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  • 251.
    Ryberg, Ingrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Peeing like a 'girl': A queer phenomenological approach to the X-front project2009Conference paper (Other academic)
  • 252.
    Ryberg, Ingrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Sprut2007In: Hjärnstorm, no 91Article in journal (Other (popular science, discussion, etc.))
  • 253.
    Ryberg, Ingrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Tant eller queer?2004In: Femkamp: bang om nordisk feminism / [ed] Gunilla Edemo och Ulrika Westerlund, Stockholm: bang förlag , 2004Chapter in book (Other (popular science, discussion, etc.))
  • 254.
    Ryberg, Ingrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Tips från pornografen: Intervju med Emilie Jouvet2009In: FLM, no 5, p. 16-17Article in journal (Other (popular science, discussion, etc.))
  • 255.
    Ryberg, Ingrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Äkta porr tack! Utdöd äkthet och realistisk flatporr:  2006In: Bang, ISSN 1102-4593, no 3, p. 43-46Article in journal (Other (popular science, discussion, etc.))
  • 256.
    Rönnberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    TV-tittande som dialog: på väg mot en symbolisk-interaktionistisk TV-teori = [Television viewing as dialoguing] : [towards a symbolic-interactionist television theory]1996Doctoral thesis, monograph (Other academic)
  • 257.
    Sahlin, Peter
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Närbilder av ansiktet i Vivre sa vie: sett genom analys av begreppen fotogeni och fysionomi2005Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Med utgångspunkt i teoribegreppen fysionomi och fotogeni analyseras närbilderna av Anna Karinas ansikte i Vivre sa vie (Jean –Luc Godard, 1962). Arbetet inleds med en teoretisk re-dogörelse av begreppens uppkomst, innebörd och användningsområde. Fokus i den här delen är kring Jean Epstein och Béla Balázs texter om begreppen och dess framväxt på 1920-talet. Vivre sa vie är uppdelad i 12 episoder, i 6 av dem förekommer närbilder av ansiktet som ingår i arbetets filmanalys. Syftet är att hitta spår av begreppen i närbilderna, samt av resultatet där-ifrån undersöka tolkningsvarianter av närbildernas narrativ.

    Genom att ställa begreppen mot varandra och koppla dem till senare teorier inom området, belyses och problematiseras diskursen ytterligare. Filmbilder som plockas ur sitt sammanhang och sätts ihop efter varandra skapar nya narrativa aspekter, detta undersöks i arbetet. Kopplingar görs till dansken Carl.T. Dreyers filmstil i slutet av stumfilmsepoken. Andra äm-nen som behandlas i uppsatsen är identitetsproblematiken i den moderna storstaden och dis-kursen kring bildens moral och konstens aura.

    Teorier kring filmens narrativ kopplas främst till David Bordwell´s text Narration in the Fic-tion Film. Där han menar att Vivre sa vie handlar om problem med kommunikation på olika sätt. Vidare menar han att filmens handling kan tolkas som att den kretsar kring filmmediet generellt. Resultatet av filmanalysen gav utläsbara spår av fysionomi i ansiktets mimik. Det var besvärligare att visa på närbildernas fotogena innehåller. I filmens ljud och i abstraktionen av ansiktet finns dock kopplingar till fotogenibegreppet.

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  • 258.
    Sjöberg, Patrik
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    The world in pieces: a study of compilation film2001Doctoral thesis, monograph (Other academic)
  • 259.
    Skott, Julia
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Love in the age of communism: Soviet romantic comedy in the 1970s2006Independent thesis Advanced level (degree of Master (One Year)), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    The author discusses three Soviet comedies from the

    1970s: Moskva slezam ne verit (Moscow Does Not Believe

    in Tears, Vladimir Menshov, 1979), Osenniy marafon

    (Autumn Marathon, Georgi Daneliya, 1979), and Ironiya

    Sudby, ili S lyogkim parom (Irony of Fate, Eldar

    Ryazanov, 1975), and how they relate to both

    conventions of romance and conventions of the

    mainstream traditions of the romantic comedy genre.

