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  • 251.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Den svarta kvadraten avslöjad2016In: Axess, ISSN 1651-0941, no 6, p. 62-63Article in journal (Other (popular science, discussion, etc.))
  • 252.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    I ensamt majestät mot ryska regimen2016In: Svenska dagbladet, ISSN 1101-2412, no 29 februariArticle in journal (Other (popular science, discussion, etc.))
  • 253.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Ikoner, ikonoklasm och rysk konst i dag2017In: Religionen tur och retur / [ed] Jenny Björkman, Arne Jarrick, Göteborg: Makadam Förlag, 2017, p. 63-78Chapter in book (Other academic)
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    fulltext
  • 254.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Prima ballerina2017In: Axess, ISSN 1651-0941, no 9, p. 66-67Article in journal (Other (popular science, discussion, etc.))
  • 255.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic Languages and Literatures.
    The Russian Court.: Orthodox Church and Art. On the Exhibition "'Ostorožno, religija"2009In: Literatura kak miroponimanie = Literature as a World View: Festschrift in honour of Magnus Ljunggren. / [ed] Karlsohn, Irina, Nilsson, Morgan & Nilsson, Nadezjda Zorikhina, Göteborg: University of Gothenburg , 2009, p. 37-58Chapter in book (Other academic)
  • 256.
    Bodin, Per-Arne
    et al.
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Jonson, Lena
    Erofeev, Andrei
    Petr Pavlenskii and his Actions2017In: Russia - Art Resistance and the Conservative-Authoritarian Zeitgeist / [ed] Lena Jonson; Andrei Erofeev, Routledge, 2017, p. 271-278Chapter in book (Refereed)
    Abstract [en]

    The art action that has attracted by far the most attention in Russia in recent years is Petr Pavlenskii's Threat, which was performed in November 2015. Pavlenskii stands out as the next step after Pussy Riot in the evolution of Russian art. Pavlenskii himself mentions Chris Burden, who died in 2015, as a source of inspiration. Pavlenskii's most recent performance took place on 9 November 2015, when he took himself to the Lubyanka, headquarters of the Russian Federal Security Service and former KGB, lit petrol he had poured on one of its wooden doors and posed for a photograph holding the empty petrol can. A video clip was also made of the action and of Pavlenskii's arrest. The prominent contemporary Russian gallery owner and curator Marat Gelman called the work The Door to Hell, alluding to both Dante's Divine Comedy and the important symbolism of doors in the Russian Orthodox Church.

  • 257.
    Bohlin, Anna
    et al.
    Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies.
    Stengrundet, Elin
    Nation som kvalitet: Smak, offentligheter och folk i 1800-talets Norden2021Collection (editor) (Refereed)
    Abstract [sv]

    I antologin Nation som kvalitet. Smak, offentligheter och folk i 1800-talets Norden undersöker 15 forskare i litteraturvetenskap, historia, konstvetenskap och etnologi hur smak blev grund för nation och moral ett kriterium för att inbegripas i ett folk. Relationen mellan smak, offentlighet och folk studeras ur olika infallsvinklar i olika material från Norge, Island, Danmark, Finland och Sverige. Hur konstruerades nationella folk som en moralisk kategori? Hur reglerades smak, klass och kön som del av nationsbildning? Hur förstods offentlighet som nationsskapande? Hur användes nation som värderingskriterium i litteraturkritiken? Och vilken betydelse fick materialitet? Att nationalism har estetiska uttryck är knappast någon nyhet. Vänder man på orsakssambandet händer dock något nytt: smak som grund för nation öppnar nya perspektiv på nationsbildning med relevans för vår egen tid.

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    Nation som kvalitet
  • 258.
    Bohman, Anne-Linn
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Dalís symboliska mat: En kontextuell bildanalys av två verk i Dalís surrealistiska kokbok Les Dîners de Gala2022Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Salvador Dalí var en konstnär som uttryckte sig i många medium. Han designade allt från böcker till parfymflaskor och kläder. Han skrev manus till filmer och publicerade en rad egna böcker varav en, hans kokbok Les Dîners de Gala, är studieobjektet för denna undersökning. Inuti kokboken finns 136 recept med illustrationer, målningar och fotografier, verk som Salvador Dalí skapat. Syftet med denna undersökning är att förstå vad de surrealistiska verken i Dalís kokbok förmedlar för betydelser och vilken innebörd maten har i symboliken. Detta görs genom att analysera två verk ur boken för att för det första se vilka konsthistoriska och psykoanalytiska teman de knyter an till, samt hur och varför de gör det. Och för det andra se vilken symbolisk betydelse maten i verken bär på.

    De två verk som undersökts är två stilleben, båda en blandning av collage och olja. Verken utfördes speciellt för kokboken under samma år som den publicerades, 1973. Den teoretiska grunden för uppsatsen berör således stilleben-genrens typiska memento mori motiv, sambandet mellan det surrealistiska kreativa skapandet och självskapandet tillsammans med inslag av Freuds psykoanalys. Verken har analyserats utifrån Panofskys ikonografiska analysmodell där undersökningens teorier har kunnat appliceras i bildanalysen för att ytterligare analysera och kontextualisera innehållet. Resultaten redovisas slutligen i en komparativ analys i den avslutande diskussionen. 

