Change search
Refine search result
1234567 101 - 150 of 372
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
Rows per page
  • 5
  • 10
  • 20
  • 50
  • 100
  • 250
Sort
  • Standard (Relevance)
  • Author A-Ö
  • Author Ö-A
  • Title A-Ö
  • Title Ö-A
  • Publication type A-Ö
  • Publication type Ö-A
  • Issued (Oldest first)
  • Issued (Newest first)
  • Created (Oldest first)
  • Created (Newest first)
  • Last updated (Oldest first)
  • Last updated (Newest first)
  • Disputation date (earliest first)
  • Disputation date (latest first)
  • Standard (Relevance)
  • Author A-Ö
  • Author Ö-A
  • Title A-Ö
  • Title Ö-A
  • Publication type A-Ö
  • Publication type Ö-A
  • Issued (Oldest first)
  • Issued (Newest first)
  • Created (Oldest first)
  • Created (Newest first)
  • Last updated (Oldest first)
  • Last updated (Newest first)
  • Disputation date (earliest first)
  • Disputation date (latest first)
Select
The maximal number of hits you can export is 250. When you want to export more records please use the Create feeds function.
  • 101.
    Janson, Malena
    et al.
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Janson, Ulf
    Funktionshinder och kultur: Brukar- och forskarperspektiv på delaktighet2008Collection (editor) (Other academic)
  • 102. Janson, Tobias
    et al.
    Wahlberg, Malin
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Tv-pionjärer och fria filmare2008Book (Other academic)
  • 103.
    Jernudd, Åsa
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Filmkultur och nöjesliv i Örebro 1897-19082007Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This dissertation is a historical study of film exhibition in the context of emerging popular entertainment in Örebro, a medium-sized town in Sweden, 1897 to 1908. It argues that since 80% of the population resided in towns and rural areas around 1900, studying the impact of film culture in a town setting is essential for an understanding of early film culture in Sweden. The local press is used as primary source of marketing schemes, venues and programming policies as well as of cultural debate and conflict.

    Across Europe, theatres and fairgrounds were the preferred venues of traveling exhibitors of film shows. In Örebro, however, film exhibition preferably took place in the ‘respectable’ halls of voluntary organizations. Of special importance to local film culture were two working class societies: the liberal Arbetareföreningen (AF) and the labor-based Arbetarekommun (AK) ― albeit in different ways. AF, which embraced reformist ideals, owned the most popular venue for film exhibition and transformed their hall into a movie theater in 1907. AK encouraged the working class population to spend leisure time (and money) on popular forms of cheap entertainment by opening an amusement park in town and by frequently organizing bazaars, funfairs and variety shows. Socio-cultural conflict was concentrated to the fairground around the turn of the century and later turned to AK’s bazaars and funfairs. The emerging film culture influenced opinion in the big cities of Sweden, yet in Örebro it only received sporadic public attention.

    In stark contrast to the situation in the big cities, the transformation of itinerant film exhibition to permanent forms was a gradual and relatively inconspicuous process in Örebro that took place in the shadow of AK’s more obtrusive culture of cheap amusements. Three movie theatres opened in 1907 and were accepted by the town’s public with relative ease.

    Download full text (pdf)
    FULLTEXT01
  • 104.
    Karkani, Ina
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Framing the Weird Body in Contemporary Greek Cinema: Dogtooth (2009), Attenberg (2010) and Alps (2011)2014Independent thesis Advanced level (degree of Master (Two Years)), 80 credits / 120 HE creditsStudent thesis
    Abstract [en]

    New filmmaking practices within European art cinema are responding to current socio-political realities of the European crisis with new cinematic images of the human body. Particularly since 2009, a group of young directors from Greece has produced a number of independent films that feature grotesque characters embedded within plots of comic absurdity. Dogtooth (Lanthimos, 2009), Attenberg (Tsangaris, 2010) and Alps (Lanthimos, 2011) are by now the core of what has been coined outside Greece "The New Weird Cinema".