    The text explores the evolution of the genre and

    accompanying theoretic writings, and relates them to

    the Soviet films, focusing largely on the conventions

    that can be grouped under an idea of the romantic

    chronotope. The discussion includes the conventions of

    chance and fate, of the wrong partner, the happy

    ending, the temporary and carnevalesque nature of

    romance, multiple levels of discourse, and some

    aspects of gender, class and power. In addition, some

    attention is paid to the ways in which the films

    connect to specific genre cycles, such as screwball

    comedy and comedy of remarriage, and to the

    implications that a communist system may have on the

    possibilities of love and romance. The author argues

    that Soviet and Hollywood films share many conventions

    of romance, but for differing reasons.

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  • 260.
    Snickars, Pelel
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Det medialiserade samhället2008In: Industriland: tolv forskare om när Sverige blev modernt / [ed] Jan af Geijerstam, Stockholm: Premiss , 2008Chapter in book (Other academic)
  • 261.
    Snickars, Pelle
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    A King Without E-mail: Reflections on New Media and the Royal Court2009In: Media and Monarchy in Sweden / [ed] Mats Jönsson & Patrik Lundell, Göteborg: Nordicom , 2009Chapter in book (Other academic)
  • 262.
    Snickars, Pelle
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Berlin Under the Sign of the Cinematograph:  Urban Mobility and Cinema Location in Wilhelmine Berlin2009In: Film 1900: Technology, Perception, Culture / [ed] Klaus Kreimeier & Annemone Ligensa, New Barnet: John Libbey Publishing , 2009Chapter in book (Other academic)
  • 263.
    Snickars, Pelle
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Bibliografi 3.0 – några reflektioner2009In: Biblis, no 44, p. 138-141Article in journal (Other (popular science, discussion, etc.))
  • 264.
    Snickars, Pelle
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Digitala fotografier - en mediehistoria2009In: I bildarkivet: Om fotografi och digitaliseringens effekter / [ed] Anna Dahlgren, Pelle Snickars, Stockholm: Kungl. biblioteket , 2009, p. 163-197Chapter in book (Other academic)
  • 265.
    Snickars, Pelle
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Film som arkiv2008In: Film och andra rörliga bilder: en introduktion / [ed] Anu Koivunen, Stockholm: Raster , 2008Chapter in book (Other academic)
  • 266.
    Snickars, Pelle
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Reading Berlin 19092008In: Kinoöffentligkeit (1895-1920) / [ed] Corinna Müller & Harro Segeberg, Marburg: Schüren , 2008Chapter in book (Other academic)
  • 267.
    Snickars, Pelle
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Svensk film och visuell masskultur 19002001Doctoral thesis, monograph (Other academic)
  • 268.
    Snickars, Pelle
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Televisionen som arkiv: om webb-tv2008In: Svensk television: en mediehistoria / [ed] Anna Edin & Per Vesterlund, Stockholm: Statens ljud- och bildarkiv , 2008Chapter in book (Other academic)
  • 269.
    Snickars, Pelle
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    The Archival Cloud2009In: The YouTube Reader / [ed] Pelle Snickars & Patrick Vonderau, Stockholm: National Library of Sweden , 2009Chapter in book (Other (popular science, discussion, etc.))
  • 270.
    Snickars, Pelle
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Tidiga medieformer: om televisionen då och nu2008In: TV-pionjärer och fria filmare: en bok om Lennart Ehrenborg / [ed] Tobias Janson & Malin Wahlberg, Stockholm: Statens ljud och bildarkiv , 2008Chapter in book (Other academic)
  • 271.
    Snickars, Pelle
    et al.
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Dahlberg, Leif
    Berättande i olika medier2008Collection (editor) (Other academic)
  • 272.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Berättelse2008In: Film och andra rörliga bilder - en introduktion, Raster förlag Stockholm , 2008, p. 21-Chapter in book (Other academic)
    Abstract [sv]

    Alla gillar berättelser men hur och vad ser man på när man betraktar en film som en berättelse? Artikeln diskuterar olika berättarnivåer i svensk samtida populärfilm med utgångspunkt i Aristoteles Poetik.