    Undersökningen visade att motiven i verken knyter an till konsthistoriska teman från religiös bildkonst samt antikens, medeltidens och renässansens konstnärliga seder. Tematiken rör sig från liv och död till religiös uppoffring som kunde kopplas till konstnärens relation till sin fru Gala samt hans egna relation till sex. Maten innehar mycket av verkens symbolik genom dess konsthistoriska ikonografi och psykoanalytiska betydelser för konstnären.

  • 259.
    Boman, Björn
    Stockholm University, Faculty of Social Sciences, Department of Education.
    Achievement in the South Korean Music Industry2019In: International Journal of Music Business Research, E-ISSN 2227-5789, Vol. 8, no 2, p. 6-26Article in journal (Refereed)
    Abstract [en]

    South Korean Pop music, commonly referred to as K-pop, emerged in the 1990s and reached regional and global recognition in the early 2000s, with a peak in 2018 with the two groups BTS andBLACKPINK. Their relative global success is explained in this article as an interplay of a G-L-G (Global-Local-Global) business model, beauty, ar-tistic and personality skills at the individual level, and idiosyncratic factors, such as particular songwriting capabilities and hit songs. This interplay was designedfor market penetration in the US and U

  • 260.
    Boman, Björn
    Stockholm University, Faculty of Social Sciences, Department of Education.
    Feminist themes in Hallyu 4.0 South Korean TV dramas as a reflection of a changing sociocultural landscape2022In: Asian Journal of Women's Studies, ISSN 1225-9276, E-ISSN 2377-004X, Vol. 28, no 4, p. 419-437Article in journal (Refereed)
    Abstract [en]

    While contemporary South Korea is fairly westernized but represents a lag in the spheres of culture and politics, it is expected that the current Korean wave or Hallyu 4.0 – popular cultural content, diffused as of 2016 – are cumulatively signified by feminist themes, merged with more traditional Korean and East Asian cultural elements. Five representative Hallyu 4.0 dramas are examined here, based on cultural globalization theory (e.g., hybridization), along with a review of some earlier studies of Korean dramas and relevant strands of feminist scholarship. The findings suggest that much of the moderately modern elements found in earlier waves of Korean drama are still present, while liberal or neoliberal feminist elements are manifest in all five shows, although to different degrees. This ideological shift, in part, reflects recent sociocultural changes.

  • 261.
    Bomark, David
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics. Stockholm University, Faculty of Humanities, Department of Art History.
    Identitet och motstånd: Normbrott inom hiphop2014Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Den här uppsatsen undersöker hur identitet uttrycks i tre musikvideos som tillhör genren ”queer rap” (Mykki Blanco, Le1f och Zebra Katz) där jag ställer frågan om den identitet som uttrycks hos dem är subversiva. För att ta reda på detta användes representations-begreppet tillsammans med Richard Dyers definition av stereotyper och José Esteban Muñoz avidentifikations-begrepp.

    Dessa tre artisters identiteter går att tolkas som subversiva då de använder normer och redan befintliga identiteter för att skapa nya uttryck, både från det heteronormativa och andra subversiva subkulturer. De skapar nya identiteter och uttryck med de normer som finns.

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    Identitet och motstånd
  • 262.
    Bonnier, Ann Catherine
    Stockholm University, Faculty of Humanities, Department of Art History.
    Kyrkorna berättar: Upplands kyrkor 1250-13501987Doctoral thesis, monograph (Other academic)
    Abstract [en]

    About 90 per cent of the medieval churches in the Province of Uppland remain more or less intact, and no less than one hundred of them are quite unchanged since the Late Middle Ages. Thus, if correctly interpreted, they should be capable of constituting an historical source and enriching our knowledge of times gone by.

    The object of this thesis is to record the architecture and furnishings of the parish churches during a scantily studied period of one hundred years, 1250-1350; the aim is also to show how this information may be used to shed light on various problems. First, an inventory is made of the Uppland churches, and variations in architecture and furnishings are recorded. Possibilities of dating the churches are discussed. Pending scientific methods, stylistic datings of roods and sculptured Madonnas must be employed in order to determine the churches as to time.

    One of the historical problems dealt with is whether, during this period, private persons had parish churches built at their own expense. Since the most select churches of the time were built of brick, the analysis of their architecture is particularly thorough. This analysis proved that the brick churches were individually designed, indicating specific requirements from those who had them built. These requirements did not benefit the peasants of the parishes in question, which were dominated by large estates. These estates belonged to the most exalted men and women of the realm, who, by their riches and standing, were probably those who ordered the building of the churches.

    The thesis shows that distribution maps of churches and furnishings from various phases of the Middle Ages may be implemented in order to mirror the development of settled and unsettled areas as well as the economy. In this fashion, it was also possible to discuss the structure and stratification of the parishes from a new aspect. The church parishes of northern Uppland were probably formed as late as the mid-13th century.

