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  • 51.
    Helander, Karin
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Zern, Leif
    "Det skall åska och blixtra kring vår teater": Stockholms stadsteater 1960-20102010Book (Other (popular science, discussion, etc.))
  • 52.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Andersson, Bibi2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 26-26Chapter in book (Refereed)
  • 53.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Att få ett aktivt och kvalitativt deltagande bland studenter: Storföreläsningar, grupparbete och debatter2009Report (Other academic)
  • 54.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Björk, Anita2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 69-69Chapter in book (Refereed)
  • 55.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Bosse, Harriet2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 78-78Chapter in book (Refereed)
  • 56.
    Hoogland, Rikard
    Stockholm University. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Bråda tider för kulturpolitiken2009In: Teatertidningen, ISSN 1101-9107, no 1, p. 34-Article in journal (Other (popular science, discussion, etc.))
  • 57.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    de Wahl, Anders2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 145-145Chapter in book (Refereed)
  • 58.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Ekblad, Stina2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 175-175Chapter in book (Refereed)
  • 59.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Ekman, Gösta2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 176-176Chapter in book (Refereed)
  • 60.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Fredrikson, Gustaf2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 205-206Chapter in book (Refereed)
  • 61.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Från bruksteater till Jelinek-installationer2011In: Teatertidningen, ISSN 1101-9107, no 3, p. 50-53Article in journal (Other (popular science, discussion, etc.))
  • 62.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Hansson, Lars2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 239-239Chapter in book (Refereed)
  • 63.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Hatar män teater?2012In: Peripeti, ISSN 1604-0325, E-ISSN 2245-893X, no 18, p. 90-100Article in journal (Refereed)
  • 64.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Hjortsberg, Lars2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 249-249Chapter in book (Refereed)
  • 65.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Hur ska uppdraget fullföljas?2013In: Svenska dagbladet, ISSN 1101-2412, p. 7-Article in journal (Other (popular science, discussion, etc.))
  • 66.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Hwasser, Elise2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 257-257Chapter in book (Refereed)
  • 67.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Introduction: Theatrical Emotions2009In: Nordic Theatre Studies, ISSN 0904-6380, E-ISSN 2002-3898, Vol. 21, p. 5-Article in journal (Other academic)
  • 68.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Josephson, Erland2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 287-287Chapter in book (Refereed)
  • 69.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Koffertmord på regionteatrarna?2010In: Teatertidningen, no 3, p. 34-35Article in journal (Other (popular science, discussion, etc.))
  • 70.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Kungliga Dramatiska Teatern som folkteater2012In: Litteraturens arbetare: En vänbok till Per-Olof Mattsson / [ed] Christer Johansson & Per Anders Wiktorsson, Lund: Ellerströms förlag, 2012, p. 273-284Chapter in book (Other academic)
  • 71.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Playing on and around the Public Square2014In: Playing Culture: Conventions and Extensions of Performance / [ed] Vicki Ann Cremona, Rikard Hoogland, Gay Morris and Willmar Sauter, Amsterdam/New York: Rodopi, 2014, p. 164-180Chapter in book (Refereed)
    Abstract [en]

    The article investigates the ways in which a public square can interact with its citythrough pre-arranged performances. The site of this study is a square in the middle ofStockholm, Sweden that was constructed in the late 1960s. Four performances thattook place during 2007 and 2009 are studied. All four connected in different wayswith the square. One of the main research questions is whether it is possible toconstruct a square designed to host public events and performances, and what theforemost problems are with a giant square such as Sergels torg. One of theconclusions is that while there is a need of open places in the city, the utilisation ofopen spaces for this purpose is threatened by increasing commercialisation of the city.These questions are discussed with the help of theories about city planning, publicopen space as well as theories of playing and the carnival.

