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  • 251.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Vadstena-Akadmien 50 år: 1964-20142014Book (Other academic)
  • 252.
    Helander, Karin
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies. Department of Child and Youth Studies, Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies, Centre for the study of children's culture.
    Vision, kunnande och samspel: Barnteater och kvalitet i historiskt perspektiv2014In: Mycket väl godkänd: Vad är kvalitet i barnkulturen? / [ed] Karin Helander, Centrum för barnkulturforskning/Stockholms universitet , 2014, p. 11-31Chapter in book (Other academic)
  • 253.
    Helander, Karin
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Zern, Leif
    "Det skall åska och blixtra kring vår teater": Stockholms stadsteater 1960-20102010Book (Other (popular science, discussion, etc.))
  • 254.
    Hermansson, Elin
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    A Posthumanist Aesthetics of Physicality in Music: An Understanding of the Mind-Body Problem with Music by Marie Samuelsson2014Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
  • 255.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    A Theatrical landscape of diversity2008In: News from Swedish Theatre, ISSN 1653-7637Article in journal (Other (popular science, discussion, etc.))
  • 256.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Andersson, Bibi2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 26-26Chapter in book (Refereed)
  • 257.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Att få ett aktivt och kvalitativt deltagande bland studenter: Storföreläsningar, grupparbete och debatter2009Report (Other academic)
  • 258.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Björk, Anita2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 69-69Chapter in book (Refereed)
  • 259.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Bosse, Harriet2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 78-78Chapter in book (Refereed)
  • 260.
    Hoogland, Rikard
    Stockholm University. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Bråda tider för kulturpolitiken2009In: Teatertidningen, ISSN 1101-9107, no 1, p. 34-Article in journal (Other (popular science, discussion, etc.))
  • 261.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Dalateatern: Kärlek med förhinder2005In: Teater trots allt: 30 år med dalateatern / [ed] Hans Nordén, Falun: Dalateatern , 2005, p. 105-113Chapter in book (Other academic)
  • 262.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    de Wahl, Anders2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 145-145Chapter in book (Refereed)
  • 263.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Ekblad, Stina2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 175-175Chapter in book (Refereed)
  • 264.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Ekman, Gösta2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 176-176Chapter in book (Refereed)
  • 265.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Fredrikson, Gustaf2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 205-206Chapter in book (Refereed)
  • 266.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Från bruksteater till Jelinek-installationer2011In: Teatertidningen, ISSN 1101-9107, no 3, p. 50-53Article in journal (Other (popular science, discussion, etc.))
  • 267.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    Gyldendals teaterleksikon2008In: Teatertidningen, no 1Article, book review (Other (popular science, discussion, etc.))
  • 268.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Hansson, Lars2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 239-239Chapter in book (Refereed)
  • 269.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Hatar män teater?2012In: Peripeti, ISSN 1604-0325, E-ISSN 2245-893X, no 18, p. 90-100Article in journal (Refereed)
  • 270.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Hjortsberg, Lars2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 249-249Chapter in book (Refereed)
  • 271.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Hur ska uppdraget fullföljas?2013In: Svenska dagbladet, ISSN 1101-2412, p. 7-Article in journal (Other (popular science, discussion, etc.))
  • 272.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Hwasser, Elise2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 257-257Chapter in book (Refereed)
  • 273.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Introduction: Theatrical Emotions2009In: Nordic Theatre Studies, ISSN 0904-6380, E-ISSN 2002-3898, Vol. 21, p. 5-Article in journal (Other academic)
  • 274.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Josephson, Erland2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 287-287Chapter in book (Refereed)
  • 275.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Koffertmord på regionteatrarna?2010In: Teatertidningen, no 3, p. 34-35Article in journal (Other (popular science, discussion, etc.))
  • 276.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    Kompormissernas festival2008In: Teatertidningen, ISSN 1101-9107, no 4Article in journal (Other (popular science, discussion, etc.))
  • 277.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Kungliga Dramatiska Teatern som folkteater2012In: Litteraturens arbetare: En vänbok till Per-Olof Mattsson / [ed] Christer Johansson & Per Anders Wiktorsson, Lund: Ellerströms förlag, 2012, p. 273-284Chapter in book (Other academic)
  • 278.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    Mellan scen och salong: En kultursociologisk analys av ungdomsteater2008In: Teatertidningen, no 5Article, book review (Other (popular science, discussion, etc.))
  • 279.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    Möte eller konflikt?: En studie över teaterpedagoger med icke-svensk teaterbakgrund på DI:s teateravdelning och Teaterhögskolan i Stockholm2008Book (Other academic)
  • 280.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Playing on and around the Public Square2014In: Playing Culture: Conventions and Extensions of Performance / [ed] Vicki Ann Cremona, Rikard Hoogland, Gay Morris and Willmar Sauter, Amsterdam/New York: Rodopi, 2014, p. 164-180Chapter in book (Refereed)
    Abstract [en]