  • 263.
    Boonyiam Demir, Patricia
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Inredningsmedia: En diskursanalys om de samhälleliga normer och ideal inredningsmedia genererar och upprätthåller2015Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Uppsatsens ämne berör inredningsmedias påverkan av samhälleliga normer och ideal. Det empiriska materialet består av tre utvalda hemma hos-reportage ur tre av Sveriges mest lästa inredningstidningar. Syftet med uppsatsen är att synliggöra, analysera och diskutera vilka samhälleliga normer och ideal inredningsmedia genererar och upprätthåller i dagens samhälle. Frågeställningarna är: Vilka normer och ideal produceras i inredningsmedia och på vilka sätt konstruerar inredningsmedia kön och klass.

    Det teoretiska perspektivet bygger på Norman Faircloughs kritiska diskursanalys utifrån hans tredelade analysmodell bestående av text, diskursiv praktik och social praktik. Uppsatsens tre kapitel är uppdelad utefter tre olika aspekter och synvinklar, det vill säga: Konsumtion, identitet och genus.  

    Resultatet visar på att inredningsmedia genererar ideal så som att värna om miljö och en hållbar utveckling, DIY (do it yourself) och att inneha rätt smak. Inredningsmedia upprätthåller också vissa normer och föreställningar kring könsidentitet och klass genom reportagens framställning i bild och text. 

    Sökord: Norman Fairclough, Diskursanalys, Inredningsmedia, Inredningstidningar, Konsumtion, Identitet, Genus 

    Ventileringstermin:   VT2015

  • 264.
    Borg, Robin
    Stockholm University, Faculty of Humanities, Department of Art History.
    Estrid Ericson en kvinnlig formgivare: En fältteoretisk undersökning2014Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    I denna uppsats undersöks Estrid Ericsons yrkesbana utifrån skriven biografi om henne. Med hjälp av Pierre Bourdieus fält & kapitalbegrepp undersöks Estrid Ericsons förutsättningar att starta firma Svenskt Tenn. Studiematerialet för uppsatsen består av biografier skrivna om Estrid Ericson och som studeras utifrån ett diakront och synkront perspektiv. Undersökningen syftar till att belysa en genusaspekt som kan ha setts bortom i tidigare forskning kring Estrid Ericson.

  • 265.
    Bork Petersen, Franziska
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Do you really feel like the outside matches the inside: Der authentische Körper im Wandel der Zeit2013In: Medialität und Menschenbild / [ed] Jens Eder, Universität Mannheim; Joseph Imorde, Universität Siegen; Maike Sarah Reinerth, Universität Hamburg, Walter de Gruyter, 2013, p. 85-99Chapter in book (Refereed)
    Abstract [en]

    The concept of an authentic person who makes his/her ‘true inner’ visible on the body’s surface reappears as an ideal throughout history. What has undergone significant changes, however, is what exactly constitutes authentic bodily appearance. What ‘inner’ is represented and how exactly is it made visible on the body? My article focuses on two instances in which stagings of the authentic body represent an important issue: First in the French Enlightenment and subsequently in contemporary makeover culture (which originated in the Western world, but is no longer limited to it).

    Images of bodies revealing their ‘true inner’ took on particular importance in the Enlightenment when writers such as Rousseau used them as counterpoints to what they rejected as the ancien regime ’s affected bodies. One might assume today –in the aftermath of late 20th century poststructuralism, postmodernism and feminism –that any notion of bodily ‘authenticity’ or for that matter ‘essential selfhood’ would be curtly dismissed. Yet, the image of an authentic body that reveals a ‘deserving’ inner self is exactly what is staged in most popular media today.

    18th century acting theories suggested that ‘naturally expressive’ gestures could be conveyed –indeed reveal feelings –without any mediation. What has changed since then, I will argue, is that the ideal authentic body in makeover-culture has to be thoroughly and visibly worked for.

  • 266.
    Bork Petersen, Franziska
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    "Känner du verkligen att utsidan stämmer med insidan?": Sken och vara i den samtida kroppskulturen2012In: Okonstlad konst?: Om äkthet och autenticitet i estetisk teori och praktik / [ed] Axel Englund/Anna Jörngården, Lindome: Symposion Brutus Östlings bokförlag, 2012, p. 25-35Chapter in book (Other academic)
  • 267.
    Bork Petersen, Franziska
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Modelling Defiguration2013In: Performance Research, ISSN 1352-8165, E-ISSN 1469-9990, Vol. 18, no 6, p. 157-160Article in journal (Other academic)
    Abstract [en]

    For the presentation of his autumn/winter 2012 collection in Paris and subsequently in Copenhagen, Danish designer Henrik Vibskov installed a mobile catwalk. The article investigates the choreographic impact of this scenography on those who move through it. Drawing on Dance Studies, the analytical focus centres on how the catwalk scenography evokes a ‘defiguration’ of the walking models and to what effect.