  • 72.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Politisk och personlig teater2009In: Teatertidningen, ISSN 1101-9107, no 2-3, p. 62-65Article in journal (Other (popular science, discussion, etc.))
  • 73.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Real Reality on Stage?: Lola Arias, Alecky Blythe, Rimini Protokoll and SheShePop Work with Reality on Stage2013In: Text in Contemporary Theatre: The Baltics within the World Experience / [ed] Guna Zeltiņa, Sanita Reinsone, Cambridge: Cambridge Scholars Publishing, 2013, p. 148-157Chapter in book (Refereed)
  • 74.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Scenkonst i ständig förändring2010In: Teatertidningen, no 3, p. 46-49Article in journal (Other (popular science, discussion, etc.))
  • 75.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Strindberg, August2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 556-556Chapter in book (Refereed)
  • 76.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Strindberg Visits the Suburbs: Strindberg’s Plays in Postdramatic Theatre2014In: Strindberg on International Stages/ Strindberg in Translation / [ed] Roland Lysell, Cambridge: Cambridge Scholars Publishing, 2014, p. 139-148Chapter in book (Refereed)
  • 77.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Teaterpubliken i svensk kulturpolitik2009In: Peripeti - tidskrift for dramaturgiske studier, ISSN 1604-0325, no 12, p. 19-30Article in journal (Refereed)
    Abstract [en]

    Theatre audience and the Swedish cultural policy

    The Swedish cultural policy has since the 1930’s been engaged in distributing art on a professional level to all citizens and for its fulfilling reduced all hindrances. This article aims to analyze the way the theatre audience has been discussed in governmental cultural policy reports since 1933 years theatre report. In focus stands the failure to fulfill the goal that the theatre audience should be a cross-section of the Swedish society (social, ethnic, gender).

  • 78.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Teje, Tora2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 575-576Chapter in book (Refereed)
  • 79.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Theatrical Emotions: Nordic Theatre Studies, volume 212009Collection (editor) (Other academic)
  • 80.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Tidblad, Inga2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 584-585Chapter in book (Refereed)
  • 81.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Troublesome visitors or contributors to a renewal of Swedsh theatre? A study of guest artists with a foreign theatre background at two Swedish national theatre schools2012In: The politics of being on stage / [ed] Anja Klöck, Hildersheim: Georg Olms Verlag AG, 2012, p. 151-165Chapter in book (Refereed)
  • 82.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    von Sydow, Max2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 606-606Chapter in book (Refereed)
  • 83.
    Hoogland, Rikard
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Wifstrand, Naima2015In: The Cambridge Encyclopedia of Stage Actors and Acting / [ed] Simon Williams, Cambridge: Cambridge University Press, 2015, p. 619-619Chapter in book (Refereed)
  • 84.
    Hoogland, Rikard
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Sauter, WillmarStockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.Cremona, Vicki AnnUniversity of Malta.Morris, GayUniversity of Cape Town.
    Playing Culture: Conventions and Extensions of Performance2014Collection (editor) (Refereed)
    Abstract [en]

    Playing Culture represents one of the corner stones in the model of the Theatrical Event, as developed by the Working Group of the International Federation for Theatre Research (IFTR). In this volume, thirteen scholars contribute to illuminate the significance and possibilities of playing within the framework of theatrical events. Playing is understood as an essential part of theatrical communication, from acting on stage to events far from theatre buildings. The playfulness characterizing academic traditions sets the tone in the introduction, illustrating the four sections of the book: Theories, Expansions, Politics and Conventions. The theoretical chapters depart from the classical Homo Ludens and offer a number of new perspectives on what play and playing implies in today’s mediatized culture. The contributions to the second section on extensions, deal with playing in non-theatrical circumstances such as market places, passports and stock holders’ meetings. The third section on the politics of playing focuses on wood-chopping women, saints and youngsters in South African townships – all demonstrating their social and political ambitions and purposes. The last section returns to the stage on which performers intend to represent, respectively, themselves, Bunraku puppets or the audience. Playing appears in many forms and in many places and constitutes a basic principle of theatre and performance. This book touches upon important theoretical implications of playing and offers a wide range of historical and contemporary examples. Playing Culture – Conventions and Extensions of Performance is the third book of the IFTR Working Group on The Theatrical Event. The first volume, entitled Theatrical Events – Borders Dynamics Frames was published in 2004, followed by Festivalising! Theatrical Events, Politics and Culture in 2007. The present volume continues to expand the vision of the Theatrical Event as a theory and model for the study of playing, theatre, performance and mediated events.

