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  • 51. Hongisto, Ilona
    et al.
    Wahlberg, Malin
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Guest Editorial2016In: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 6, no 2, p. 77-80Article in journal (Other academic)
  • 52.
    Jiang, Tianyu
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    “Frankenstein Complex” in the Realm of Digital Humanities: Data Mining Classic Horror Cinema via Media History Digital Library (MHDL)2019Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    This thesis addresses the complexity of digitalization and humanities research practices, with a specific focus on digital archives and film history research. I propose the term “Frankenstein Complex” to highlight and contextualize the epistemological collision and empirical challenges humanities scholars encounter when utilizing digital resources with digital methods. A particular aim of this thesis is to scrutinize digital archiving practices when using the Media History Digital Library (MHDL) as a case for a themed meta-inquiry on the preservation of and access to classic horror cinema in this particular digital venue. The project found conventional research methods, such as the close reading of classical cinema history, to be limiting. Instead, the project tried out a distant reading technique throughout the meta-inquiry to better interrogate with the massive volume of data generated by MHDL. Besides a general reassessment of debates in the digital humanities and themes relating to horror film culture, this thesis strives for a reflection on classic horror spectatorship through the lens of sexual identity, inspired by Sara Ahmed’s perspective on queer phenomenology. This original reading of horror history is facilitated by an empirical study of the digital corpus at hand, which in turn gives insights into the entangled relation between subjective identities and the appointed research contexts.

  • 53.
    Jonathan, Rozenkrantz
    et al.
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Marta, Mund
    Södertörns högskola, Sverige.
    Alltid redan en aktivitet: åskådarskap och estetiska lärprocesser2014In: Konst och lärande: essäer om estetiska lärprocesser / [ed] Anders Burman, Huddinge: Södertörns högskola , 2014, p. 405-425Chapter in book (Refereed)
  • 54.
    Kirsten, Guido
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Artikelreihe «Dispositive»: Einleitung von Guido Kirsten zum Beitrag von Rebecca Harrison2017In: Montage/AV. Zeitschrift für Theorie und Geschichte audiovisueller Kommunikation, ISSN 0942-4954, Vol. 26, no 1, p. 125-127Article in journal (Other academic)
  • 55.
    Kirsten, Guido
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Mise en Scène2017In: Handbuch Filmanalyse / [ed] Malte Hagener, Volker Pantenburg, Wiesbaden: Springer, 2017, p. 1-17Chapter in book (Refereed)
    Abstract [de]

    Es existieren verschiedene Verwendungsweisen des Begriffs Mise en Scène, die in diesem Beitrag zunächst unterschieden und erläutert werden. Anschließend geht der Autor anhand eines engeren Begriffsverständnisses auf den Beitrag der Mise en Scène zur Bildkomposition und zur Narration, sowie auf autothematische Konstruktionen und auf das Verhältnis zum Nachbarkonzept der Découpage ein. Verstanden wird Mise en Scène dabei als Organisation jener Parameter, die die profilmische Situation visuell strukturieren: Dekor, Lichtsetzung, Kostümierungen und Choreografie der Darsteller. Die Mise en Scène entfaltet ihre Wirkung allerdings erst im weiteren Zusammenhang mit anderen Gestaltungsebenen (Découpage, Montage, Sounddesign etc.). Das Konzept der Mise en Scène ist so im emphatischen Sinn ein analytisches: Im Sinne der Analyse der Gesamtwirkung eines Films oder eines andersartigen audiovisuellen Werkes werden einzelne Aspekte isoliert, um sie genauer zu erfassen und sie in ihrer Wechselwirkung miteinander und ihrem Zusammenspiel mit anderen Ebenen untersuchen zukönnen –  also die reale Synthese der Elemente konzeptuell zu entfalten.