    Vibskov’s mobile catwalk draws attention to the walk, which is a key element of models’ performance but which usually functions in fashion shows merely to present clothes in the most advantageous manner. Stepping on the catwalk’s sloping, moving surfaces decelerates the models’ walk and makes it cautious, hesitant and shaky: suddenly the models lack exactly the affirmative, staccato, striving quality of motion, and the condescending expression that they perform on most contemporary catwalks. Vibskov’s catwalk induces what the dance scholar Gabriele Brandstetter has labelled a ‘defigurative choregoraphy’: a straying from definitions, which exist in ballet as in other movement-based genres, of how a figure should move and appear (1998). The catwalk scenography in this instance determines the models’ walk. Furthermore, letting the models set off sound through triggers with attached sound samples gives them an implied agency. This calls into question the designer’s unrestricted authorship.

  • 268.
    Bork Petersen, Franziska
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    ”Movement never lies”: How assumptions of authenticity mystify dance2014In: Terpsichore, ISSN 1901-6743Article in journal (Other (popular science, discussion, etc.))
  • 269.
    Bork Petersen, Franziska
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies. Free University of Berlin, Germany.
    On Multiple Appearances: An Analysis of the Performing Body in Kitt Johnson's Drift2012In: Nordic Theatre Studies, ISSN 0904-6380, E-ISSN 2002-3898, Vol. 24, p. 44-53Article in journal (Refereed)
    Abstract [en]

    On Multiple Appearances: An Analysis of the Performing Body in Kitt Johnson's Drift In the article, I challenge the prevalent use of phenomenology in dance scholarship, which focusses on the dancer's experience of her body when dancing. This approach often implies the problematic assumption that the dancer's experience is immediately transferred to the spectators who, in turn, are universally 'moved' by her dancing body. Instead of acknowledging that dance is a product of historically and culturally specific circumstances, such an analytical perspective ultimately tends to mystify dance. In this article I propose a different use of analytical tools in dance scholarship: I employ phenomenological reduction and epoche to focus on how dancing bodies appear in a stage context. To test the ability of these tools to explore dancing bodies from a third-person perspective, I analyze Danish choreographer Kitt Johnson's solo performance Drift (2011), focussing on her variable physical appearance. While phenomenology helps me to describe the multiple and radically different guises Johnson assumes in her piece, my analysis does not, ultimately, aim to distil a truer, more real being from her appearances, as is often the case in phenomenological analyses. Instead, I complement my analytical approach with the Deleuzian notion of becoming animal, suggesting that Johnson stages what, in Judith Butler's terms, could be called a critical contingency of bodily appearance.

  • 270.
    Bork Petersen, Franziska
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    The Body as Non-Place: Utopian Potential in Philippe Decouflé’s Dance Film Codex2013In: Spaces of Utopia, ISSN 1646-4729, Vol. 2, no 2, p. 143-154Article in journal (Refereed)
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    FBPetersen Body as Non-Place
  • 271.
    Bork Petersen, Franziska
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies. FU Berlin.
    Scott, Minnie
    The Unruly Spectator: exhibition analysis on foot2014In: Assign and Arrange: Methodologies of Presentation in Art and Dance / [ed] M. Butte, F. McGovern, K. Maar, M.-F. Rafael and J. Schafaff, Berlin: Sternberg Press, 2014, p. 131-150Chapter in book (Refereed)
  • 272.
    Bork-Petersen, Franziska
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Freie Universität Berlin.
    Authenticity and its Contemporary Challenges: On Techniques of Staging Bodies2013Doctoral thesis, monograph (Other academic)
    Abstract [en]

    In this thesis I investigate what ‘authenticity’ means in a contemporary popular context and how it is used in the staging of bodies. Furthermore, I analyse works of dance and fashion from the past fifteen years with a focus on their strategies of challenging the notion of ‘bodily authenticity’.

     

    When ‘an authentic body’ is sought by participants or demanded by judges and ‘experts’ on popular makeover and casting TV shows such as The Swan (Fox 2004) or Germany’s Next Topmodel (Pro 7 2006-present) this refers to the physical visualisation of what is perceived/presented as the participants ‘inner self’. I scrutinise the staging techniques and the codes of appearance that bodies have to comply with in order to be deemed ‘authentic’ on the shows. To define them and place them in the history of the idea of ‘bodily authenticity’, I complement my study with an outline of how ‘authenticity’ was understood in the Enlightenment and what techniques were used to stage the body when the concept gained currency, for instance in the writings of Rousseau. My analysis makes clear that 'bodily authenticity' on the two TV shows is achieved by strictly following gender-normative codes of beauty and by a depiction of 'working hard'. But various techniques also mask the hard work, for example by showing a participant ‘having fun’ performing it.

     

    Contemporary works of dance and fashion challenge the problematic implications in the notion of ‘bodily authenticity’. I analyse three strategies of undermining the ‘authentic’ ideal in a total of seven pieces. These strategies are hyperbole which exaggerates the beauty code implicit in ‘authentic appearance’; multiplicity which undermines ‘authenticity’s’ essentialism and estrangement which denies the notion of individual authorship. In conclusion, I place the staging strategies used in my examples in a wider cultural context and highlight potential problems inherent in their critiques.

