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  • 151.
    Heed, Sven Åke
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Forser, TomasGöteborgs universitet.
    Ny svensk teaterhistoria 3: 1900-talets teater2007Collection (editor) (Other academic)
  • 152.
    Heed, Sven-Åke
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    Under mindets stjerner høje: Terje Maerlis uppsättning av Henrik Ibsens Når vi døde våkner.2008In: Tolkningens scen: Festskrift till Roland Lysell, Aiolos , 2008Chapter in book (Other (popular science, discussion, etc.))
  • 153.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Aktör med oerhörd scenisk närvaro: Richard Bark, Skådespelaren Lars Hanson2013In: Respons : recensionstidskrift för humaniora & samhällsvetenskap, ISSN 2001-2292, no 4Article, book review (Other academic)
  • 154.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Att vara eller inte vara rollen: Skådespelarens paradox2011In: Vitterhetsakademiens årsbok, Stockholm: Kungliga Vittherhetsakademien , 2011, p. 109-123Chapter in book (Other academic)
    Download full text (pdf)
    Att vara eller inte vara rollen
  • 155.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Att öppna nya världar: Om teatersamtal och barnpublik2011In: På jakt efter den dialogiska estetiken / [ed] Karin Helander, Stockholm: Carlsson , 2011Chapter in book (Other (popular science, discussion, etc.))
  • 156.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Barn i dramatiken, på scenen och i publiken2019In: I avantgardets skugga: Brytpunkter och kontinuitet i svensk teater kring 1900 / [ed] Rikard Hoogland, Göteborg: LIR.skrifter, 2019, p. 47-73Chapter in book (Refereed)
    Abstract [en]

    Children in plays, on the stage and in the audience Children’s theatre is a reflection of contemporary views on children and childhood. Adults and parents, as well as playwrights, actors, directors, pedagogues, and critics dictate the underlying purposes of theatre for the youngest audiences. Traditionally, the adult world has insisted on a theatre that serves either serves a purpose or entertains, and preferably does both. During the first decades of the twentieth century Swedish theatres produced new plays written by pioneering playwrights, such as Anna Maria Roos, Anna Wahlenberg and Walter Stenström. Sometimes the cast was mixed with both adults and children. Children were created in the plays, they were present in the auditorium and sometimes also on the stage. In some typical performances, children are found in opposition to the grown-ups within different social environments and contexts, from fairy tale castles to poverty. Childhood embraces conflicts and challenges and the children represent courage, common sense, faithfulness and love. The critics often praise the frank and charming child actors, but have problems with the valuations of theatre for a young audience. This chapter analyses shifting representations and functions of children and childhood in the works of Roos, Wahlenberg, and Stenström. The focus of the study is on plays themselves, as well as reviews and other archival source material.