  • 56.
    Kirsten, Guido
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Programmatic and Proto-Reflexive Realism: Feuillade’s 'La tare' (1911) and 'Erreur tragique' (1913)2015In: Objectivity and the Effects of Truth: Early Cinema And The Realist Tradition / [ed] Jordi Pons, Àngel Quintana, Girona: Fundació Mueseu del Cinema-Collectió Tomàs Mallol & Ajuntament de Girona , 2015, p. 141-152Chapter in book (Refereed)
    Abstract [en]

    This article discusses the cinematic realism of French director Louis Feuillade in the early 1910s. In his famous ‘manifesto’ “La vie telle qu’elle est” he claimed to be the first to bring realism to the screen. His La tare (1911) is analyzed as an attempt to realize the programmatic poetics of the manifesto, combining naturalistic staging and a mostly melodramatic plot. Less typical is Erreur tragique (1913), which both displays the medium’s capacity for witnessing and reproducing ‘real’ events and can be thought of as a ‘proto-reflexive’ form of realism in film.

  • 57.
    Kirsten, Guido
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Roland Barthes und das Kino: Ein Überblick2015In: Montage/AV. Zeitschrift für Theorie und Geschichte audiovisueller Kommunikation, ISSN 0942-4954, Vol. 24, no 1, p. 9-29Article in journal (Refereed)
  • 58.
    Kirsten, Guido
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Thesen zur Theorie des Filmstils: Intensionalität, Kontingenz und Wes Andersons Hotel Chevalier2016In: Filmstil: Perspektivierungen eines Begriffs zwischen Ästhetik, Praxis und Theorie / [ed] Julian Blunk, Tina Kaiser, Dietmar Kammerer, Chris Wahl, Munich: Edition text + kritik, 2016, p. 71-90Chapter in book (Refereed)
  • 59.
    Kobayashi, Saki
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    “Pansarskeppet kvinnligheten” deconstructed: A study of Eva Dahlbeck’s stardom in the intersection between Swedish post-war popular film culture and the auteur Ingmar Bergman2018Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    Eva Dahlbeck was one of Sweden’s most respected and popular actresses from the 1940s to the 1960s and is now remembered for her work with Ingmar Bergman, who allegedly nicknamed her “Pansarskeppet kvinnligheten” (“H.M.S. Femininity”). However, Dahlbeck had already established herself as a star long before her collaborations with Bergman. The popularity of Bergman’s three comedies (Waiting Women (Kvinnors väntan, 1952), A Lesson in Love (En lektion i kärlek, 1954), and Smiles of a Summer Night (Sommarnattens leende, 1955)) suggests that they catered to the Swedish audience’s desire to see the star Dahlbeck. To explore the interrelation between Swedish post-war popular film culture and the auteur Bergman, this thesis examines the stardom of Dahlbeck, who can, as inter-texts between various films, bridge the gap between popular film and auteur film. Focusing on the decade from 1946 to 1956, the process whereby her star image was created, the aspects that constructed it, and its relation to her characters in three Bergman titles will be analysed. In doing so, this thesis will illustrate how the concept “Pansarskeppet kvinnligheten” was interactively constructed by Bergman’s films, the post-war Swedish film industry, and the media discourses which cultivated the star cult as a part of popular culture.

  • 60.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Economies of Pride and Shame: Politics of Affect in New Narratives about Sweden Finns2017In: Collegium : Studies across disciplines in the humanities and social sciences, ISSN 1796-2986, E-ISSN 1796-2986, Vol. 23, p. 50-66Article in journal (Refereed)
    Abstract [en]

    This chapter examines the contemporary revisiting and reimagining of the histories and memories of Finnish migrants in Sweden. Since 2000, a new generation of children and grandchildren of the Great Migration in the 1960s and 1970s has entered the public arena in Sweden, articulating new narratives in pop music, literature, theatre and film. While these “third-generation” Sweden Finnish artists themselves embody success stories of migration, enjoying positive publicity and the appreciation of Swedish mainstream audiences, it is argued that the new narratives are essentially stories about living with, managing and rejecting shame. To be either a cultural producer or an audience of new narratives about Sweden Finns is to engage with an affective legacy of shame, a sense of history and a repertoire of representations – and politics of pride as its rejoinder. Drawing from affect theories by Sara Ahmed and Margaret Wetherell, as well as Beverley Skeggs’ work on the production of class, this chapter investigates two novels, Svinalängorna by Susanna Alakoski (2006) and Ingenbarnsland by Eija Hetekivi Olsson (2012); two television programmes, Emigranterna SVT (2006–2007) and Kansankodin kuokkavieraat YLE Teema (2011); and a musical documentary, Ingen riktig finne/Laulu koti-ikävästä (Mika Ronkainen 2013). In this way, the study highlights an affective practice, a pattern in process and an economy of pride and shame mobilized for purposes of identity construction and community building.

  • 61.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Hela folkets teater? Televisionsteatrarna i Finland från 1960-talet till 1980-talet2014In: Den finska televisionens milstolpar: program och programproduktion under fem årtionden / [ed] Juhani Wiio, Göteborg: Nordicom, 2014, p. 165-175Chapter in book (Refereed)
  • 62.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Henkilökohtainen hankaa2013Other (Other (popular science, discussion, etc.))
  • 63.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Kansa liikkeessä2012In: Maailman paras maa / [ed] Anu Koivunen, Helsinki: Suomalaisen Kirjallisuuden Seura, 2012, p. 7-27Chapter in book (Other academic)
  • 64.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Kulturdebatt: Vad är en dagstidning? (del 3/3)2014In: Hufvudstadsbladet, ISSN 0356-0724, no 6 decemberArticle in journal (Other (popular science, discussion, etc.))
  • 65.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Mies ja ääni2012In: Maailman paras maa / [ed] Anu Koivunen, Helsinki: Suomalaisen Kirjallisuuden Seura, 2012, p. 193-212Chapter in book (Other academic)
  • 66.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Samhällsbärare2013In: Hufvudstadsbladet, ISSN 0356-0724, no 10 novemberArticle in journal (Other (popular science, discussion, etc.))
  • 67.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Theorist of Feeling2018In: Cinema Journal, ISSN 0009-7101, E-ISSN 1527-2087, Vol. 57, no 2, p. 163-165Article in journal (Other academic)
  • 68.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Tämä ei ole televisiota2012In: Kertomuksen luonto / [ed] Kaisa Kurikka, Olli Löytty, Kukku Melkas, Viola Parente-Čapková, Jyväskylä: Jyväskylän yliopisto , 2012, p. 147-155Chapter in book (Other academic)
    Abstract [fi]

    Kertomuksen luonto kurkistaa taiteiden tutkimuksen nykyilmiöihin ja uusiin suuntiin. Teoksesta avautuu laaja kirjo lähestymistapoja ja kysymyksenasetteluja kirjallisuuteen, elokuvaan, televisioon ja kuvataiteeseen. Mitä tapahtuu kun lähestymme taideteosta yksityiskohdan kautta? Miten erilaiset äänet pääsevät kuuluviin kirjallisuudessa? Minkälaiset tietämisen ehdot rajaavat tai muokkaavat käsitystämme maailmasta ja tutkimuksesta? Millaiseksi luonnon ja kulttuurin suhde rakentuu posthumanistisessa tutkimuksessa? Miten etiikka kytkeytyy estetiikkaan? Kertomuksen luonto etsii vastauksia ja kysyy uudelleen.

  • 69.
    Koivunen, Anu
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Uncanny Motions: Facing Death, Morphing Life2013In: Discourse. Journal for Theoretical Studies in Media and Culture, ISSN 1522-5321, E-ISSN 1536-1810, Vol. 35, no 2, p. 248-262Article in journal (Refereed)
  • 70.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Ambitionen att förkristliga filmproduktionen: Recension av: Moralizing Cinema: Film, Catholicism and Power2015In: Dagens nyheter, ISSN 1101-2447, no 24 augustiArticle, book review (Other (popular science, discussion, etc.))
    Abstract [sv]

    I en ny antologi avslöjas den katolska kyrkans inflytande på filmens område. Men inte bara som censurinstans utan också via synen på film som en kungsväg till människors själar. Maaret Koskinen får nya insikter om hur Ingrid Bergman blev en bricka i spelet mellan religion och politik.

  • 71.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Andrew Nestingen. The Cinema of Aki Kaurismäki2014In: Scandinavica - International Journal of Scandinavian Studies, ISSN 0036-5653, Vol. 53, no 2, p. 115-119Article, book review (Other academic)
  • 72.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Bland fiskar, bottenslam och fostervatten2012Other (Other (popular science, discussion, etc.))
  • 73.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Film och åldrande: Från ålderism till catwalk2017In: Ikaros. Tidskrift om människan och vetenskapen, ISSN 1796-1998, Vol. 14, no 4, p. 17-18Article in journal (Other academic)
    Abstract [sv]

    Åldrande och ålderdomen har under de senaste åren varit ett tema som tagits upp i ett antal olika populära filmer. Men vad har man sagt genom att konstatera att äldre skådespelare gör roller i stora filmer? Maaret Koskinen borrar djupare i diskussionen och hävdar att en viktig dimension av diskussionen om åldrande är vår egen upplevelse av tidens gång.

  • 74.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Film, tid och minne2014In: Divan : tidskrift för psykoanalys och kultur, ISSN 1101-1408, no 3-4, p. 31-38Article in journal (Refereed)
  • 75.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Filmerna ger Stockholm känslomässig laddning2012In: Dagens Nyheter, ISSN 1101-2447, no 23 novemberArticle in journal (Other (popular science, discussion, etc.))
  • 76.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Fil(m)osofiska valfrändskaper: Eric M. Nilsson och Lars Gyllensten2019In: Apropå Eric M.: en antologi om Eric M. Nilssons filmer / [ed] Andreas Holmström, Stockholm: Trolltrumma , 2019, p. 175-188Chapter in book (Other (popular science, discussion, etc.))
  • 77.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Foreword2014In: The demons of modernity: Ingmar Bergman and European cinema, New York: Berghahn Books, 2014, p. 1-7Chapter in book (Other academic)
  • 78.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Ingmar Bergman – minne, arkiv, arkeologi2019In: Ingmar Bergman mellan teori och praktik: reflektioner av forskare och konstnärer / [ed] Karin Helander, Uppsala: Uppsala universitet, 2019, p. 55-62Chapter in book (Other academic)
  • 79.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Ingmar Bergman: Ofilmat, ospelat, outgivet2018Collection (editor) (Other academic)
  • 80.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Kommentar2018In: Ingmar Bergman: Ofilmat, ospelat, outgivet / [ed] Maaret Koskinen, Stockholm: Norstedts Förlag, 2018, p. 313-326Chapter in book (Other academic)
  • 81.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Mellan tro och fantasi2012Other (Other (popular science, discussion, etc.))
  • 82.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Moralizing cinema: Film, Catholicism and power2015In: Communications: the European Journal of Communication Research, ISSN 0341-2059, E-ISSN 1613-4087, Vol. 40, no 4, p. 500-502Article, book review (Other academic)
  • 83.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Multiple Adaptation Processes: The case of Alexander Ahndoril's "The Director" and its predecessors in feature film, television documentary and popular print media2015In: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 5, no 1, p. 35-47Article in journal (Refereed)
    Abstract [en]

    It is well known that the novel by Alexander Ahndoril, Regissören/The Director (2006/2008), partially adapts Ingmar Bergman’s film Nattvardsgästerna/The Communicants (1963). It is less well known that the novel also adapts a television documentary about the shoot of The Communicants made in 1962 for Swedish public television by Vilgot Sjöman. In Ahndoril’s novel, then, the transfer moves from Bergman’s film and Sjöman’s documentary to the novel, in contrast to conventional adaptation practice, which moves in the opposite direction. Furthermore, besides moving images, other media have been adapted in Ahndoril’s novel, for example, feature stories in Swedish women’s magazines on Bergman and then-wife Käbi Laretei’s domestic life. Finally, Bergman’s journals have also been adapted, not from the original source text, however, but as represented in academic publications. In sum, Ahndoril’s novel is the result of a multiple adaptation process, involving not only moving images in the form of an art-film feature and a television documentary, but also still photography, popular print media and an academic publication. As such the novel also points towards a broader cultural adaptation process.

  • 84.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Nordic noir på nya breddgrader2016In: Point of view: POV, ISSN 2002-6358, Vol. 1, no 4Article, book review (Other (popular science, discussion, etc.))
  • 85.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    On Suffocation: Audible space, visualized sound2016In: Short Film Studies, ISSN 2042-7824, E-ISSN 2042-7832, Vol. 6, no 1, p. 101-104Article in journal (Refereed)
    Abstract [en]

    This article explores how the realistic sound in the short film "On Suffocation", devoid of dialogue and entirely restricted to the setting where the action takes place, still manages to connote meanings ranging from the psychological to the political, and thus supplements the visible image by breaking into invisible space.

  • 86.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    P(owe)R, Sex, and Mad Men Swedish Style: Or How the Personal Can Become the Political2016In: Swedish Cinema and the Sexual Revolution: Critical Essays / [ed] Mariah Larsson, Elisabet Björklund, Jefferson, Nort Carolina: McFarland, 2016, p. 153-167Chapter in book (Refereed)
  • 87.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Reception, Circulation, Desire: Liv Ullmann and the Transnational Journeys of a Scandinavian Actress2016In: Journal of Transnational American Studies, ISSN 1940-0764, E-ISSN 1940-0764, Vol. 7, no 1Article in journal (Refereed)
  • 88.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Staden som filmisk psykogeografi: Stockholm och Millennium-filmerna2013In: I gränslandet: Nya perspektiv på film och modernism / [ed] Daniel Brodén, Kristoffer Noheden, Möklinta: Gidlunds förlag, 2013, p. 220-240Chapter in book (Other academic)
  • 89.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    "The Capital of Scandinavia?" Imaginary Cinescapes and the Art of Creating an Appetite for Nordic Cinematic Spaces2016In: A Companion to Nordic Cinema / [ed] Mette Hjort, Ursula Lindqvist, Malden: Wiley-Blackwell, 2016, p. 199-223Chapter in book (Refereed)
  • 90.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Urban Spaces, Urban Memories: Stockholm as Imaginary Cityscape2013In: Skandinavien i tid och rum: Bidrag från CSS-konferenserna 2011 och 2012 / [ed] Mats Jönsson, Lund: Centre for Scandinavian Studies Copenhagen-Lund (CSS) , 2013, p. 207-220Chapter in book (Refereed)
  • 91.
    Koskinen, Maaret
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Varför är HS-forskning viktig?: Bilaga 1: Forskningsöversikter2015In: Forskningens framtid!: Ämnesöversikt 2014: Humaniora och samhällsvetenskap, Stockholm: Vetenskapsrådet , 2015, p. 1-6Chapter in book (Other academic)
  • 92.
    Kourtoglou, Zoi
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    THE BIOPOLITICS OF DOMESTIC WORK AND THE CONSTRUCTION OF THE FEMALE 'OTHER': REIMAGINING SPACES, LABOR, AND REPRESENTATIONS OF LIVE-IN DOMESTIC WORKERS IN FILM2017Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    Representations of female characters in cinema have the effect of othering the female in front of the viewer’s gaze. Women’s characters are constructed along the lines of their gender and race difference. In this paper I focus entirely on the character of the woman domestic worker in four films: Ilo Ilo, The Second Mother, The Maid, and At Home. The paper aims to provide a different reading of this mostly trivialized character and rethink its otherness by pinpointing it in biopolitical labor and homes of biopower, namely of affect and oppression. I am interested in how labor can reconfigure the domestic space to a heterotopia, or what I call a ‘heterooikos’, which is the space occupied by the other. Finally, I will attempt an analysis that reimagines otherness captured by cinema, by locating, in the film text, techniques of resistance as a countersuggestion to techniques of character identification. My aim is to provide a different way to interact with subaltern subjects in film by recognizing otherness as part of an ethical response.

  • 93.
    Lappalainen, Anna-Sofia
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    The power of structure in Bamboleho2018In: Short Film Studies, ISSN 2042-7824, E-ISSN 2042-7832, Vol. 8, no 2, p. 147-150Article in journal (Refereed)
    Abstract [en]

    A non-linear, circular structure and the repetition of narrative produce an impact on the viewer and keep the story of Bamboleho open to a range of interpretations.

  • 94.
    Larsson, Mariah
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Making Love Detumescently: Some Preliminary Notes on the Body Language of the Penis2014In: Kosmorama (København), ISSN 0023-4222, E-ISSN 2245-9731, no 258Article in journal (Refereed)
    Abstract [en]

    Although body language in the moving image may to a large extent be transparent, some aspects of body language are regulated by generic conventions, rating systems, and, historically, by the law. This article discusses the limitations and possibilities of the body language of the penis, using examples from both non-pornographic films and pornographic films.

  • 95.
    Larsson, Ronja
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Hip-Hop Don't Die, We Multiply: Repetitiva troper i tidig hip-hop-film: Enhet och kreativitet som budskap och utväg2018Independent thesis Basic level (degree of Bachelor), 20 credits / 30 HE creditsStudent thesis
    Abstract [sv]

    Denna studie behandlar tidig hip-hop-film från 80-talet och dess kreativa uttryck genom hip-hop- kulturens fyra grundelement, där en slutsats är att graffiti, breakdance, DJ-ing och rap är av yttersta vikt i bildspråket, och audiellt. Att elementen inleder filmerna visar vilken betydelse dessa har och vidare samverkar de på varierande vis, vilket förstärker den enhet som finns med i filmernas budskap. Enhet och kreativitet är centralt i filmerna och budskap om att möjligheter, framgång och framtid ligger i dem är tydliga. En annan slutsats är att elementen och diverse troper repeteras och sprids vilket stärker hip-hop och hip-hop-film som varumärke.

  • 96.
    Larssson, Jesper
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    ”Hela Sveriges Tutta Rolf”: An analysis of a star image in early 1930s Swedish cinema2018Independent thesis Advanced level (degree of Master (Two Years)), 80 credits / 120 HE creditsStudent thesis
    Abstract [en]

    Tutta Rolf’s career. Rolf was one of the greatest stars in 1930s Swedish cinema. She was also a popular stage actress, vaudeville performer and recording artist. Despite her prominence she has been largely neglected in scholarly work. This thesis aim to bring new knowledge about this underresearched star by conducting basic research. I situate her within the field of star studies by deploying Richard Dyer’s influential theory to abstract a method on how to look at the praxis of Tutta Rolf’s stardom. Thus, I deploy her films, newspapers, Filmjournalen and archival material to tell the story of her early career. My basic assumption, i.e. hypothesis is that there existed a Swedish star system in the 1930s. Earlier there has been a lack of research regarding a potential Swedish star system. Hence, this is an inductive study that will try to bring forward new knowledge about Tutta Rolf, Swedish stardom and its star system that may be used for future research.

  • 97.
    Lindell, Björn
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Ett spöke från förr: Norsk sakte-TV och den tidiga filmens phantom rides2018Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Denna studie jämför de nya norska tågresefilmerna inom så kallad sakte-TV (eller Slow TV) med den tidiga filmens phantom rides. I båda fallen dominerar ett förstapersonsperspektiv filmat i tågets färdriktning och uppsatsen undersöker hur likheter och skillnader i stilmässiga grepp och paketering relaterar till samtida uppfattningar kring tid och rum. Vidare utforskas om det moderna fenomenet kan ses som en återkomst av en vy-baserad filmestetik, där den så annars vanligt narrativa konstruktionens dominans förflyttas till bakgrunden.

  • 98.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Arkivets urval: teknologi och censur2016In: Historiens hemvist. 3, Minne, medier och materialitet / [ed] Johan Hegardt, Trond Lundemo, Göteborg: Makadam Förlag, 2016, p. 33-55Chapter in book (Refereed)
  • 99.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Introduktion: Minne, medier och materialitet2016In: Historiens hemvist. 3, Minne, medier och materialitet, Göteborg: Makadam Förlag, 2016, p. 15-30Chapter in book (Other academic)
  • 100.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Mapping the World: Les Archives de la planète and the Mobilisation of Memory2016In: Memory In Motion : Archives, Technology, and the Social / [ed] Ina Blom, Trond Lundemo, Eivind Røssaak, Amsterdam: Amsterdam University Press, 2016, p. 213-236Chapter in book (Refereed)
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