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    Fulltext
  • 273.
    Bortolozzi, Anna
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Architects, Antiquarians, and the Rise of the Image in Renaissance Guidebooks to Ancient Rome2019In: Rome and the guidebook tradition from the Middle Ages to the 20th century / [ed] Anna Blennow, Stefano Fogelberg Rota, Berlin: De Gruyter Open, 2019, p. 115-161Chapter in book (Refereed)
    Download full text (pdf)
    fulltext
  • 274.
    Bortolozzi, Anna
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Carlo Maderno e Francesco Borromini. Il progetto del palazzo in S. Lorenzo in Lucina per il principe Michele Peretti2015In: Storia dell'Arte, ISSN 0392-4513, Vol. 140, p. 97-114Article in journal (Refereed)
  • 275.
    Bortolozzi, Anna
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Italian architectural drawings: from the Cronstedt collection Nationalmuseum, Stockholm2020Book (Refereed)
    Abstract [en]

    This catalogue presents the first comprehensive study of the Italian architectural drawings in the Cronstedt Collection in the Nationalmuseum, Stockholm, comprising 181 drawings dating from c. 1570 to c. 1630. Among them are original projects by Francesco da Volterra, Carlo Maderno and other Roman architects of churches, chapels, palaces, gardens and fountains, many constituting primary and almost unknown source material relating to late Mannerist and early Baroque architecture. Also included is a large corpus of plans, façades, and architectural details by French draughtsmen that meticulously document ancient monuments as well as buildings by the Renaissance masters Bramante, Antonio da Sangallo, Michelangelo and Vignola. The catalogue puts forward new proposals of identification and attribution in the light of recent scholarship, also based on a close examination of the materiality of the drawings (paper, medium, technique, mounting). Comparative illustrations and a photographic catalogue of the watermarks complete the volume.

  • 276.
    Bortolozzi, Anna
    Stockholm University, Faculty of Humanities, Department of Art History.
    Recovered Memory: The Exhibition of the Remains of Old St. Peter's in the Vatican Grottos2011In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 80, no 2, p. 90-107Article in journal (Refereed)
    Abstract [en]

    Between 1616 and 1618, during the pontificate of Paul V, a number of sarcophagi, holy images, fragments of sculpture and mosaics, relics, epitaphs and architectural elements originating from the demolition of the old St. Peter's were exhibited on public display in the Vatican Grottos. Quite exceptionally, the fragments were labelled with stone epigraphs commemorating their history and original locations. As a complement to the exhibition, Giovan Battista Ricci painted detailed fresco representations of the exterior and the interior of the old basilica on the walls of the Grottos, giving the visitors an evocative image of its past appearance. This essay analyses the character of the installation in the Vatican Grottos and its formation, also looking at it as a result of the increased interest in antiquarian studies related to Christian antiquity and as an expression of the seventeenth-century taste for displaying antique fragments in palace ornamentation.

  • 277.
    Bortolozzi, Anna
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Santi Ambrogio e Carlo al Corso: identità, magnificenza e culto delle reliquie nella Roma del primo Seicento2014Book (Other academic)
    Abstract [it]

    Il primo santo dell’età moderna, un erudito cardinale cercatore di reliquie, un architetto romano fuggito in Lombardia e
 il progetto di una grande chiesa. Questo studio ricostruisce l’acceso scontro che, all’indomani della canonizzazione di Carlo Borromeo, vide coinvolti un gruppo di devoti, una confraternita e due ordini religiosi per il primato del culto carolino a Roma, imponendo alla Nazione lombarda la costruzione lungo la via del Corso di una nuova chiesa “degna della grandezza e meriti del santo”. Il progetto del monumentale edificio che avrebbe assegnato per la prima volta ai Lombardi un posto di primo piano nella geografia dell’Urbe, integrava elementi propri della tradizione architettonica lombarda, ispirandosi ai modelli del Duomo di Milano e del santuario di Santa Maria presso San Celso.
 I lavori, iniziati nel 1612 e finanziati dalle ingenti donazioni
 e legati pii favoriti dall’arrivo a Roma della preziosa reliquia del cuore di san Carlo, si protrassero per tutto il corso del Seicento senza però mai abbandonare l’originario progetto di traslare “la chiesa identitaria di Milano nel cuore della cattolicità”.

  • 278.
    Bortolozzi, Anna
    Stockholm University, Faculty of Humanities, Department of Art History.
    Two drawings by Giovan Battista Ricci da Novara for the decoration of the portico of new St. Peter's2011In: The Burlington Magazine, Vol. CLIII, no 1296, p. 163-167Article in journal (Refereed)
  • 279.
    Bortolozzi, Anna
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Two Oxenstierna in Rome: Sightseeing, public performances and artistic education2015In: City of the soul: the literary making of Rome / [ed] Sabrina Norlander Eliasson, Stefano Fogelberg Rota, Stockholm: Svenska institutet i Rom , 2015, p. 31-41Chapter in book (Refereed)
  • 280.
    Bower Olin, Caroline
    Stockholm University.
    Navajo Indian sandpainting: the construction of symbols1972Doctoral thesis, monograph (Other academic)
  • 281. Brandström, Sture
    et al.
    Söderman, Johan
    Thorgersen, Ketil
    Stockholm University, Faculty of Science, Department of Education in Arts and Professions.
    The double feature of musical folkbildning: three Swedish examples2012In: British Journal of Music Education, ISSN 0265-0517, E-ISSN 1469-2104, Vol. 29, no 1, p. 65-74Article in journal (Refereed)
    Abstract [en]