  • 273.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Fragment av det fortidige i Aki Kaurismäkis Mannen uten minne2009In: Veier tillbake: Filmhistoriske perspektiv / [ed] Brinch, S og Gjelsvik, A (eds), Kristiansand: Høyskolefølaget , 2009, p. 157-166Chapter in book (Other academic)
    Abstract [no]

    Artikel diskuterar och analyserar regissören Aki Kurismäki estetiska och narrativa grepp i filmen Mannen utan minne

  • 274.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Introduction2009In: Stellar Encounters: Stardom in Popular European Cinema / [ed] Tytti Soila, New Barnet: John Libbey Publishing , 2009, 1, p. 1-18Chapter in book (Other academic)
  • 275.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Kvinnors ansikte: stereotyper och kvinnlig identitet i trettiotalets svenska filmmelodram1991Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This dissertation analyses the status and function of the female image in the popular Swedish film melodrama of the 1930s. Its conceptual apparatus stems from the idea of film as a major cultural force, expressing a society's dominant ideology. In the classical narrative cinema, the female image is constituted by a patriarchal discourse which defines her as an object rather than a subject and with the male gaze as a controlling and normative force. Such a discourse, however, may also harbor a built-in resistance - an opposition to its (persuasive) line of argument. This oppositional discourse is called here the harassed discourse. While the patriarchal discourse speaks primarily through such things as action, dialogue and the traditional causal structure of narrative film, the harassed discourse can be distinguished through disparate fragments on many different levels of the narrative (music, visual composition and individual dialogue).

    The source material for this study comprises 63 of the most popular feature films produced in Sweden during the period 1929-1939. From this material one can distinguish twelve different female stereotypes describing those female categories through which the patriarchal discourse sets forth what is deemed acceptable and suitable in regard to gender conduct and attitude. However, among the selected material there are melodramas where the female protagonists do not fit into the stereotype categories. Therefore it is possible to argue that only what extends beyond the limitations of stereotypes can contribute to the formation of a female subject. The (repressive) authoritative prominence of the patriarchal discourse should not however be underestimated and accordingly, one must not exaggerate the subversive strength of the melodrama as a genre and capacity of the harassed discourse to influence the cinematic voice. Nevertheless, the remarkable thing is that there actually exists a mainstream Swedish cinema of the 1930s in which the patriarchal discourse, despite its tendency to assert its own legitimacy, has left room for an opposing female discourse to develop, which is sufficiently unified to be evaluated and analysed.

  • 276.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Ratavartijan kaunis Inkeri2008In: Valkoiset ruusut: Hannu Lemisen ja Helena Karan eläma ja elokuvat, Suomalaisen Kirjallisuuden Seura, Helsinki , 2008, p. 9-Chapter in book (Other (popular science, discussion, etc.))
    Abstract [en]

    Ratavartijan kaunis Inkeri (Leminen 1950) var en populär film i efterkrigstidens Finland och essän analyserar dess berättelsepotential utfrån Walter Benjamins tankar om modernitet.

  • 277.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Stellar Encounters: Stardom in Popular European Cinema2009Collection (editor) (Other academic)
    Abstract [en]

    The book expands om the seemingly contradictory question of why certain truly pupular stars have become obliterated from hegemonic accounts of (European) film history. In doing so, this volume exposes the equally vital impulse to conect stars to a specific national identity through language and national memory and specific genres

  • 278.
    Soila, Tytti
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    The unicanny in Kitchen Sink2011In: Short Film Studies, ISSN ISSN 2042-7824, Vol. 2, no 1, p. 83-86Article in journal (Refereed)
    Abstract [en]

    Drawing on Sigmund Freud's essay The Uncanny and Teresa de Lauretis' thoughts  on a film addressing the spectator as a woman through its "durations, perceptions, events, relationships and silences", this article  analyses some of the eerie moments in Kitchen Sink

  • 279.
    Stojanovic, Dragan
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Den svarta vågen i Serbien2007Independent thesis Advanced level (degree of Master (One Year)), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Svarta vågen är en filmgenre som är en naturlig konsekvens av

