement of inter-state disputes and their implications for regional collaboration in the Southeast Asian Region. The focus of the paper is on approaches to management and settlement of border and territorial disputes between the ten member states of the Association of Southeast Asian Nations (ASEAN). First the paper provides an overview of achievements in management and settlement as well as of remaining challenges of unsettled disputes. Then the paper outlines the core elements of ASEAN’s framework of dispute settlement mechanisms. In assessing the implications for regional collaboration, the focal point of analysis is on the relationship between bilateral approaches and the regional framework for dispute settlement established through ASEAN. A key dimension is an assessment of whether bilateral approaches strengthen or weaken the ASEAN framework.

  • 20.
    Amer, Ramses
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier.
    Disputes and Dispute Management in the South China Sea: Achievements and Challenges2012Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    The paper assesses the progress made in dispute management in the South China Sea. The persisting challenges are also analysed in the paper. The progress made is outlined through an overview of settled and managed territorial disputes in the South China Sea proper and adjacent area, i.e. the Gulf of Thailand and the Gulf of Tonkin. This is followed by an analysis of the settlement and management approaches, including joint development arrangements. The challenges of managing the un-settled disputes are analysed and assessed by highlighting both the nature of the disputes and the efforts in managing them. The paper is concluded by a broader assessment of developments from the perspective of dispute management.

  • 21.
    Amer, Ramses
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier.
    Exploring Challenges to Human Security in the Vietnamese Context2012Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    The paper explores the multifaceted challenges to human security in Vietnam. It takes into account the fact that Vietnam had to endure major armed conflicts in the 20th century. The paper highlights one of the neglected human security tragedies in Vietnam namely the mass-exodus of ethnic Chinese in the late 1970s and its enduring legacy. It also addresses other more generally acknowledged challenges such as the continued impact of past-militarised conflicts in particular the effects of the extensive use of Agent Orange by the United States of America during the so-called Vietnam War. The paper also looks at the new challenges to human security that have emerged in Vietnam following the end of regional conflicts, the end of isolation by leading western powers and the deepening of renovation and reform, i.e. the period since the early 1990s. The challenges include growing income gap and disparity between different segment of the population and uneven economic development between different regions.

  • 22.
    Amer, Ramses
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier.
    Li, Jianwei
    Dispute Settlement in Practice: Assessing Progress and Challenges in the South China Sea Region2012Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    The paper examines dispute settlement in practice through an overview of developments in the South China Sea region. It first studies dispute settlement arrangements from the international legal perspectives by examining the Charter of the United Nations and the 1982 United Nations Convention on the Law of the Sea. As a case study, the South China Sea region is assessed in regard to progress made and challenges persisted in dispute settlement and conflict management. The progress made is outlined through an overview of settled and managed territorial disputes in the South China Sea and adjacent area, followed by an analysis of settlement and management approaches. The challenge of the unsettled disputes is analysed and assessed by highlighting both the nature of the disputes and the efforts in managing them. The paper is concluded by a broader assessment of the progress made in terms of dispute settlement as well as of the remaining challenges in the South China Sea region from the perspectives of dispute settlement, in light of the international legal mechanisms.

  • 23.
    Amer, Ramses
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier.
    Li, Jianwei
    Enhancing Maritime Peace in East Asia Through the Charter of the United Nations: Non-Use of Force and Peaceful Settlement of Dispute2012Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    The paper investigates how maritime peace in East Asia can be enhanced through the Charter of the United Nations. This is done through an examination of two key norms of the Charter, the prohibition of the use of force in inter-state relations and the peaceful settlement of disputes. The empirical application of these principles and their possible impact on maritime peace in the East Asia region is studied through the foreign policy of China and through the principles governing the Association of Southeast Asian Nations (ASEAN). This is motivated by the fact that both China and ASEAN put strong emphasis on non-use of force in inter-state relations and peaceful settlement of inter-state disputes. The paper examines the possible impact of the policies of the major external actor, i.e. the United States of America (USA). The paper is concluded by a broader discussion on the linkage between non-use of force and peaceful settlement of disputes and the promotion of maritime peace in East Asia.

  • 24.
    Aronsson, Jonas
    Stockholms universitet, Humanistiska fakulteten, Institutionen för orientaliska språk, Avdelningen för japanska.
    Märkliga japanska efternamn2012Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
  • 25.
    Bahar, Baser
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Gezi Spirit in Diaspora2015Inngår i: Everywhere Taksim: sowing the Seeds for a New Turkey at Gezi / [ed] Isabel David, Kumru Toktamis, Amsterdam: Amsterdam University Press, 2015Kapittel i bok, del av antologi (Fagfellevurdert)
  • 26.
    Baser, Bahar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS). Coventry University, UK .
    Diasporas and Homeland Conflicts: A Comparative Perspective2015Bok (Fagfellevurdert)
    Abstract [en]

    As violent conflicts become increasingly intra-state rather than inter-state, international migration has rendered them increasingly transnational, as protagonists from each side find themselves in new countries of residence. In spite of leaving their homeland, the grievances and grudges that existed between them are not forgotten and can be passed to the next generation.