    The purpose of this article is to analyse three case study examples of musical folkbildning in Sweden. The first case study is from the establishment of the state-funded Framnas Folk High Music School in the middle of the last century The second case study, Hagstrom's music education, is from the same time but describes a music school run by a private company The third case study concerns a contemporary expression of folkbildning, namely hip-hop. The theoretical framework that inspired this article stems from the work of Pierre Bourdieu. The double feature of folkbildning appears in terms of elitist and democratic tendencies, high and low taste agendas, control and freedom.

  • 282.
    Brecevic, Geska Helena
    et al.
    Stockholm University.
    Brecevic, Robert
    Stockholm University.
    Becker, Karin
    Stockholm University, Faculty of Humanities, Department of Journalism, Media and Communication (JMK).
    Cinésense - bilder som uppträder2011In: Form och färdriktning  : strategiska frågor för den konstnärliga forskningen. Årsbok KFoU / [ed] Torbjörn Lind, Stockholm: Vetenskapsrådet , 2011, p. 146-174Chapter in book (Other academic)
    Abstract [sv]

    En kostymklädd affärsman med läderportfölj står i ett snötäckt landskap.  Han skruvar på sig. Tittar ängsligt up. Faller sedan raklång - som en fura. Bilden av mannen visas på en storbildsskärm och hans fall utlöstes av en närgången betraktare.

    Projektet Cinésense (med stöd från Vetenskapsrådet 2006-2008) handlar om film - mera precist om sensorstyrda videokipp och den performativa potentialen i rörlig bild. Cinésense ägde rum på gator och trog, tog plats i vänthallar och shopingtempel, bibliotek, butiker och skultfönster.  Dramatiskt kondenserade karaktärer introducerades för en oinvigd publik på en offentlig plats. Konstnärer och forskare kunde därigenom tillsammans studera hur tid och rum på och framför skärmen (i och utanför fiktionen) kan vävas ihop till en mer perofrmative rymd.

    Projektet undersökte hur man utvecklar ett interaktivt berättande inom film men också hur en betraktare - vars roll utökas till att bli en mer eller mindre ofrivillig deltagare - påverkas. Växelspelet är avgörande; filmens utgångspunkt är att provocera fram en nyfikenhet som i sin tur utmanar filmen att ta till nya konstgrepp.

  • 283.
    Bremmer, Magnus
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
    'A Pointer for Beauty': Photography, Ekphrasis, and the Aesthetics of Attention in Johannes Jaeger's 1866 Photobook2013In: History of Photography, ISSN 0308-7298, E-ISSN 2150-7295, Vol. 37, no 4, p. 421-430Article in journal (Refereed)
    Abstract [en]

    This essay inquires into attention and detail as aesthetic categories in the nineteenth-century reception of photography in Scandinavia. It circles around what is generally considered to be Sweden’s first book with original photographs, Johannes Jaeger’s Molin’s Fountain in Photographs, with text (1866), read through two articles on the aesthetic potential of the photographic medium written by two contemporary Scandinavian art critics. In seven albumen print photographs, the book documents a fountain sculpture by Swedish sculptor Johan Peter Molin, exhibited at the first Scandinavian Art and Industrial Exhibition in 1866. However, the book also includes poetry; each photograph is juxtaposed with a poetic stanza that describes the part of the sculpture that the photograph reproduces. This paper studies the close relation between image and text in Jaeger’s volume. It argues that a contemporary view of the photographic image, also articulated by the Scandinavian art critics, can be discerned from the layout of the book – namely, that photography produces images too distractive and oversaturated with insignificant details to be aesthetically valuable. The visual and verbal framework for the photographs, then, arguably aims to overcompensate the distractive qualities of the image, by regulating the reader/viewer’s attention towards the sculpture and its significant details. In this ambition, Jaeger’s photobook anticipates a future aesthetic appreciation of the photograph in its own right.

  • 284.
    Bremmer, Magnus
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
    "En pekpinne för skönheten": Om konsten att manipulera ett fotografi – exemplet Molins fontän (1866)2012In: Okonstlad konst?: Om äkthet och autenticitet i estetisk teori och praktik / [ed] Axel Englund, Anna Jörngården, Symposion Brutus Östlings bokförlag, 2012, p. 107-123Chapter in book (Other academic)
  • 285.
    Brigo, Federica
    et al.
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Çimen, OnurStockholm University, Faculty of Humanities, Department of Culture and Aesthetics.Kautsky, EliasStockholm University, Faculty of Humanities, Department of Culture and Aesthetics.Klintenberg Gedda, EllenStockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Oracular Visions: In the Darkness of the Night2020Collection (editor) (Other academic)
    Abstract [en]

    In times of uncertainty, contemporary oracles can provide the answers to our questions. Students on the International MA in Curating Art at Stockholm University, who edited this book, have been investigating the entanglement between commissioning as a curatorial practice and the task of formulating and posing crucial questions. “Amidst this multiplicity of truths, and all the places and possibilities that a future could lead us to, perhaps what we are seeking is guidance and ways to navigate through what will come. Thus, we approached artists, art critics and curators, and asked them to provide their own oracular visions."