    The article investigates the ways in which a public square can interact with its citythrough pre-arranged performances. The site of this study is a square in the middle ofStockholm, Sweden that was constructed in the late 1960s. Four performances thattook place during 2007 and 2009 are studied. All four connected in different wayswith the square. One of the main research questions is whether it is possible toconstruct a square designed to host public events and performances, and what theforemost problems are with a giant square such as Sergels torg. One of theconclusions is that while there is a need of open places in the city, the utilisation ofopen spaces for this purpose is threatened by increasing commercialisation of the city.These questions are discussed with the help of theories about city planning, publicopen space as well as theories of playing and the carnival.

  • 281.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Politisk och personlig teater2009In: Teatertidningen, ISSN 1101-9107, no 2-3, p. 62-65Article in journal (Other (popular science, discussion, etc.))
  • 282.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    På regeringens operationsbord2008In: Teatertidningen, ISSN 1101-9107, no 4Article in journal (Other (popular science, discussion, etc.))
  • 283.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Real Reality on Stage?: Lola Arias, Alecky Blythe, Rimini Protokoll and SheShePop Work with Reality on Stage2013In: Text in Contemporary Theatre: The Baltics within the World Experience / [ed] Guna Zeltiņa, Sanita Reinsone, Cambridge: Cambridge Scholars Publishing, 2013, p. 148-157Chapter in book (Refereed)
  • 284.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. teater- och dansvetenskap.
    Regionala teatrar: en väg mot ökad kulturell delaktighet?2006In: Nordisk kulturpolitisk tidskrift, ISSN 1403-3216, no 2Article in journal (Refereed)
  • 285.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Scenkonst i ständig förändring2010In: Teatertidningen, no 3, p. 46-49Article in journal (Other (popular science, discussion, etc.))
  • 286.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. dans- och teatervetenskap.
    Slanten i vanten. Scener från teatern och livet: Lennart Hjulström2006In: Teatertidningen, ISSN 1101-9107, no 5Article, book review (Other (popular science, discussion, etc.))
  • 287.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Spelet om teaterpolitiken: Det svenska regionteatersystemet – från statligt initiativ till lokal realitet2005Doctoral thesis, monograph (Other academic)
    Abstract [en]

    The aim of this dissertation is to examine the impact that the new cultural policy had on the field of Swedish theatre in the 1970s. Of special interest is the system of regional theatres that emerged from the new cultural policy. In focus are the central political process, and the founding of three regional theatres.

    Theoretical tools for this investigation are Anthony Giddens’ theories of structure and modernity, and Pierre Bourdieu’s theories about cultural fields. Nobuko Kawashima’s analysis of decentralization in cultural policy is of interest, as is Willmar Sauter’s model of the theatrical event.

    One of the main questions concerns why the government chose to support new institutional theatres at a time characterized by a free-group movement. The way a number of agents – such as the national touring company Riksteatern – tried to influence the new cultural policy is clarified.Question that arise include whether the new national goals for cultural policy did function as governing tools; what regional and local political motivations were significant; as well as whether the development of the regional theatres had a lasting impact on the aesthetics of theatre and on relations between audiences and actors.