    This thesis offers an aesthetic analysis of the films Dogtooth, Attenberg and Alps in the conceptualization of the weird body as a new image of the human body in contemporary arthouse cinema. It aims at introducing the weird body as a cinematic trope with which to address lived experience in the shadow of a contemporary societal crisis.  In order to sustain its political and aesthetic power, this study will bring Deleuze and Guattari's  theory of the body in dialogue with the phenomenological approaches of Vivian Sobchack and Laura U. Marks.  

  • 105.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Affektin paluu? Tunneongelma suomalaisessa mediatutkimuksessa2008In: Tiedotustutkimus, ISSN 0357-8070, Vol. 31, no 2, p. 20-Article in journal (Refereed)
  • 106.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    An affective turn? reimagining the subject of feminist theory2010In: Working with affect in feminist readings: disturbing differences / [ed] Marianne Liljeström & Susanna Paasonen, London: Routledge , 2010, p. 8-28Chapter in book (Other academic)
  • 107.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Confessions of a Free Woman: telling feminist stories in postfeminist media culture2009In: Journal of Aesthetics & Culture, E-ISSN 2000-4214, Vol. 1Article in journal (Refereed)
    Abstract [en]

    Since its inception in late 1980s, the notion of postfeminism has been a highly contested term. While today circulating as an established description of ‘‘prime time feminism,’’ a highly visible media discourse of gender and sexuality that foregrounds individualism and consumerist tropes of choice and empowerment, its meanings for feminism as political agenda and cultural criticism nevertheless remain a point of disagreement. Is postfeminist discourse of gender and sexuality to be seen as a sign of second-wave feminism being partially incorporated into mainstream narratives? Or, rather, does it articulate a historical shift within feminist thought and cultural imaginary itself, or even a break-up with or a rejection of feminist historical legacy? In this article, these issues are investigated through a reading of a six-hour documentary Flying*Confessions of a Free Woman 1-6 (Jennifer Fox 2007, Easy Films, Denmark and Zohe Film Productions, USA) as a case of highbrow postfeminist television. Investigating how the documentary constructs an account of ‘‘the modern female life’’ in a global perspective, the article argues that Flying both articulates a sense of historicity and denies it. While never uttering the f-word, in its refiguring domestic ethnography as a mode of autobiographical self-interrogation, the documentary series evokes, albeit implicitly, a number of key tropes of 1960-1970s radical feminism: the notion of personal as political, the investment in consciousness-raising as a form of activism, the emphasis on shared experiences and emotions, and the idea of global sisterhood. As a consequence, it is argued, feminist critique is acknowledged and actualized only as an incitement to communication (sharing) and community-building in an affirmative sense. In this postfeminist story of feminism, hence, dissonant and critical voices are excluded as politics is reduced to an affect.