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  • 286.
    Brinch, Rebecca
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Att växa sidledes: Tematik, barnsyn och konstnärlig gestaltning i Suzanne Ostens scenkonst för unga2018Doctoral thesis, monograph (Other academic)
    Abstract [en]

    The aim of this thesis is to highlight and discuss the artistic force, potential and significance of performing arts for children and young audiences through the example of the work by Suzanne Osten. The focus of this research is on themes, notions of the child and artistic expressions and strategies. The dissertation discusses both the aesthetic and the political aspects of Osten’s theatre for young audiences and takes an interdisciplinary approach, combining theatre and performance studies and childhood studies. A fundamental assumption is that childhood is not a fixed or stable phase that manifests itself in one particular way for all children during all times. Another assumption is that theatre is more than what is visually apparent on stage. What is staged does not take place inside a vacuum, but is closely connected to the surrounding society and culture. To study theatre for young audiences as a cultural expression is therefore, to a great extent, also about analysing notions of the child.

    Five performances have been selected, all for young audiences: Paddakvariet (The Toad Aquarium, 1988, for ages 10 and over), Delfinen (The Dolphin, 1992, for ages 3 and over), Irinias nya liv (Irina’s New Life, 1996, for ages 9 and over), Flickan, mamman och soporna (The Girl, the Mother and the rubbish, 1998, for ages 7 and over), and Lammungarnas fest (The Baa-lambs Holiday, 2014, for ages 13 and over). A model for performance analysis has been constructed, based on hermeneutics and semiotics, complemented by three key theoretical concepts. Firstly focalization, as used by theatre scholar Maaike Bleeker, in order to understand the interaction between the spectator and the visions produced by the apparatus of performance. The reasoning of theatre scholar Gay McAuley about space in performance is used to examine how space is utilized and retained in the performances, while the notion of utopian performative by theatre scholar Jill Dolan provides tools to discuss how moments of ‘feeling utopia’ are a significant part of the selected works which raises questions of the transformative and affective power of theatre. In order to contextualize and historicise the analyses, the response of the performances is also taken into account drawing mainly on theatre reviews.

    As a whole the analyses show Osten’s theatre for young audiences as an ongoing research project problematizing the situation and position of children in society, as well as the view of art for children. Ostens performances for young audiences exhibit and make possible notions of a child outside of the norm in late 20th and early 21st century childhood discourses both within research and society as a whole. Osten’s theatre and artistry are identified as growing sideways, developing in unexpected directions while disrupting ideas about childhood and adulthood, and also what can be viewed as theatre for children and theatre for adults. The dissertation states that Osten’s theatre for young audiences can be seen as pioneering, not only in the field of children’s theatre, but also for the development and renewal of Swedish theatre in general.

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    Att växa sidledes: Tematik, barnsyn och konstnärlig gestaltning i Suzanne Ostens scenkonst för unga
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  • 287.
    Brinch, Rebecca
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Barns rätt till konst och kultur: en rätt med undantag?2020In: En sten i magen: Rättigheter för barn utan undantag / [ed] Rebecca Brinch; Rebecca Örtman; Margareta Aspán; Karin Helander; Pernilla Leviner; Malena Janzon, Stockholm: Styx förlag , 2020, p. 45-61Chapter in book (Other academic)
  • 288.
    Brinch, Rebecca
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Historiska narrativ och samtidens Sverige i teater för ung publik: Ögonvittnen som trauma-drama2023In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 53, no 1, p. 25-42Article in journal (Refereed)
    Abstract [en]

    Historical Narratives and Contemporary Sweden in Theatre for Young Audiences. Eyewitnesses as Trauma-Drama. Children’s theatre in Sweden has a tradition of working with various political, social and existential issues. The purpose of the article is to explore the potential of children’s theater to stage an inclusive Sweden, with an empirical starting point in the theatre production Eyewitnesses. In Eyewitnesses, Young Malmö City Theatre wanted to bring to life testimonies from the Holocaust, in a city that is known for having extended problems with contemporary anti-Semitism. Eyewitnesses is based on true life stories and aimed at a young audience aged 13-18. The article examines wether Eyewitnesses has the potential to contribute to increased intercultural understanding and respect for human rights, focusing on the emotions that the performance evokes. In the article, I employ theories about cultural trauma and trauma-drama, and focus on the dramaturgical choices that are made, and the young audience’s reception. The article’s empricial basis consists of performance observations, audience observations, and interviews with the young audience. The article shows that Eyewitnesses not only has the potential to function as a historical narrative, but reflections are also awakened about contemporary social traumas and sufferings. At the same time, a discrepancy in the image of contemporary Sweden is revealed. Some informants highlight Sweden as an equal country characterized by freedom, while others identify issues of racism and segregation. From this perspective, three different images emerge: one where racism is seen as something that primarily happens outside Sweden's borders, one that highlights segregation and that we live in a racist society, and finally a third, which is also the dominant one, where critical reflection on current issues of inequality is sparked from the encounter with the theatre performance. In this way, Eyewitnesses has the potential to function as a trauma-drama, depending on the emotions that the performance evokes.

