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  • 1.
    Dahlgren, Anna
    Stockholm University, Faculty of Humanities, Department of Art History.
    Appraised, displayed and concealed: Fashion photography on the Swedish museum stage2014In: Fashion and museums: Theory and practice / [ed] Marie Riegels Melchior, Birgitta Svensson, New York: Bloomsbury Academic, 2014, p. 61-74Chapter in book (Refereed)
  • 2.
    Dahlgren, Anna
    Stockholm University, Faculty of Humanities, Department of Art History.
    Butikens ansikte: 1930-talets skyltfönster som visuell kultur2010In: Burkar, påsar, paket: Förpackningar,konsumtionskulturer och vardagsliv i svenskt 1900-tal / [ed] Jenny Lee, Ulrika Torell och Roger Qvarsell, Stockholm: Nordiska museets förlag, 2010, p. 142-161Chapter in book (Other academic)
  • 3.
    Dahlgren, Anna
    Stockholm University, Faculty of Humanities, Department of Art History.
    Commercial Realism: Concepts on Photography in Advertising in the 1930's2007In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, no 3, p. 135-146Article in journal (Refereed)
  • 4.
    Dahlgren, Anna
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Contemporary Art, Criminal Acts and Media Events2016In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 85, no 2, p. 181-198Article in journal (Refereed)
    Abstract [en]

    Artworks that trespass legal bounds and are judged as illegal acts or objects are illuminating examples of how the notion of art is continuously negotiated by different agents in different contexts. This essay seeks to discuss news media as one such agent or context. The two cases considered are the media coverage of Dan Wolgers' participation in the exhibition Ecce Homo in Stockholm in 1992 and Anna Odell's project Unknown woman 2009-349701 from 2009. Both acts were simultaneously considered as artistic statements and real illegal deeds. The overall aim is to explore how mass media-that is daily press, professional journals and television -interpreted this duality and how the media discourse intervened and acted in the artistic and legal processes. Thus, this article seeks to analyse the mediatization of art. Accordingly, this study expands its focus beyond the typical agents of the art world such as curators, critics and art historians as it also includes statements and writings from representatives of politics, media, entertainment, law and the general public. Although these artists and artworks differ in many respects, they share a legal postlude as well as extensive media coverage. The media debates that followed the production and display of these two artworks clearly impacted their legal postlude. Moreover, they directly or indirectly constituted parts of the artists' oeuvres. Being controversial acts, they allowed for multiple interpretations and thereby smoothly fed into the logic of the media system. Furthermore, these examples clearly display how individual artists and artworks may serve as vehicles in larger aesthetic and art political controversies within the logic and system of media.

  • 5.
    Dahlgren, Anna
    Stockholm University, Faculty of Humanities, Department of Art History.
    Dated photographs: The Personal Photo Album as a Visual and Textual Medium2010In: Photography and Culture, ISSN 1751-4517, E-ISSN 1751-4525, Vol. 3, no 2, p. 175-194Article in journal (Refereed)
    Abstract [en]

    This article concerns the practice of making inscriptions in personal albums from the second half of the nineteenth century. The overall aim is to discuss the implications of this practice for interpretation and to investigate the cultural ideas and concepts embedded in it. The results are based on a close study of the heterogeneous collection of photo albums held at the Nordiska Museet (Nordic Museum), a museum of cultural history, in Sweden. Unlike personal photo albums produced after 1900, it is rare to find dates in personal carte-de-visite albums. Rather than a mere lack of data, this may indicate a different relationship between photography, time, and identity; pointing to a significant change in the vernacular uses and functions of photographs. The personal photo albums were conversation pieces that functioned better without text, as the images could prompt social contact in the form of inquiries and discussion. Later on, albums took on a character more reminiscent of a personal diary. The fact that so few privately circulated nineteenth-century portraits are dated indicates the relations between photographic portraits and painted portraits and furthermore it displays the similarities and differences between instrumental uses of portrait photography and private games of reading faces.

  • 6.
    Dahlgren, Anna
    Stockholm University, Faculty of Humanities, Department of Art History.
    Ett medium för visuell bildning: kulturhistoriska perspektiv på fotoalbum 1850-19502013Book (Other academic)
    Abstract [sv]

    När fotografitekniken spreds under 1800-talet föddes också fotoalbumet. Konstvetaren Anna Dahlgren undersöker albumens olika funktioner före och efter sekelskiftet 1900, som minnesalbum, släktträd, översikter över sociala hierarkier eller samlingar av signerade kändisporträtt. Ett stort bildmaterial visar rikedomen i omslagsmaterial och utförande.

  • 7.
    Dahlgren, Anna
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Fotografi som socialt medium2015In: En fotohistorie: Fra synsmaskiner till Instagram / [ed] Hanne Holm-Johnsen, Hege Oulie, Oslo: Press , 2015Chapter in book (Other academic)
  • 8.
    Dahlgren, Anna
    Stockholm University, Faculty of Humanities, Department of Art History.
    Mellan tråd och tomrum: Spetsar och fotologik2012In: Markeringar och maskeringar: Att visa eller dölja sin kropp / [ed] Roger Qvarsell, Birgitta Svensson, Stockholm: Nordiska museets förlag, 2012, p. 102-111Chapter in book (Other academic)
  • 9.
    Dahlgren, Anna
    Stockholm University, Faculty of Humanities, Department of Art History.
    Mode+Fotografi=: Bidrag till den  svenska modefotografins historia2009In: Mode: En introduktion / [ed] Dirk Gindt & Louise Wallenberg, Stockholm: Raster förlag, 2009, p. 152-174Chapter in book (Other academic)
  • 10.
    Dahlgren, Anna
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Photography Reframed2016In: Culture Unbound. Journal of Current Cultural Research, ISSN 2000-1525, E-ISSN 2000-1525, Vol. 8, no 1, p. 3-19Article in journal (Refereed)
    Abstract [en]