  • 85.
    Lidén, Ellinor
    Department of Child and Youth Studies, Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies, Centre for the study of children's culture. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    "Jalla, vi ville kolla på teater!": Barns utsagor om och värderingar av teater vid Stockholms stadsteater Skärholmen2014In: Mycket väl godkänd: Vad är kvalitet i barnkulturen? / [ed] Karin Helander, Centrum för barnkulturforskning/Stockholms universitet , 2014, p. 32-43Chapter in book (Other academic)
  • 86.
    Lidén, Ellinor
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Rörlighet och rörelser i en barnteater2014In: On the Move: ACSIS conference 11–13 June, Norrköping, Sweden 2013 / [ed] Johanna Dahlin, Tove Andersson, 2014, p. 59-67Conference paper (Other academic)
    Abstract [sv]

    Som ett samarbetsprojekt mellan Centrum för barnkulturforskning vid Stockholms universitet och Stockholms stadsteater Skärholmen genomfördes, med stöd av Statens Kulturråd, en studie av verksamheten vid den nyinvigda scenen för barn och unga i stadsdelen Skärholmen, Stockholm. Huvudfokus låg på den unga publikens upplevelser, tolkningar och meningsskapande av föreställningsbesöken. Avstamp togs i Skärholmsscenens uttalade ambitioner gällande tillgänglighet, delaktighet och närområdesförankring, likt s.k. community-teater där den specifika platsens betydelse för berättelse, tilltal och form undersöks konstnärligt. Skärholmsscenens strävan var, och är fortfarande, att närområdet ska färga av sig på hela verksamheten – inte bara arbetsprocesserna och föreställningsproduktionerna utan hela den fysiska byggnaden i sig. Studien utgör grund för mitt fortsatta doktorsavhandlingsarbete, i vilket jag ämnar undersöka en barnkultur som rör sig mellan vuxnas definierade ramar och barns meningsskapande, mellan scen och salong samt mellan en teater och dess närområde.

  • 87.
    Lidén, Ellinor
    et al.
    Department of Child and Youth Studies, Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies, Centre for the study of children's culture. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Helander, Karin
    Department of Child and Youth Studies, Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies, Centre for the study of children's culture. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    ”Interkulturella perspektiv på scenkonstför barn och unga”: Teatern som arena för interkulturella möten? Om den lokala förankringens betydelse för scenkonstens tillgänglighet. En studie av verksamheten vid Stockholms stadsteater Skärholmen2012Report (Other academic)
  • 88.
    Lundqvist, Anne
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Da myten om Hamlet ble en myte2010In: Den inre scenen: Psykoanalys och teater / [ed] Barbro Sigfridsson, Stockholm: Stiftelsen för utgivning av teatervetenskapliga studier , 2010, p. 17-38Chapter in book (Other academic)
  • 89.
    Lundqvist, Anne
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Redbark-Wallander, Ingrid
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Strömberg, Mikael
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Westerling, Kalle
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Kroppsspråk och tankesprång: Vetenskap i rörelse2009 (ed. 1)Book (Other (popular science, discussion, etc.))
  • 90.
    Lysell, Roland
    et al.
    Stockholm University, Faculty of Humanities, Department of History of Literature and History of Ideas, Department of History of Literature.
    Heed, Sven ÅkeStockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Ibsen in the Theatre2009Collection (editor) (Other (popular science, discussion, etc.))
  • 91.
    Mattsson, Erik
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Att avkunna en förhoppning: Rumslighet, rollspel och maktutövning i tingsrättsförhandlingar2012In: Okonstlad konst?: Om äkthet och autenticitet i estetisk teori och praktik / [ed] Axel Englund & Anna Jörngården, Lindome: Brutus Östlings Bokförlag Symposion AB , 2012, 1, p. 57-70Chapter in book (Other academic)
  • 92.
    Mattsson, Erik
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Domslut och förhoppningar2014In: Gaudeamus, ISSN 0016-5247, Vol. 90, no 5, p. 12-13Article in journal (Other (popular science, discussion, etc.))
  • 93.
    Motta, Antonello
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies.
    Theatricality in A Doll's House by Ingmar Bergman2009In: Ibsen in the Theatre / [ed] Sven Åke Heed & Roland Lysell, Stockholm: Stuts , 2009, p. 57-61Chapter in book (Other academic)
  • 94.
    Neuhauser, Charlott
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Minnesplatsen som process och performace: Det urbana konstverket2012In: Peripeti, ISSN 1604-0325, E-ISSN 2245-893X, no 18, p. 35-44Article in journal (Refereed)
  • 95.
    Neuhauser, Charlott
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    New swedish plays: A new genre?:  2013In: Text in Coontemporary Theatre: The Baltics within the World Experience / [ed] Guna Zeltina, Cambridge: Cambridge Scholars Publishing, 2013, p. 98-106Chapter in book (Refereed)
  • 96.
    Nordström, Joel
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Att begränsas i kroppen i syfte att lämna den: En utveckling av publikens deltagande i teaterhändelsens sensoriska nivå2012Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Denna kandidatuppsats i teater- och dansvetenskap vid Stockholms universitet (VT 2012) undersöker den sensoriska nivån inom scenkonsten, hur den kan se ut och hur ett publikt deltagande i den kan förstås. Mitt material består av ett urval teoretiska ingångar som jag dels diskuterar sinsemellan, dels provar användbarheten av genom ett förstapersonsperspektiv av koreografin Epic av Mårten Spångberg. Genom detta skapar jag en begreppsapparat som kan fungera som tillvägagångssätt för en större studie av den sensoriska nivån.

