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  • 151.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    En vandring i toner fra Helvede til Paradis: Puccinis Il trittico, iscenesat af Damiano Michieletto2013In: Peripeti, ISSN 1604-0325, E-ISSN 2245-893X, no 2 aprilArticle, book review (Other academic)
  • 152.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Enquete2013In: Peripeti, ISSN 1604-0325, E-ISSN 2245-893X, no 20Article in journal (Other academic)
  • 153.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Il matrimonio segreto: a family portrait2013Other (Other (popular science, discussion, etc.))
  • 154.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    La Clemenza di Tito and the Dignity of Man2013Other (Other (popular science, discussion, etc.))
  • 155.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Metamorfoser: Apollo og Daphnes kærlighed af Francesco Cavalli2013In: Custos, ISSN 1603-8266, Vol. 11, no 4, p. 5-9Article in journal (Other (popular science, discussion, etc.))
  • 156.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    The Poet and the Nun: Role Doubling and Petrarchan Allegory in Gli amori d’Apollo e di Dafne2015Other (Other academic)
    Abstract [en]

    A reconstruction of the doubling plan for Busenello's and Cavalli's opera "Gli amori d'Apollo e di Dafne" (1640), with an interpretation.

  • 157.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Trollflöjten och magins gränser2013Other (Other academic)
  • 158.
    Sigfridsson, Barbro
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Den inre scenen: Psykoanalys & teater2010Collection (editor) (Other academic)
  • 159.
    Sigfridsson, Barbro
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Freud och teatern2005In: Divan, ISSN 1101-1408, no 1-2, p. 51-58Article in journal (Other (popular science, discussion, etc.))
  • 160.
    Strömberg, Mikael
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Exod(e)us2009In: Kroppsspråk och tankesprång: Vetenskap i rörelse, Stockholm: Stiftelsen för utgivning av teatervetenskapliga studier , 2009, 1, p. 110-127Chapter in book (Other (popular science, discussion, etc.))
  • 161.
    Strömberg, Mikael
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Härmed kröner jag dig till drottning - ett oralt nöje2009In: Kroppsspråk och tankesprång: Vetenskap i rörelse, Stockholm: Stiftelsen för utgivning av teatervetenskapliga studier , 2009, 1, p. 56-67Chapter in book (Other (popular science, discussion, etc.))
  • 162.
    Wagner, Meike
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Agenten der Öffentlichkeit: Einführende Bemerkungen zu Theater und Medien im frühen 19. Jahrhundert2014In: Agenten der Öffentlichkeit: Theater und Medien im frühen 19. Jahrhundert / [ed] Meike Wagner, Bielefeld: Aisthesis Verlag, 2014, p. 7-25Chapter in book (Other academic)
  • 163.
    Wagner, Meike
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Agenten der Öffentlichkeit: Theater und Medien im frühen 19. Jahrhundert2014Collection (editor) (Other academic)
    Abstract [de]

    "Agenten der Öffentlichkeit" eröffnet interdisziplinäre Perspektiven auf die theatralen, literarischen und publizistischen Transformationen von Kommunikationsfeldern des frühen 19. Jahrhunderts. In dieser historischen Phase des gesellschaftlichen und politischen Umbruchs blieben auch die künstlerischen und publizistischen Medien nicht unberührt von dem Drang nach politischer Gestaltung. Die Konzeption der ‚Agenten der Öffentlichkeit‘ bietet sich an, um transformative Triebkräfte des ‚Tuns‘, des ‚Verhandelns‘ in der öffentlichen Sphäre zu bestimmen. In einer Doppelperspektive werden sowohl historische Figuren als auch Institutionen, Diskurse, Konstellationen und Systeme in den Blick genommen, die in der ‚Experimentalphase des Öffentlichen‘ spezifische Aktionspotentiale entfalten. Der Band eröffnet so eine Diskussion um Theater, Presse und Literatur als ‚neue Medien‘ einer historischen ‚Moderne‘.

  • 164.
    Wagner, Meike
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    The Sound of the Street: Performance, Sound, and Revolution in 18482014In: Intermediality, Performance, and the Public Sphere: Selected papers from recent meetings of the Tangier International Conferences / [ed] Khalid Amine and George F. Roberson, Amherst, MA, USA: Collaborative Media International , 2014, p. 96-104Chapter in book (Refereed)
    Abstract [en]

    Slogans, rallies, shouting and wailing sirens – this is the sound of protest, the sound of the so far silenced voices in the streets. Even though we do not have any sound recordings of the European revolutions of 1848/49 many sources (news paper articles, reports, caricatures) give a vivid impression of the noisy political demonstrations and powerful street fights provoking political change. Drawing on Jacques Rancières concept of phone vs. logos and his idea of politics as a mean of becoming visible (or audible), I will show how the cultural practice of callithump parades (Charivari, ‚Katzenmusik’) was used as a specific tool in the political fight of 1848 and how these street performances entered the theatre to win over the stage, the pit and the galleries. 

  • 165.
    Wagner, Meike
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Zeitungskrieg und Theaterskandal: Konkurrierende Öffentlichkeiten im Berlin der 1820er Jahre2014In: Agenten der Öffentlichkeit: Theater und Medien im frühen 19. Jahrhundert / [ed] Meike Wagner, Bielefeld: Aisthesis Verlag, 2014, p. 217-241Chapter in book (Other academic)
  • 166.
    Westerling, Kalle
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Drugornas underbara värld2009In: Kroppsspråk och Tankesprång: Vetenskap i rörelse / [ed] Anne Lundqvist, Ingrid Redbark-Wallander, Mikael Strömberg, Kalle Westerling, Stockholm: STUTS , 2009, 1, p. 68-93Chapter in book (Other (popular science, discussion, etc.))
    Abstract [sv]

    I denna artikel kommer olika aspekter av dragshow och drag som politisk attityd att fokuseras - inte som något som enbart finns idag, är "accepterat" idag och inte heller något som vuxit fram med homosexuella kampen, queeraktivism, eller queerteori. Det rör sig snarare om vad man kanske skulle kunna kalla en "transkronistisk queer förståelse": Kanske var drag mer "queert" på 1920-talet än under 1980-talets första år? Artikeln gör ett par nedslag i svensk homofil-, gay- och queerhistoria för att visa på hur dragkroppen (och "den homosexuella kroppen") varierat, men alltid formulerat något sorts motstånd mot både hegemonisk heteronormativ kultur, men också mot den egna rörelsens konformitet i enlighet med denna.

  • 167.
    Zaccarini, John-Paul
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Fragments of a Circoanalysis2010In: Den inre scenen: Teater & psykoanalys / [ed] Barbro Sigfridsson, Stockholm: Stiftelsen för utgivning av teatervetenskapliga studier , 2010, p. 105-121Chapter in book (Other academic)
1234 151 - 167 of 167
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