    This book explores the extension of homeland conflicts into transnational space amongst diaspora groups, with particular attention to the interactions between second-generation migrants. Comparative in approach, Diasporas and Homeland Conflicts focuses on the tensions that exist between Kurdish and Turkish populations in Sweden and Germany, examining the effects of hostland policies and politics on the construction, shaping or elimination of homeland conflicts.

    Drawing on extensive interview material with members of diasporic communities, this book sheds fresh light on the influences exercised on conflict dynamics by state policies on migrant incorporation and multiculturalism, as well as structures of migrant organizations. As such, it will be of interest to scholars of sociology, political science and international studies with interests in migration and diaspora, integration and transnational conflict.

  • 27.
    Baser, Bahar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Gezi Spirit in the Diaspora Diffusion of Turkish Politics to Europe2015Inngår i: Everywhere Taksim: Sowing the Seeds for a New Turkey at Gezi / [ed] Isabel David, Kumru Toktamis, Amsterdam University Press, 2015, s. 251-266Kapittel i bok, del av antologi (Fagfellevurdert)
  • 28.
    Bell, Annika
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Avdelningen för japanska.
    The Comic Artist as a Post-war Popular Critic of Japanese Imperialism: An Analysis of Nakazawa Keiji’s Hadashi no Gen2015Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
  • 29.
    Bengtsson, Andreas
    Stockholms universitet, Humanistiska fakulteten, Institutionen för orientaliska språk, Avdelningen för japanska.
    Input and Learning Materials: An evaluation of dialogues in textbooks for Learners of Japanese2012Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
  • 30.
    Bengtsson, Andreas
    Stockholms universitet, Humanistiska fakulteten, Institutionen för orientaliska språk, Avdelningen för japanska.
    Input and Learning Materials: An evaluation of dialogues in textbooks for Learners of Japanese2012Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
  • 31.
    Berndt, Jaqueline
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Avdelningen för japanska.
    ‘Comfort Women’ Comics, Multi-faceted: Revisiting the 2014 Manhwa Exhibit in Angoulême from the Perspective of Manga Studies2016Inngår i: Orientaliska Studier, ISSN 0345-8997, nr 147, s. 143-169Artikkel i tidsskrift (Annet vitenskapelig)
  • 32.
    Berndt, Jaqueline
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Avdelningen för japanska.
    Manga in Transition: Subtly Receding from «Popular Culture»2016Inngår i: Hokusai x Manga: Japanese Pop Culture since 1680 / [ed] Nora von Achenbach, Simon Klingler, Sabine Schulze,, Munich: Hirmer , 2016, s. 230-237Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
  • 33.
    Berndt, Jaqueline
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Avdelningen för japanska.
    Manga Meets Science: Going beyond the Education-Entertainment Divide2017Inngår i: Science meets Comics: Proceedings of the Symposium on Communicating and Designing the Future of Food in the Anthropocene / [ed] Reinhold Leinfelder, Alexandra Hamann, Jens Kirstein, Marc Schleunitz, Berlin: Christian A. Bachmann Verlag , 2017, s. 41-59Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 34.
    Berndt, Jaqueline
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier. Kyoto Seika University, Kyoto, Japan.
    Manga, Which Manga? Publication Formats, Genres, Users: Chapter 82016Inngår i: Japanese Civilization in the 21st Century / [ed] Andrew Targowski, Juri Abe, Hisanori Kato, New York: Nova Science Publishers, Inc., 2016, s. 121-134Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    Since the beginning of the 21st century, manga has gained global renown to such an extent that its name is now surfacing in various discourses. What is more, politicians, journalists, and even academics show an inclination to generalize about manga. In light of both the practical political and scholarly consequences which such generalization has, this chapter calls for differentiation, focusing on manga as media. Methodologically informed by the fields of manga studies, art history, and media culture, the notion of “media” applied here conjoins the aspects of material support and technology, traditionally referred to by “medium,” with a consideration of the institutions, practices and interrelations underlying the production, distribution, and consumption of manga. Starting from historical notions mediated by the term manga, this chapter highlights how manga texts are conventionally positioned by format and site of publication, gendered and thematic genres, associated target groups and possible usages. Having proposed a tripartite classification, this chapter finally identifies a specific kind of manga that is in demand by fans on a global scale, a kind which not only matches the interactivity of the age of the internet, but historically also rests on a remarkable internal receptivity to non-Japanese comics in Japan.