  • 157.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Barndomsbilder: Ingmar Bergman och teatern2019In: Kungl. vitterhets historie och antikvitets akademien: Årsbok 2019, Stockholm: Kungl. Vitterhets Historie och Antikvitets Akademien, 2019Chapter in book (Other academic)
    Download full text (pdf)
    fulltext
  • 158.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Barndramatik och barndomsdiskurser2014 (ed. 2)Book (Other academic)
  • 159.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Barnets blick vägledde Bergmans scenkonst2018In: Svenska Dagbladet, ISSN 1101-2412Article in journal (Other (popular science, discussion, etc.))
  • 160.
    Helander, Karin
    Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies, Centre for the study of children's culture.
    Den skrattretande teatern: Ett år med Gösta Ekman och hans vänner2009Book (Other academic)
  • 161.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    "Den var rolig och så lärde man sig nånting, men jag kommer inte på vilket det var": Om barnteater och receptionsforskning2011In: Locus, ISSN 1100-3197, Vol. 23, no 3-4, p. 81-97Article in journal (Other academic)
  • 162.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Elsa Viktoria Olenius2018In: Svenskt kvinnobiografiskt lexikon, Göteborg: Göteborgs universitet , 2018Chapter in book (Other academic)
  • 163.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    En teater för alla sinnen: 30 år med Orionteatern2015Book (Other academic)
  • 164.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Förord2020In: Marionett teatern: på väg sedan 60 år, Stockholm: Stockholmia förlag, 2020Chapter in book (Other academic)
  • 165.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Förord2020In: En sten i magen: Rättigheter för barn utan undantag, Stockholm: Styx förlag , 2020Chapter in book (Other academic)
  • 166.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies. Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies, Centre for the study of children's culture.
    Förord2008In: Tillstånd och tillblivelse: Lång dags färd mot natt: Från kollationering till föreställning, Carlsson, Stockholm , 2008Chapter in book (Other (popular science, discussion, etc.))
  • 167.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Gunnel Lindblom om att arbeta med Ingmar Bergman: Karin Helander efter samtal med Gunnel Lindblom2019In: Ingmar Bergman mellan teori och praktik: Reflektioner av forskare och konstnärer / [ed] Karin Helander, Uppsala: Uppsala universitet, 2019, p. 63-71Chapter in book (Other academic)
  • 168.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Hur har man spelat de här gamla pjäserna? Kulturarvsförmedling eller samtidskommentar2020In: Varför ska man spela de här gamla pjäserna? Romateaterns Shakespearesymposium 2019 / [ed] Stefan Marling, Göteborg: Makadam Förlag, 2020Chapter in book (Other academic)
  • 169.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Ingmar Bergman mellan teori och praktik: Reflektioner av forskare och konstnärer2019Collection (editor) (Other academic)
    Abstract [sv]

    Boken är ett resultat av ett symposium kring Ingmar Bergman som ägde rum på Fårö under jubileumsåret 2018. Konstnärer med skilda erfarenheter av Bergman, film och teater diskuterade tillsammans med forskare från olika discipliner, fakulteter och universitet regissören Ingmar Bergmans konstnärskap och hans betydelse för svenskt konst- och kulturliv. Diskussionerna var intensiva och präglades av personliga reflektioner, perspektivrikedom och ny kunskap som på intressanta sätt länkade samman teori och praktik. Antologin Ingmar Bergman mellan teori och praktik innehåller 20 texter med stor spridning på ämnesval och infallsvinklar. Här varvas korta essäer med analytiska vetenskapliga artiklar, personliga kommentarer och reflektioner kring konstnärliga praktiker.