  • 108.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Det affektiva medborgarskapet2011In: Medialisering av kultur, politik, vardag och forskning: Slutrapport från Riksbankens Jubileumsfonds forskarsymposium i Stockholm 18-19 augusti 2011 / [ed] Johan Fornäs & Anne Kaun, Huddinge: Södertörns högskola , 2011, 1, p. 62-64Chapter in book (Other (popular science, discussion, etc.))
  • 109.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Film och andra rörliga bilder - en introduktion2008Collection (editor) (Other academic)
  • 110.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Films beyond post-politics2010In: Stockholm International Film Festival: Catalogue 2010, Stockholm: Stiftelsen Stockholms filmvestival , 2010Chapter in book (Other (popular science, discussion, etc.))
  • 111.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Inblickar: sätt att se på film2008In: Film och andra rörliga bilder - en introduktion, Raster Förlag, Stockholm , 2008, p. 17-Chapter in book (Other academic)
  • 112.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Jyrki Kataisen kyyneleet: sukupuoli, valta ja tunnepolitiikka2011In: Kuinka meitä kutsutaan?: Kulttuuriset merkityskamppailut nyky-Suomessa / [ed] Anu Koivunen & Mikko Lehtonen, Tampere: Vastapaino, 2011, 1, p. 219-237Chapter in book (Refereed)
  • 113.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Koko kansan teatteri?: Televisioteatterit Suomessa 1960-luvulta 1980-luvulle2007In: Television viisi vuosikymmentä: Suomalainen televisio ja sen ohjelmat 1950-luvulta digiaikaan, Helsingfors: Finska Litteratursällskapet , 2007, p. 247-263Chapter in book (Refereed)
  • 114.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Onnettomuuden lupaus onnellisuuden aikakaudella2010In: Media ja viestintä, ISSN 1798-3827, Vol. 33, no 4Article, book review (Other academic)
  • 115.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Silloin kun oli tulevaisuus. 1970-luku ja kulttuurinen muisti2007In: Menneisyys on toista maata, Helsingfors: Finska litteratursällskapet , 2007, p. 142-150Chapter in book (Other (popular science, discussion, etc.))
  • 116.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Soulfulness, Sichtbarkeit and the sexual politics of national cinema2009In: Stellar encounters: stardom in popular European cinema / [ed] Tytti Soila, Eastleigh: John Libbey , 2009, p. 143-160Chapter in book (Other academic)
  • 117.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Sårbara och säljbara2011In: FLM. En kulturtidskrift om film, ISSN 1654-711x, no 15, p. 31-37Article in journal (Other (popular science, discussion, etc.))
  • 118.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Terapi2008In: Film och andra rörliga bilder - en introduktion, Raster Förlag, Stockholm , 2008, p. 17-Chapter in book (Other academic)
  • 119.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Vielä kerran, tunteella.: Camp, poliittisen modernismin perintö ja affetiivisuuden ongelma2007In: Toisin katsoen.: Visuaalisen kulttuurin lukukirja, Helsingfors: Gaudeamus 2007 , 2007, p. 179-195Chapter in book (Refereed)
  • 120.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Yes we can?: the promises of affect for queer scholarship2010In: Lambda Nordica, ISSN 1100-2573, E-ISSN 2001-7286, Vol. 15, no 3-4, p. 40-64Article in journal (Refereed)
    Abstract [sv]

    Artikeln undersöker den så kallade affektiva vändningen som enligt ett specialnummer av South Atlantic Quarterly, "After sex? on writing since queer theory" (2007), kännetecknar även queerforskning på 2000-talet. Artikeln ifrågasätter existensen av "en vändning" genom en närläsning av Eve Kosofsky Sedgwicks inflytelserika skrifter om skam samt om paranoida och reparativa läsesätt. Såväl Sedgwicks förståelse av skam som hennes uttalat metodologiska reflexioner kring queerforskning kännetecknas av komplexitet och ambivalens. Detta bottnar i hennes psykoanalytiska referensram och koppling av affektbegreppet till subjektteori, till skillnad från t.ex. nymaterialistiska ansatser. Som en följd kan hennes idéer om paranoida och reparativa positioner svårligen tolkas som två väsensskilda metodologiska alternativ eller en värdering av två valbara, sinsemellan alternativa läsesätt. Sedgwicks begreppspar kan inte heller reduceras till en inbjudan till forskare att "tala om" känslor och upplevelser. I stället kan dessa två positioner, förankrade i Melanie Kleins psykoanalytiska teori, med fördel uppfattas som en beskrivning av det queera forskarsubjektets ontologiska situation: dess nödvändiga pendling mellan negativ och positiv hermeneutik, mellan kritisk granskning och ifrågasättande av denna attityd, mellan tvivel och hopp i sitt förhållande till världen. I Sedgwicks tappning innebär "affektiv vändning" en utveckling av subjektteorier. Hennes skrifter deltar i utmaningen av den förra, lingvistiska vändningen men deltar i dess dekonstruktion och vidareutveckling inifrån, med dess kännetecknande teoretiska verktyg, psykoanalys, dekonstruktion och närläsning.

  • 121.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Yes We Can? The Promises of Affect for Queer Scholarship2013In: Kvinder, Køn og Forskning, ISSN 0907-6182, E-ISSN 2245-6937, no 3-4, p. 19-30Article in journal (Refereed)
    Abstract [sv]