  • 35.
    Berndt, Jaqueline
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Avdelningen för japanska.
    Pictures that Come to Life: The Hokusai Manga2017Inngår i: Hokusai, Melbourne: National Gallery of Victoria , 2017, s. 21-27Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
  • 36.
    Berndt, Jaqueline
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier.
    Reflections: Writing Comics into Art History in Contemporary Japan2017Inngår i: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 86, nr 1, s. 67-74Artikkel i tidsskrift (Fagfellevurdert)
  • 37.
    Berndt, Jaqueline
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Avdelningen för japanska.
    Linder, Gunnar JinmeiStockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Avdelningen för japanska.
    Proceedings from the 2016 NAJAKS Conference at Stockholm University: Japanese Studies Volume2016Konferanseproceedings (Annet vitenskapelig)
  • 38.
    Bezci, Egemen
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Biri Bizi Gözetlemiş: Ikinci Dünya Savaşı Türkiye´sinde İngiliz İstihbaratı2017Inngår i: Toplumsal TarihArtikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 39.
    Bezci, Egemen
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Biri Bizi Gözetlemiş: Ikinci Dünya Savaşı Türkiye'sinde İngiliz İstihbaratı2017Inngår i: Toplumsal Tarih, nr 277, s. 26-31Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 40.
    Bezci, Egemen
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Interregnum in Turkey-EU Relations2017Inngår i: Turkeyscope, nr 7Artikkel i tidsskrift (Fagfellevurdert)
  • 41.
    Bezci, Egemen
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Trajectory for Kurds2018Collection/Antologi (Fagfellevurdert)
  • 42.
    Bezci, Egemen
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Borroz, Nicholas
    The CIA and a Turkish Coup2016Annet (Annet (populærvitenskap, debatt, mm))
  • 43.
    Blomberg, Catharina
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Avdelningen för japanska. Keio University, Japan; Clare Hall, Cambridge, England.
    Ise Jingu, Nosatsu Kai and Indulgences: Pilgrims in Tokugawa Japan Viewed by Two Swedish Travellers2015Inngår i: Religious Transformation in Modern Asia: A Transnational Movement / [ed] D. W. Kim, Leiden: Brill Academic Publishers, 2015, Vol. 148, s. 98-112Kapittel i bok, del av antologi (Fagfellevurdert)
  • 44.
    Blumi, Isa
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Adam Moore, Peacebuilding in Practice: Local Experience in Two Bosnian Towns2016Inngår i: International Journal of Turkish Studies, ISSN 0272-7919, Vol. 22, nr 1/2, s. 222-226Artikkel, omtale (Annet vitenskapelig)
  • 45.
    Blumi, Isa
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Alan Mikhail, Under Osman’s Tree: The Ottoman Empire, Egypt, and Environmental History2017Inngår i: ChoiceReviews, ISSN 0009-4978, Vol. 54, nr 12, s. 212-213Artikkel, omtale (Annet vitenskapelig)
  • 46.
    Blumi, Isa
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Battles of Nostalgic Proportion: The Transformations of Islam-as-Historical-Force in the Ideological Matrix of a Self-Affirming ‘West’2016Inngår i: Althusser and Theology: Religion, Politics, and Philosophy / [ed] Agon Hamza, Leiden: Brill Academic Publishers, 2016, s. 182-197Kapittel i bok, del av antologi (Fagfellevurdert)
  • 47.
    Blumi, Isa
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Catapulted: Youth Migration and the Making of a Skilled Albanian Diaspora (by Burcu Akan Ellis)2016Inngår i: Balkanistica, ISSN 0360-2206, Vol. 29, nr 2, s. 297-300Artikkel, omtale (Annet vitenskapelig)
  • 48.
    Blumi, Isa
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Destroying Yemen: What Chaos in Arabia Tells Us About the World2018Bok (Fagfellevurdert)
    Abstract [en]

    Since March 2015, a Saudi-led international coalition of forces—supported by Britain and the United States—has waged devastating war in Yemen. Largely ignored by the world’s media, the resulting humanitarian disaster and full-scale famine threatens millions. Destroying Yemen offers the first in-depth historical account of the transnational origins of this war, placing it in the illuminating context of Yemen’s relationship with major powers since the Cold War. Bringing new sources and a deep understanding to bear on Yemen’s profound, unwitting implication in international affairs, this explosive book ultimately tells an even larger story of today’s political economy of global capitalism, development, and the war on terror as disparate actors intersect in Arabia.

  • 49.
    Blumi, Isa
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Edin Hajdrapašić, Whose Bosnia?: Nationalism and Political Imagination in the Balkans, 1840-19142016Inngår i: International Journal of Turkish Studies, ISSN 0272-7919, Vol. 22, nr 1/2, s. 213-217Artikkel, omtale (Annet vitenskapelig)
  • 50.
    Blumi, Isa
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Europe’s Balkan Muslims: A New History By Nathalie Clayer and Xavier Bougarel, translated by Andrew Kirby2018Inngår i: Journal of Islamic Studies, ISSN 0955-2340, E-ISSN 1471-6917, Vol. 29, nr 2, s. 290-294Artikkel, omtale (Annet vitenskapelig)
1234567 1 - 50 of 484
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