  • 289.
    Brinch, Rebecca
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Inledning: antirasism, dekolonisering och migration i svensk teater2022In: Berätta, överleva, inte drunkna: Antirasism, dekolonisering och migration i svensk teater / [ed] Rebecca Brinch; Dirk Gindt; Tiina Rosenberg, Stockholm: Bokförlaget Atlas, 2022, p. 14-39Chapter in book (Other academic)
  • 290.
    Brinch, Rebecca
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Suzanne Osten and Swedish Theatre for Young Audiences2019In: Theatre for Young Audience Journal GEKI, no 21Article in journal (Other academic)
  • 291.
    Brinch, Rebecca
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Teater på arabiska för alla: reflektioner från ett samtal om Arabiska Teatern2022In: Berätta, överleva inte drunkna: Antirasism, dekolonisering och migration i svensk teater. / [ed] Rebecca Brinch; Dirk Gindt; Tiina Rosenberg, Stockholm: Bokförlaget Atlas, 2022, p. 306-315Chapter in book (Other academic)
  • 292.
    Brinch, Rebecca
    et al.
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Gindt, Dirk
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    "All teater har en samhällsrevolutionerande potential": Ett samtal om Unga Klara med Farnaz Arbabi2022In: Berätta, överleva, inte drunkna: Antirasism, dekolonisering och migration i svensk teater / [ed] Rebecca Brinch; Dirk Gindt; Tiina Rosenberg, Stockholm: Bokförlaget Atlas, 2022, p. 337-351Chapter in book (Other academic)
  • 293.
    Brinch, Rebecca
    et al.
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Gindt, DirkStockholm University, Faculty of Humanities, Department of Culture and Aesthetics.Rosenberg, TiinaStockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Berätta, överleva inte drunkna: Antirasism, dekolonisering och migration i svensk scenkonst2022Collection (editor) (Other academic)
  • 294.
    Brinch, Rebecca
    et al.
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Lorentzon, Ylva
    Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies.
    Lund, Anna
    Stockholm University, Faculty of Social Sciences, Department of Sociology. Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies.
    Empati och erkännande i teater som gestaltar migration för barn och unga2023In: Konsten att beröra: Känslor i barnkulturen / [ed] Margareta Aspán; Mats Börjesson, Stockholm: Centrum för barnkulturforskning, Stockholms universitet , 2023, p. 133-155Chapter in book (Other academic)
  • 295.
    Brinch, Rebecka
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Martin Hellström, Pippi på scen: Astrid Lindgren och teatern2016In: Barnboken, ISSN 0347-772X, E-ISSN 2000-4389, Vol. 39Article, book review (Other academic)
  • 296. Brodén, Daniel
    et al.
    Noheden, KristofferStockholm University, Faculty of Humanities, Department of Media Studies.
    I gränslandet: Nya perspektiv på film och modernism2013Collection (editor) (Other academic)
  • 297.
    Brolinson, Per-Erik
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department of Musicology.
    Bengt Edlund: Riff inför rätta2009In: Svensk tidskrift för musikforskning, ISSN 0081-9816, E-ISSN 2002-021X, Vol. 91Article, book review (Other academic)
  • 298.
    Brolinson, Per-Erik
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department of Musicology.
    Olle Edström: Evert Taube. Sånger och musikalisk värld2009In: Svensk tidskrift för musikforskning, ISSN 0081-9816, E-ISSN 2002-021X, Vol. 91Article, book review (Other academic)
  • 299.
    Brolinson, Per-Erik
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Utländska inflytanden på den svenska visan2007Book (Other academic)
    Abstract [en]

    This is an in-depth study of an aspect discussed in the book ”Visor till nöjets estrader”. Den populära svenska visan. (Songs for Entertainment. The Popular Swedish Modern Ballad.), by Holger Larsen and myself. The focus is on foreign musical influences on the popular Swedish modern ballad. Although this genre is generally regarded as an expression of a typically Swedish musical idiom, various foreign influences have played an important role in its development during the 20th century. From the outset, Continental European styles affected the ballad, especially the very popular waltz song. Later on, influences from Latin and North America made themselves felt even stronger, especially during the second half of the century. In this study, those influences, the manner and the degree to which they were absorbed into the traditional style, are traced in some detail. There is also discussion of how the lyrics portray various images of foreign people and settings in relation what is generally viewed as “typically Swedish”. The study demonstrates that the foreign influences have considerably enlarged the stylistic range of the Swedish popular ballad, although without erasing its profile.

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  • 300.
    Brolinson, Per-Erik
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Larsen, Holger
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Fridavisornas musik: På spaning efter Birger Sjöbergs personstil1999In: STM-Online, E-ISSN 1403-5715, Vol. 2Article in journal (Refereed)
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