    This article was first published in lambda nordica 2010, 3-4. Artikeln undersöker den så kallade affektiva vändningen som enligt ett specialnummer av South Atlantic Quarterly, “After sex? on writing since queer theory” (2007), kännetecknar även queerforskning på 2000- talet. Artikeln ifrågasätter existensen av “en vändning” genom en närläsning av Eve Kosofsky Sedgwicks inflytelserika skrifter om skam samt om paranoida och reparativa läsesätt. Såväl Sedgwicks förståelse av skam som hennes uttalat metodologiska reflexioner kring queerforskning kännetecknas av komplexitet och ambivalens. Detta bottnar i hennes psykoanalytiska referensram och koppling av affektbegreppet till subjektteori, till skillnad från t.ex. nymaterialistiska ansatser. Som en följd kan hennes idéer om paranoida och reparativa positioner svårligen tolkas som två väsensskilda metodologiska alternativ eller en värdering av två valbara, sinsemellan alternativa läsesätt. Sedgwicks begreppspar kan inte heller reduceras till en inbjudan till forskare att “tala om” känslor och upplevelser. I stället kan dessa två positioner, förankrade i Melanie Kleins psykoanalytiska teori, med fördel uppfattas som en beskrivning av det queera forskarsubjektets ontologiska situation: dess nödvändiga pendling mellan negativ och positiv hermeneutik, mellan kritisk granskning och ifrågasättande av denna attityd, mellan tvivel och hopp i sitt förhållande till världen. I Sedgwicks tapp-ning innebär “affektiv vändning” en utveckling av subjektteorier. Hennes skrifter deltar i utmaningen av den förra, lingvistiska vändningen men deltar i dess dekonstruktion och vidareutveckling inifrån, med dess kännetecknande teoretiska verktyg, psykoanalys, dekonstruktion och närläsning.

  • 122.
    Koivunen, Anu
    et al.
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Hentilä, SeppoKolbe, LauraLamberg, MarkoSaressalo, LassiSulkunen, Irma
    Kansallisbiografia II: Moninainen Suomi2010Collection (editor) (Other academic)
  • 123.
    Koivunen, Anu
    et al.
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Hentilä, Seppo
    Kolbe, Laura
    Lamberg, Marko
    Saressalo, Lassi
    Sulkunen, Irma
    Moninainen Suomi: esiphue2010Other (Other academic)
  • 124.
    Koivunen, Anu
    et al.
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Lehtonen, Mikko
    University of Tampere.
    Kansalainen minä.: median ihannesubjektit ja suostumuksen tuottaminen2010In: Valta Suomessa / [ed] Petteri Pietikäinen, Helsinki: Gaudeamus , 2010, p. 231-252Chapter in book (Other academic)
  • 125.
    Koivunen, Anu
    et al.
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Lehtonen, Mikko
    University of Tampere.
    Miltä tuntuu todella? Arjen kulttuuriset merkityskamppailut2011In: Kuinka meitä kutsutaan?: Kulttuuriset merkityskamppailut nyky-Suomessa / [ed] Anu Koivunen & Mikko Lehtonen, Tampere: Vastapaino, 2011, 1, p. 7-40Chapter in book (Refereed)
  • 126.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Bokstavsbildning2008In: FLM. En kulturtidskrift om film, no 3, p. 60-62Article in journal (Other academic)
  • 127.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Den svekfulla skönheten2009In: FLM. En kulturtidskrift för film, no 6, p. 56-58Article in journal (Other academic)
  • 128.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    ”Det rörliga ordet” (essä)2008Other (Other (popular science, discussion, etc.))
  • 129.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Det sömlösa hotet2007In: flm: en kulturtidskrift för film, Vol. 1, no 1, p. 58-59Article, review/survey (Other (popular science, discussion, etc.))
  • 130.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    ”Everything represent, nothing is: Bergman and the Art(s) of Writing Epilogues"2008In: La Valle dell’Eden, ISSN 1970- 6391, Vol. X, no 20-21, p. 23-40Article in journal (Refereed)
  • 131.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Fanny och Alexander2010Other (Other (popular science, discussion, etc.))
  • 132.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    "Film som konst"2008In: Film och andra rörliga bilder: En introduktion, Raster Förlag, Stockholm , 2008, p. 69-87Chapter in book (Other academic)
  • 133.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Filmen är död - leve filmen!2009In: Dagens nyheter, ISSN 1101-2447Article, book review (Other (popular science, discussion, etc.))
  • 134.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    From Erotic Icon to Clan Chief: The Auteur as Star2009In: Stellar Encounters: Stardom in Popular European Cinema / [ed] Tytti Soila, New Barnet: John Libbey Publishing , 2009, p. 81-89Chapter in book (Other academic)
  • 135.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    “Here is Your Life”2008In: The Ingmar Bergman Archives, Taschen Publishing, London , 2008, p. 561-563Chapter in book (Other (popular science, discussion, etc.))
  • 136.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    ”Här har du mitt liv”2008Other (Other (popular science, discussion, etc.))
  • 137.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    “Ingmar Bergman: En del av vårt kulturarv”2008In: Nationalencyklopedin 2007, NE Nationalencyklopedin AB, Malmö , 2008, p. 196-199Chapter in book (Other (popular science, discussion, etc.))
  • 138.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Ingmar Bergman och konsten att regissera sitt liv2007In: Tvärsnitt: Humanistisk och samhällsvetenskaplig forskning, no 3, p. 18-21Article in journal (Other academic)
  • 139.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Ingmar Bergman Revisited: Cinema, Performance and the Arts2008Book (Refereed)
    Abstract [en]