  • 170.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Ingmar Bergman och Sagoteatern2018In: Opsis barnkultur, ISSN 0283-653x, no 3Article in journal (Other (popular science, discussion, etc.))
  • 171.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Klassiker i nya tolkningar: Om samtida scenkonst för ung publik2017In: Tillbaka till framtiden: barnkultur i dialog med vårt förflutna / [ed] Catharina Hällström, Stockholm: Centrum för barnkulturforskning vid Stockholms universitet , 2017Chapter in book (Other academic)
  • 172.
    Helander, Karin
    Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies, The Centre for the Studies of Children's Culture. Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    ”Låt ungdomsteatern vara mångfacetterad”2015In: Svenskläraren, ISSN 0346-2412, no 2, p. 10-11Article in journal (Other (popular science, discussion, etc.))
  • 173.
    Helander, Karin
    Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies, Centre for the study of children's culture.
    Med kärlek till publiken: - om det onyttigas nödvändighet2010In: Opsis Barnkultur. Om barnkultur för vuxna, ISSN ISSN 2000-3277, no 4, p. 16-21Article in journal (Other (popular science, discussion, etc.))
  • 174.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Minnesord. Kirsten Gram Holmström2014In: Kungl. Vitterhets historie och antikvitets akademiens årsbok, Stockholm: Kungl. Vitterhets Historie och Antikvitets Akademien, 2014Chapter in book (Other academic)
  • 175.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Nordisk teater: Nedslag i likheter och skillnader2019In: Nordisk Tidskrift för vetenskap, konst och industri, ISSN 0029-1501, no 1, p. 23-34Article in journal (Other academic)
  • 176.
    Helander, Karin
    Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies, Centre for the study of children's culture. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Opening new worlds - a guide to visiting theatres with school children: Excerpts from a manual for teachers and other adults at school2009In: Theatre for development: Experiences from an international theatre project in Asia "Children's Voice" / [ed] Christina Nygren, Stockholm: Svensk Teaterunion - Swedish Centre of the ITI , 2009, p. 91-98Chapter in book (Other academic)
  • 177.
    Helander, Karin
    Stockholm University, Faculty of Humanities.
    Opera som teater: modern regi på Stockholmsoperan 1919-19231993Doctoral thesis, monograph (Other academic)
  • 178.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Operans natur. En bok i fyra element2019In: Danstidningen, ISSN 1102-0814, no 4Article, book review (Other (popular science, discussion, etc.))
  • 179.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Sandra Grehn, Dom stökar och bråkar och kastar sten. Iscensättning och hybridisering av dominerande diskurser i Backa Teaters uppsättningar Lille kung Mattias, Gangs of Gothenburg och 5boys.com. Göteborgs universitet2020In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 141, p. 184-187Article, book review (Other academic)
  • 180.
    Helander, Karin
    Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies, Centre for the study of children's culture. Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies.
    Skratt och lek, saga och fantasti: Astrid Lindgren på scenen2008In: Vänbok till Sonja Svensson, Opal, Stockholm , 2008, p. 195-Chapter in book (Other academic)
  • 181.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Strider i modernismens tidevarv: Stockholmsoperan och Svenska Baletten2020In: Dansare, konstnärer, älskare: Ballets Suédois 1920-1925 / [ed] Erik Mattsson, Stockholm: Arvinius + Orfeus , 2020Chapter in book (Other academic)
  • 182.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Tidig utsatthet präglade den vuxne författaren2014In: Respons : recensionstidskrift för humaniora & samhällsvetenskap, ISSN 2001-2292, no 4Article in journal (Other academic)
  • 183.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Till rum blir tiden här2018In: Tidskriften Opera, ISSN 1651-3770, no 3Article, book review (Other (popular science, discussion, etc.))
  • 184.
    Helander, Karin
    Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies, Centre for the study of children's culture.
    Utsikter och insikter: Barns kulturella liv2008Collection (editor) (Other academic)
  • 185.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Vadstena-Akadmien 50 år: 1964-20142014Book (Other academic)
  • 186.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies. Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies, The Centre for the Studies of Children's Culture.
    Vision, kunnande och samspel: Barnteater och kvalitet i historiskt perspektiv2014In: Mycket väl godkänd: Vad är kvalitet i barnkulturen? / [ed] Karin Helander, Centrum för barnkulturforskning/Stockholms universitet , 2014, p. 11-31Chapter in book (Other academic)
  • 187.
    Helander, Karin
    Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies, Centre for the study of children's culture.
    Ämne: Scenisk gestaltning: Skådespelarna Stina Ekblad och Krister Henriksson som professorer2009Book (Other academic)
  • 188.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Ингмар Бергман и театр: игры снов и сонаты призраков [Ingmar Bergman och teatern — Drömspel och Spöksonater]2019In: Грани таланта. К 100-летию Инмара Бергмана [En mångfasetterad talang. Ingmar Bergman 100 år] / [ed] Tamara Torstendahl Salytjeva, Moskva: Rysk-svenska studie- och forskningscentret, Ryska Statliga Humanistiska Universitet , 2019, p. 233-244Chapter in book (Refereed)
  • 189.
    Helander, Karin
    et al.
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Söderberg Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Jansson, Olle
    Inledning2019In: Ingmar Bergman mellan teori och praktik: Reflektioner av forskare och konstnärer / [ed] Karin Helander, Uppsala: Uppsala universitet, 2019, p. 7-11Chapter in book (Other academic)
  • 190.
    Helander, Karin
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Zern, Leif
    "Det skall åska och blixtra kring vår teater": Stockholms stadsteater 1960-20102010Book (Other (popular science, discussion, etc.))
  • 191. Hjartarson, Benedikt
    et al.
    Kollnitz, AndreaStockholm University, Faculty of Humanities, Department of Culture and Aesthetics. Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.Stounbjerg, PerØrum, Tanja
    A Cultural History of the Avant-Gardes in the Nordic Countries 1925-502019Collection (editor) (Refereed)
    Abstract [en]

    A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, body culture and magazines. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: the pre-war and wartime responses to international developments, the new cultural institutions, sexual politics, the impact of refugees and the new start after the war.