    This article discusses the benefits of analysing photography as mediated, reproduced and entangled in media systems, and consequently as part of a larger media culture. Moreover it combines technological considerations drawn from media archaeology with art historical analysis focusing on visual aesthetics. It considers two mediating devices for photography in the nineteenth century, the photo album and the illustrated press. As displayed, a media historical perspective airs new interpretations and understandings of processes and practices in relation to photography in the period. Thus what from a photo historical point of view might appear as an important, paradigmatic invention or a critical technical delimitation might from a media historical perspective seem to have been merely a small adjustment in a chain of gradual improvements and experiments in the dissemination and consumption of images. Thus photographic media specificity delimited by technical procedures and certain materials outputs, which was so strongly emphasized in the twentieth century, was evidently not fixed to materiality and rather opened and negotiated in the nineteenth century. Accordingly, responsiveness to the literal and figurative framing of photography as mediated, discloses other photo histories.

  • 11.
    Dahlgren, Anna
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Seminariet som plats: Torget, laboratoriet, generatorn2016In: Det goda seminariet: Forskarseminariet som lärandemiljö och kollegialt rum / [ed] Marie Cronqvist, Alexander Mauritz, Göteborg: Makadam Förlag, 2016, p. 109-126Chapter in book (Refereed)
  • 12.
    Dahlgren, Anna
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Stumma bilder eller talande föremål: fotoalbumets mediehistoria2016In: Historia i praktiken / [ed] Peter Josephson, Frans Lundgren, Lund: Studentlitteratur, 2016, p. 93-112Chapter in book (Other academic)
  • 13.
    Dahlgren, Anna
    Stockholm University, Faculty of Humanities, Department of Art History.
    Tacts and tactics.: The gendered life stories of four Swedish female photographers2011In: Images in time. Flashing forward, backward, in front and behind photography in fashion, advertising and the press / [ed] Aesa Sigurjónsdóttir and Michael A. Langkjaer, Bath Spa: Wunderkammer Press/Bath Spa University , 2011Chapter in book (Refereed)
  • 14.
    Dahlgren, Anna
    Stockholm University, Faculty of Humanities, Department of Art History.
    The ABC of the modern photo album2013In: The Photograph and the Album: Histories, Practices, Futures / [ed] Jonathan Carson, Rosie Miller, Theresa Wilkie, Edinburgh: MuseumsEtc , 2013, p. 72-102Chapter in book (Other academic)
  • 15.
    Dahlgren, Anna
    Stockholm University, Faculty of Humanities, Department of Art History.
    The Album as Site2013In: Representational Machines: Photography and the Production of Space / [ed] Anna Dahlgren, Nina Lager Vestberg, Dag Petersson, Århus: Aarhus Universitetsforlag, 2013, p. 194-216Chapter in book (Refereed)
  • 16.
    Dahlgren, Anna
    Stockholm University, Faculty of Humanities, Department of Art History.
    The Art of Display2010In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 79, no 3, p. 160-173Article in journal (Refereed)
  • 17.
    Dahlgren, Anna
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Travelling Images: Looking Across the Borderlands of Art, Media and Visual Culture2018Book (Refereed)
    Abstract [en]

    This book critically examines images in the borderlands of the art world, investigating relations between visual art and vernacular visual culture within different images communities from the 1870s to the present day. It concentrates on the mechanisms of such processes and their implications for the understanding of art and art-historical narratives. Merging perspectives from art history and visual culture studies with media studies, it fills a gap in the field of visual studies through its use of a diversity of images as prime sources. Where textual statements are scarce the book maps visual statements instead, demonstrating the potential of image studies. Consequently, it will be of great relevance to those interested in art and visual culture in modernity, as well as discourses of the notion of art and art history writing.

  • 18.
    Dahlgren, Anna
    et al.
    Stockholm University, Faculty of Humanities, Department of Art History.
    Lager Vestberg, NinaDepartment of Art and Media Studies, NTNU.Petersson, DagThe Danish Royal Academy of Fine Arts, School of Architecture.
    Representational Machines: Photography and the Production of Space2013Collection (editor) (Refereed)
    Abstract [en]

    Photography does not only represents space. Space is produced photographically.Since its inception in the 19thcentury, photography has brought to light a vast array of  represented subjects. Always situated in some spatial order, photographic representations have been operatively underpinned by social, technical, and institutional mechanisms. Geographically, bodily, and geometrically, the camera has positioned its subjects in social structures and hierarchies, in recognizable localities, and in iconic depth constructions which, although they show remarkable variation, nevertheless belong specifically to the enterprises of the medium.This is the subject of Representational Machines: How photography enlists the workings of institutional technologies in search of establishing new iconic and social spaces. Together, the contributions to this edited volume span historical epochs, social environments, technological possibilities, and genre distinctions. Presenting several distinct ways of producing space photographically, this book opens a new and important field of inquiry for photography research

  • 19.
    Dahlgren, Anna
    et al.
    Stockholm University, Faculty of Humanities, Department of Art History.
    Snickars, Pelle
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    I bildarkivet - en introduktion2009In: I bildarkivet: Om fotografi och digitaliseringens effekter / [ed] Anna Dahlgren, Pelle Snickars, Stockholm: Kungl. biblioteket , 2009, p. 7-30Chapter in book (Other academic)
  • 20.
    Dahlgren, Anna
    et al.
    Stockholm University, Faculty of Humanities, Department of Art History.
    Snickars, PelleStockholm University, Faculty of Humanities, Department of Cinema Studies.
    I bildarkivet: Om fotografi och digitaliseringens effekter2009Collection (editor) (Other academic)
1 - 20 of 20
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