    Based on never before published material from the Ingmar Bergman Foundation Archive, this is the first collection in English to take a comprehensive look ar Bergman's work in various artistic fields (including their interrelations) in wriitng, film, theatre, televison, and the opera. The contributors include a rare mix of renowned Bergman scholars such as Birgitta Steene and Marilyn Johns Blackwell and internationally influential film scholars associated with other fields of study (Thomas Elsaesser, John Orr, Janet Staiger, Linda Haverty Rugg, Astrid Söderbergh Widding, and Erik Hedling), as well as scholars from other disciplines (Ulla-Britta Lagerroth and Paisley Livingston), and also includes a chapter written by Bergman’s long-time collaborator Liv Ullmann.

  • 140.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Ingmar Bergman: the biographical legend and the intermedialities of memory2010In: Journal of Aesthetics & Culture, E-ISSN 2000-4214, Vol. 2, p. 1-11Article in journal (Refereed)
  • 141.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Ingmar Bergman: the life and films of the last great European director2010In: Historical Journal of Film, Radio and Television, ISSN 0143-9685, E-ISSN 1465-3451, Vol. 30, no 4, p. 547-550Article in journal (Refereed)
  • 142.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Ingmar Bergman's The Silence: pictures in the Typewriter, Writings on the Screen2010Book (Other academic)
  • 143.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Introduction2008In: Ingmar Bergman Revisited : Cinema, Performance and the Arts / [ed] Maaret Koskinen, London: Wallflower Press, London , 2008, p. 1-7Chapter in book (Other academic)
  • 144.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Le Cinéaste comme Écrivain ou l’Écrivain comme Cinéaste? 2010In: Cinéma & literature: le grand jeu / [ed] Jean-Louis Leurat, Paris: De l’incidence éditeur , 2010, p. 293-315Chapter in book (Other academic)
  • 145.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Livstecken2010In: FLM. En kulturtidskrift om film, ISSN 1654-711X, no 11, p. 52-55Article in journal (Other academic)
  • 146.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Out of the Past: Saraband and the Ingmar Bergman Archive2008In: Ingmar Bergman Revisited: Performance, Cinema and the Arts / [ed] Maaret Koskinen, London: Wallflower Press, London , 2008, p. 19-34Chapter in book (Other academic)
  • 147.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Skriftens bilder, filmdukens skrift.: om den estetiska rivaliteten i Zodiac och Män som hatar kvinnor2010In: Motsträviga synsätt: om rörliga bilder som bjuder motstånd / [ed] Margareta Rönnberg & Karolina Westling, Göteborg: Filmförlaget , 2010, p. 253-269Chapter in book (Other academic)
  • 148.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Swedish Portraits: Ingmar Bergman2007Report (Other academic)
  • 149.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Ten Years of Swedish Film2009In: Loft. The Nordic Bookazine, ISSN 1654-0778, Vol. 12, p. 93-97Article in journal (Other (popular science, discussion, etc.))
  • 150.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    The death of cinema  : celluloid vs. digitized media2010In: Loft. The Nordic Bookazine, ISSN 1654-0778, Vol. 15, p. 126-130Article in journal (Other (popular science, discussion, etc.))
1234567 101 - 150 of 372
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf