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  • 51.
    Sjöholm Skrubbe, Jessica
    Stockholm University, Faculty of Humanities, Department of Art History. Uppsala universitet.
    Skulptur, kön och modernitet2008In: Konsten mitt ibland oss: Gävles offentliga konst / [ed] Carl Bergström, Gävle: Gävle konstcentrum , 2008Chapter in book (Other (popular science, discussion, etc.))
  • 52.
    Sjöholm Skrubbe, Jessica
    et al.
    Stockholm University, Faculty of Humanities, Department of Art History.
    Hedlin Hayden, Malin
    Stockholm University, Faculty of Humanities, Department of Art History.
    A Serious Suggestion: Give up the Goat: Art Collections and Feminist Critique in Sweden2013In: Politics in a glass case: Feminism, Exhibition Cultures and Curatorial Transgressions / [ed] Angela Dimitrakaki and Lara Perry, Liverpool: Liverpool University Press, 2013, p. 66-83Chapter in book (Other academic)
  • 53.
    Sjöholm Skrubbe, Jessica
    et al.
    Stockholm University, Faculty of Humanities, Department of Art History.
    Widmark, Henrik
    Uppsala universitet.
    Vardagsliv, normer och värderingar: Hur urban identitet skapas i bostadsområdet2014In: Bebyggelsehistorisk tidskrift, ISSN 0349-2834, no 67, p. 24-44Article in journal (Refereed)
    Abstract [en]

    Housing estates in post-war cities have been con-stituted at the point of intersection between the private domestic sphere and the public space of the community at large. Housing estates, there-fore, are important places where urban identity is created, articulated and renegotiated. Every-day use of housing estates entails a continuous negotiation and shift of consciously formulated societal notions and norms which are materiali-sed in the physical configuration of space.

    In a case study addressing the everyday are-as, architecture and artistic design of the urban space on three Borås housing estates, we have shown how both reworkings of the physical en-vironment and shifting norms in society, plus the everyday use and mediation of housing estates continuously alter their significance in processes of identification. Aided by insights from network theory and intersectional gender theory, we have described and analysed the mat-ter of how present-day housing estates are be-ing created globally and how notions of gender, class and ethnicity are constructed at the point of intersection between the concrete expression of material space and the everyday practices of the social space.

  • 54.
    Steorn, Patrik
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    Burning Beauty: David LaChapelle2012Collection (editor) (Other (popular science, discussion, etc.))
  • 55.
    Steorn, Patrik
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    The Art of Staging Passion: The Imagery of David LaChapelle2012In: Burning Beauty: David LaChapelle / [ed] Patrik Steorn, Stockholm: Fotografiska , 2012, p. 7-16Chapter in book (Other (popular science, discussion, etc.))
  • 56.
    Svensson, Alexandra
    Stockholm University, Faculty of Humanities, Department of Art History.
    Ingenmansland: Hybridbilders rörelser genom gränszonen mellan konst och reklam.2013Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [sv]

    Uppsatsens syfte är att ur ett konstvetenskapligt perspektiv undersöka hybridbilder som uppvisar drag av både konst och reklam, och de gränsöverskridande rörelser som bilderna gör mellan dessa fält. Tre bilder har analyserats för att lyfta fram villkor och förutsättningar för hur förflyttningar mellan konstfältet och reklamfältet kan ske. Den teoretiska utgångspunkten för dessa analyser har varit parametrarna funktion, syfte, upphovsperson och cirkulation utifrån Göran Sonessons bok Bildbetydelser: Inledning till Bildsemiotiken som vetenskap. I varje bild har närvaron av dessa parametrar undersökts i relation till några generella karaktäristiska egenskaper hos konstbilder respektive reklambilder. Resultaten uppvisade en stor variation och ur bildanalyserna utkristalliserade sig tre olika sätt för att uppnå en rörlighet mellan fälten: bilden bygger ett starkt kulturellt kapital som långsiktigt befäster dess rätt till rörlighet; bilden intar en position mittemellan fälten och utnyttjar denna för att kunna förflytta sig i båda riktningarna; bilden befäster sig först som tillhörande en bildkategori och tillhandahåller sedan själv verktygen för att ifrågasätta denna kategorisering.

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    Hybridbilder. Svensson
  • 57.
    van Dam, Bianca
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    Disney's Fashionable Girls: Signs and symbols in the costume dress of Disney's female characters.2014Independent thesis Advanced level (degree of Master (One Year)), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    Disney’s princesses and heroines have long captured the minds and hearts of young girls with their magical dress. This thesis researches the fashion symbols in a chosen set of animated movies and relate this to children’s reception, sexuality and gender issues and narrative identities. A semiotic analysis of the movies and relating them to read literature will shine a new light on this subject. 

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    MAI_2014_DisneysFashionableGirls_VanDam
  • 58.
    Werner, Jeff D.
    Stockholm University, Faculty of Humanities, Department of Art History.
    Med ögon känsliga för vitt = Open Your Eyes to White2014In: Blond och blåögd : vithet, svenskhet och visuell kultur = Blond and blue-eyed : whiteness, Swedishness, and visual culture, Göteborg: Göteborgs konstmuseum , 2014, no 6, p. 32-57Chapter in book (Other academic)
  • 59.
    Çimen, Tahir Onur
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Disorientating Love: Queer Time and Space in Contemporary Artistic Practices2020Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    This thesis aims to examine key elements of disorientation and queer temporality which will provide tools to understand queerness of selected contemporary artistic practices. It is concerned with the following questions: What constitutes the queerness of an artistic practice? How do contemporary queer artistic practices foreground the perspectives of queerness in their forms? What kind of disruptions they are causing in the conventional setting of artistic displays from a curatorial standpoint? Disorientations and queer temporalities, as queering the artwork, mean challenging dominant ideologies of the art object by repositioning them particularly in respect of heteronormative structures of time and space. For such an examination, Andrew Haigh’s film Weekend, GaniMeth’s writings, and Sharon Hayes’ Everything Else Has Failed! Don’t You Think It’s Time For Love? are read along with Sara Ahmed’s concept of disorientation and Jack Halberstam’s queer temporality. In doing so, the study explores the potential of artistic practices that allows to experience contemporary queerness. The method is to find queer deviations from existing structures by using the aforementioned concepts for the examination of the artworks, and in turn, explaining how the artistic practices broaden the same concepts by presenting affective experiences. By applying specific concepts from contemporary queer theory to analysis of the artistic practices, a more nuanced understanding of contemporary queerness is being discussed.

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