    When the regional theatres were launched, different ideas about their role were current. The politicians and some of the powerful theatre critics and leading writers in the local newspapers, who had supported the new cultural policy, also wanted a traditional theatre.

    The new regional theatres were in the beginning supported by national theatre critics, but in the long run their interest diminished. They had been using the regional theatres to pressure the dominant institutions.

    The regional theatres were disciplined through the institutional organization model, with the local political levels interfering in repertoire and employment questions, and the press campaigns against the theatres. This resulted in the long run in a theatre that was less political and that did not change the relations between audience and actors. The traditional values in the field of theatre were secured, and the dominant institutions were not threatened.

  • 288.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Strindberg, August2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 556-556Chapter in book (Refereed)
  • 289.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Strindberg Visits the Suburbs: Strindberg’s Plays in Postdramatic Theatre2014In: Strindberg on International Stages/ Strindberg in Translation / [ed] Roland Lysell, Cambridge: Cambridge Scholars Publishing, 2014, p. 139-148Chapter in book (Refereed)
  • 290.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Teaterpubliken i svensk kulturpolitik2009In: Peripeti - tidskrift for dramaturgiske studier, ISSN 1604-0325, no 12, p. 19-30Article in journal (Refereed)
    Abstract [en]

    Theatre audience and the Swedish cultural policy

    The Swedish cultural policy has since the 1930’s been engaged in distributing art on a professional level to all citizens and for its fulfilling reduced all hindrances. This article aims to analyze the way the theatre audience has been discussed in governmental cultural policy reports since 1933 years theatre report. In focus stands the failure to fulfill the goal that the theatre audience should be a cross-section of the Swedish society (social, ethnic, gender).

  • 291.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Teje, Tora2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 575-576Chapter in book (Refereed)
  • 292.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    The Artist as Researcher: Introduction2008In: Nordic Theater Studies, no 20Article in journal (Other academic)
  • 293.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Theatrical Emotions: Nordic Theatre Studies, volume 212009Collection (editor) (Other academic)
  • 294.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    Threaten Masculinity?: The declining of the male theatre audience and the Swedish cultural policy.2008In: The 5th International Conference on Cultural Policy Research, 2008Conference paper (Other academic)
    Abstract [en]

    Swedish cultural policy has since the thirties have a main goal that everybody should have the possibility to participate in cultural activities. When looking at the figures, the answer is that the cultural policy has been successful. For instance nearly 50 percent visit at least one theatre performance every year. In the last years efforts have been made to change the gender representation on stage, a governmental investigation report pointed out that there is very few female stage directors, playwrights and leading parts. This problem is not directly addressed by the cultural policy, in spite of the cultural goals that aims to involve all.

    The paper discuss why a majority of male no longer finds it important to take part in culture, and especially visiting theatre performances. Is the politics of equality leading to less value in terms of cultural capital? Is the masculinity threaten by theatre, is it seen as feminizing

  • 295.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Tidblad, Inga2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 584-585Chapter in book (Refereed)
  • 296.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. teater- och dansvetenskap.
    Traditionell teater upprör2007In: Teatertidningen, ISSN 1101-9107, no 1Article in journal (Other (popular science, discussion, etc.))
  • 297.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Troublesome visitors or contributors to a renewal of Swedsh theatre? A study of guest artists with a foreign theatre background at two Swedish national theatre schools2012In: The politics of being on stage / [ed] Anja Klöck, Hildersheim: Georg Olms Verlag AG, 2012, p. 151-165Chapter in book (Refereed)
  • 298.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    von Sydow, Max2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 606-606Chapter in book (Refereed)
  • 299.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Wifstrand, Naima2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 619-619Chapter in book (Refereed)
  • 300.
    Hoogland, Rikard
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Teater- och dansvetenskap.
    Hannah, Karen
    Århus universitet.
    Malmö Opera och Musikteater AB 2006/2007: utvärderad enligt ønskekvistmodellen2007Report (Other (popular science, discussion, etc.))
3456789 251 - 300 of 679
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