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  • 280.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    A Display Case for Everyday Wonders2007In: Framework: The Journal of Cinema and Media, Vol. 28, no 2, p. 149-153Article in journal (Refereed)
  • 281.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    A Full Integration With Film History: A Tribute to Ingmar Bergman2008In: Framework: The Journal of Cinema and Media, ISSN 0306-766, Vol. 49, no 1, p. 36-40Article in journal (Refereed)
  • 282.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Ambiguous Modernities: Images of Women in Hasselblad Films2006In: North-West Passage: Yearly Review of The Centre for Northern Performing Arts Studies, ISSN I826-64IX, no 3, p. 59-65Article in journal (Other academic)
  • 283.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Att gestalta det osynliga i det synligas medium2005In: Film och religion: Livstolkning på vita duken, Cordia, Örebro , 2005, p. 329-Chapter in book (Other academic)
  • 284.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Bakvänt var det: Anteckningar kring en bok om Strindberg och medierna2005In: Strindbergiana, ISSN 0282-8006, Vol. 20, p. 182-Article, book review (Other (popular science, discussion, etc.))
  • 285.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Between matter and concept: Film in Italy 1958-19682008In: Time & place: Milano-Torino 1958-1968, Steidl Verlag, Göttingen , 2008, p. 28-35Chapter in book (Other academic)
  • 286.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Den mentala bilden:  Reflektioner över filmupplevelsen2010In: Det åskådliga och det bottenlösa: Tankar kring konst och humaniora / [ed] Peter Gillgren, Stockholm: Konstvetenskapliga institutionen , 2010, p. 63-69Chapter in book (Other academic)
  • 287.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Deus Absconditus, Between visible and invisible in the films of Tarkovsky2006In: Through The Mirror: Reflections on the Films of Andrei Tarkovsky, Cambridge Scholars Press, Cambridge , 2006Chapter in book (Refereed)
    Abstract [en]

    The essay attempts to define filmic space in Tarkovsky's work from the "figures of negation" appearing in Stalker, Nostalghia and Sacrificatio and their relation to off screen space. Focussing on the frame, it redefines Tarkovsky's images as "liminary images", constantly on the verge between the space of the film image and the limitless space off frame.

  • 288.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Editorial2010Other (Other academic)
  • 289.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Evident eller efemär?: Filmbilden i vardande2007In: Divan: Tidskrift för psykoanalys och kultur, ISSN 1101-1408, no 3-4, p. 42-49Article in journal (Refereed)
  • 290.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Film är inte att lita på - eller?2010In: Tvärsnitt, ISSN 0348-7997, Vol. 31, no 4Article in journal (Refereed)
  • 291.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Filmen - det modernas konstform?2008In: Kungl. Vitterhets, historie och antikvitetsakademien - Årsbok 2008, Kungl. Vitterhets, historie och antikvitetsakademien, Stockholm , 2008, p. 133-146Chapter in book (Other academic)
  • 292.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Filmiska begrepp: Några kommentarer till Deleuze och filmteorin2008In: Deleuze och mångfaldens veck, Axl books, Stockholm , 2008, p. 157-172Chapter in book (Other academic)
  • 293.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Filmretorik og den internationale politik2005In: Mediekultur, ISSN 0900-9671, no 38, p. 73-Article in journal (Refereed)
  • 294.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Filmskolan2007In: ZoomArticle, book review (Other (popular science, discussion, etc.))
  • 295.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Företagarnas förlovade land?: Några nedslag i svensk filmhistoria2010In: Företagsminnen. Tidskrift från Föreningen Stockholms företagsminnen, ISSN 1101-7473, Vol. 31, no 5Article in journal (Other academic)
  • 296.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Georg af Klercker the Silent Era and Film Research2010In: Swedish Film: An Introduction and Reader / [ed] Mariah Larsson & Anders Marklund, Lund: Nordic Academic Press , 2010, p. 63-71Chapter in book (Other academic)
  • 297.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Gudar och människor2011In: Signum : katolsk orientering om kyrka, kultur, samhälle, ISSN 0347-0423, no 1, p. 3-5Article, book review (Other (popular science, discussion, etc.))
  • 298.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Ingmar Bergmans konstnärliga gärning2008In: Nordisk Tidskrift: För vetenskap, konst och industri, ISSN 0029-1501, Vol. 84, no 3, p. 307-309Article, book review (Other (popular science, discussion, etc.))
  • 299.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Konsten och medierna går inte att skilja åt2007In: Annex, no 44, p. 31-32Article, book review (Other (popular science, discussion, etc.))
  • 300.
    Söderbergh Widding, Astrid
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Like Awoken Sleeping Beauties2007Other (Other (popular science, discussion, etc.))
345678 251 - 300 of 372
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