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  • 151.
    von Wachenfeldt, Paula
    et al.
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Nyberg, KlasStockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Det svenska begäret: Sekler av lyxkonsumtion2015Collection (editor) (Other academic)
  • 152.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    A decade of challenges and possibilities: Establishing fashion studies at Stockholm University2018In: International Journal of Fashion Studies, ISSN 2051-7106, Vol. 5, no 1, p. 169-180Article in journal (Refereed)
    Abstract [en]

    This article offers a recount of the establishment and the development of the Centre for Fashion Studies at Stockholm University, Sweden, inaugurated in 2006. The centre, which was initially located in conjunction with the Department of Art History and later at the Department of Media Studies, has often been referred to as the very 'first' fashion studies institution ever to be positioned within the university (and not within a design school context). The article reflects on the possibilities, challenges and difficulties that creating and developing a space for a 'new' field have entailed - both within the local context (in this case, a rather traditional university context) and within a larger scholarly context (which, to a large extent, is dominated by Anglo-American institutions). Where does one look for inspiration? With whom does one create alliances to be able to offer a solid fashion studies ground (when there is none)? Also, how does one create curricula that both include and deviate from the 'canon' of previous fashion studies so that the Anglo-American dominance becomes less prominent?

  • 153.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Chanel och Dior lanserade kontrasterande kvinnoideal: Bronwyn Cosgrave, Vogue – Coco Chanel (Vogue Christian Dior)2014In: Respons : recensionstidskrift för humaniora & samhällsvetenskap, ISSN 2001-2292, no 2Article, book review (Other academic)
  • 154.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    En granskning av myterna om Coco Chanel som förstärker dem: Lars Holmberg, Gabrielle Chanel: Ett liv. En myt2015In: Respons : recensionstidskrift för humaniora & samhällsvetenskap, ISSN 2001-2292, no 4Article, book review (Other academic)
  • 155.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Menilmontant: kön, klass och det moderna2014In: Modernism och mode / [ed] Andrea Kollnitz & Louise Wallenberg, Stockholm: Carlsson Bokförlag, 2014Chapter in book (Other academic)
  • 156.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Modefilm och mode på film under 1920-talet2015In: Biblis, ISSN 1403-3313, no 69, p. 46-54Article in journal (Other academic)
  • 157.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Modets materialitet är på modet: Recension av "Modets bildvärldar: Studier med utgångspunkt i Röhsska museets modesamling"2013In: Respons : recensionstidskrift för humaniora & samhällsvetenskap, ISSN 2001-2292, no 5Article, book review (Other academic)
    Abstract [sv]

    Röhsska museet i Göteborg har inriktat sig på att vara ett modemuseum och dess samlingar diskuteras i sex essäer i denna antologi, som är en blandning mellan coffee table book och akademisk studie. Boken är inte invändningsfri men skapar utan tvivel intresse för museets samlingar.

  • 158.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Motstridiga representationer av lyx och begär i svensk film, 1910-19402015In: Det svenska begäret: Sekler av lyxkonsumtion / [ed] Paula von Wachenfeldt, Klas Nyberg, Stockholm: Carlsson Bokförlag, 2015Chapter in book (Other academic)
  • 159.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Schein som "mediemänniska": att försöka defniera massmedia och att definieras av dem2015In: Massmedieproblem: mediestudiets formering / [ed] Mats Hyvönen, Pelle Snickars, Per Vesterlund, Lund: Mediehistoriskt arkiv , 2015, p. 331-348Chapter in book (Refereed)
  • 160.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Seeing It for What It Is: Fashion Photography, Phallocentrism, and Feminist Critique2013In: Fashion in Popular Culture / [ed] Joe Hancock, II, Toni Johnson-Woods, Vicki Karaminas, Bristol: Intellect Ltd., 2013, 1Chapter in book (Refereed)
  • 161.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Trans Identities as Effect and Otherness2013In: Sonja Nilsson: Färgfabriken, 5 september - 1 december / [ed] Lukas Sålby, Stockholm: Sonja Nilsson & Färgfabriken , 2013, 1Chapter in book (Other academic)
  • 162.
    Wallenberg, Louise
    et al.
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Kollnitz, AndreaStockholm University, Faculty of Humanities, Department of Culture and Aesthetics. Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Fashion and Modernism2018Collection (editor) (Refereed)
    Abstract [en]

    Art and fashion have long gone hand in hand, but it was during the modernist period that fashion first gained equal value to – and took on the same aesthetic ideals as – painting, film, photography, dance, and literature. Combining high and low art forms, modernism turned fashion designers into artists and vice versa.

    Bringing together internationally renowned scholars across a range of disciplines, this vibrant volume explores the history and significance of the relationship between modernism and fashion and examines how the intimate connection between these fields remains evident today, with contemporary designers relating their work to art and artists problematizing fashion in their works.

    With chapters on a variety topics ranging from Russian constructionism and clothing to tango and fashion in the early 20th century, Fashion and Modernism is essential reading for students and scholars of fashion, dress history, and art history alike.

  • 163.
    Wallenberg, Louise
    et al.
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Thanem, Torkild
    Stockholm University, Faculty of Social Sciences, Stockholm Business School.
    What’s Wrong with Queer? Between Queer Dialogue and Separatist Safe Spaces2017In: Feminists and queer theorists debate the future of critical management studies / [ed] Alison Pullen, Nancy Harding, Mary Phillips, Bingley: Emerald Group Publishing Limited, 2017, p. 195-201Chapter in book (Other academic)
    Abstract [en]

    In this short piece we take issue with the current separatist tendencies that are being expressed in certain parts of the queer community. We illustrate how this compares with central ideas in proto-queer thought and queer theory, and how it risks undermining the possibility of a queer dialogue and queer politics. 

  • 164.
    Woloszyk, Adrian
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Deconstruction 3.0: A study of a guerrilla attack from within the postmodern fashion system by the post-Soviet collective of Vetements2017Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    The aim of this thesis “Deconstruction 3.0” is to show how the third wave of deconstruction in fashion is deconstructing the second [postmodern] French luxury fashion system. The deconstructionists of the post-Soviet collective – Demna and Guram Gvasalia, Gosha Rubchinskiy, and Lotta Volkova – question and deconstruct the established apparatus of the postmodern fashion system and its business model. With their business strategies and with help of demand by post-postmodern consumer culture proposed and predicted by Douglas B. Holt (2002), the post-Soviet collective constructs new business models and thus we are entering a post-postmodern fashion system.

    I have used a twofold methodology from the disciplines of business administration and humanities. In the literature review, I have aimed to close gaps between different scholars and made a concluding section of the postmodern fashion system and its business model, a synthesis that lies in parallel with Peter Drucker’s (1957) thoughts on postmodern organisational theory. Through the empirics and analysis with help of Jacques Derrida’s (1972) concept of deconstruction, I propose, in the end, a dialectic model between the established postmodern apparatus and the new and diametrically opposed post-postmodern apparatus operated by the post-Soviet collective.

1234 151 - 164 of 164
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