  • 192.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Albert Ranfts roll i svensk teaterhistoria: En utvecklare eller en rest från 1800-talets teater2016In: Dokumenterat, ISSN 1404-9899, no 48, p. 61-71Article in journal (Other academic)
  • 193.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Andersson, Bibi2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 26-26Chapter in book (Refereed)
  • 194.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Antoniette Thérèse Elfforss, 1823-11-30 — 1905-04-16: Teaterledare, skådespelare2020In: Svenskt kvinnobiografiskt lexikon, Göteborg: Göteborgs universitet, 2020Chapter in book (Other academic)
  • 195.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Att få ett aktivt och kvalitativt deltagande bland studenter: Storföreläsningar, grupparbete och debatter2009Report (Other academic)
  • 196.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Attacken på Albert Ranfts teaterimperium: Fälstrider inom svensk teater 19212019In: I avantgardets skugga: Brytpunkter och kontinuitet i svensk teater kring 1900 / [ed] Rikard Hoogland, Göteborg: LIR.skrifter, 2019, p. 243-269Chapter in book (Refereed)
    Abstract [en]

    "The Attack on Albert Ranft’s theatre empire.The theatre battle field"

    In 1921 Swedish theatre was accused for its immorality. The central object of the critique was a production of Mikhail Petrovich Artsybashev’s play Jealousy at the private owned theatre Svenska teatern. The theatre critics had found the play lacking in its composition but praised the production and the main female actor. The accusation did instead come from Christian newspapers and was then taken up by major big city news outlets – and subsequently it discussed in the parliament. Serious proposals was put forward to establish a censorship on theatre performances. The main target was Albert Ranft, at that time the main owner of theatres in Sweden, allegedly being merely interested in gaining as high profits as possible. Also one of the fore runners of modernist theatre, Per Lindberg, engaged in the debate and accused Ranft for low quality. Nevertheless Lindberg had produced the same play in his own theatre. This chapter analyse the conflict in perspective of the changing role of youngsters in the Swedish society and the attempt to “rescue” them. Furthermore, there is focus on the conflict of how theatre should befunded. Ranft’s successful enterprise was used as an example for reducing governmental funding. In this conflict the modernist took the same position as the Christian movement even if the development of modernist staging did have immorality as one of its main components.

  • 197.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Björk, Anita2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 69-69Chapter in book (Refereed)
  • 198.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Bosse, Harriet2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 78-78Chapter in book (Refereed)
  • 199.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Brecht as a Stranger in a Postdramatic Era: Fatzer at Deutsches Theater 20162021In: The Brecht Yearbook / Das Brecht-Jahrbuch 46 / [ed] Markus Wessendorf, New York: Camden House, 2021Chapter in book (Refereed)
    Abstract [en]

    According to Hans-Thies Lehmann it is impossible to think of postdramatic theater without the necessary steps that Brecht took. Given his strong emphasis on the narrative, Brecht is not postdramatic, but his theories about Verfremdung, Gestus and audience are groundbreaking steps towards postdramatic theater. Several theorists have already analyzed the relation between Brecht and postmodern/postdramatic theater (Badiou, Barnett, Fuchs, Jameson, Varney, Wirth, Wright). Barnett argues that it is impossible to combine Brecht with the postdramatic after analyzing a couple of productions that have tried this. The reason for their failure is seen in the problem of representation. In contradiction to this assumption I will argue that a postdramatic production could indeed reactivate Brecht’s theories and strengthen their possible effect. Brecht remains a stranger in the encounter with postdramatic theater (another stranger in a theater culture that is still dominated by dramatic plays and psychological realism), but the meeting between these two strangers can be fruitful. In this contribution I analyze the production of Fatzer at Deutsches Theater, Berlin directed by Tom Kühnel and Jürgen Kuttner in Berlin in 2016.

  • 200.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Dalateatern: Kärlek med förhinder2005In: Teater trots allt: 30 år med dalateatern / [ed] Hans Nordén, Falun: Dalateatern , 2005, p. 105-113Chapter in book (Other academic)
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