    Min infallsvinkel är fenomenologisk, där Maurice Merleau-Pontys Phenomenology of Perception (1945) utgör min huvudkälla. Vid sidan om denna preciserar jag mitt perspektiv inom ett teater- och dansvetenskapligt fält genom Stanton B. Garner, Bert O. States, Susan Foster och Jana Parviainen.

    Min undersökning visar hur en fenomenologisk förståelse av människan som kropp situerad i tid och rum bildar ett material för att komma i kontakt med den sensoriska nivån. Jag lyfter fram hur den sensoriska nivån inrättar oss i ett utvidgat åskådarperspektiv där vi ser föreställningen från flera punkter samtidigt och genom att avstå från tecknets värde skapar en materialitet som når oss som intensifierad verklighet. Hur denna kropp är förbunden med omvärlden genom ett gemensamt förbund förklarar vidare hur vi deltar i en sensorisk upplevelse. Empatibegreppet visar hur ett deltagande i den sensoriska nivån kan skapa en expanderad jagupplevelse som sträcker sig över både tid och rum. Samtidigt smälter en upplevelse av den sensoriska nivån samman med den symboliska och bildar en hyperverklighet, vilket ifrågasätter den reella skillnaden mellan sensationer och symboler.  

  • 97.
    Nyberg, Madeleine
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    MAKTSPEL: En studie om iscensättning av kunskap på Livrustkammaren2014Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    The thesis focus on the exhibition Power Games presented at the Royal Armoury in Stockholm during 14th of March 2014 until 5th of January 2015. It involves the practice of history in popular culture. The exhibition incorporates stories of Swedish Renaissance with the English Elizabethan period along with Shekhar Kapur's films about Elizabeth I as well as the dramatic fictional continent of Westeros in HBO's TV series Game of Thrones. The intention of Power games is for the visitor to question the usage of history as well as emphasizing dramatic elements within history. I´ve taken an interest in the different power plays within the exhibition. The thesis discusses museums and exhibitions ways of staging knowledge. My intention is to investigate the elements of this staging.

     

    The thesis is divided into four main thematic chapters: The power of exhibition, The power of costume, The power of museums and The power of expression. The aim with this thesis is to take a closer look at these specific contexts from a different angle and combine them by applying fashion studies, fieldwork and performance analysis. In my final chapter The changed costume of the Royal Armoury I comment on the accentuated development and the symbolic role that Power games have in this progress. The four rooms of the exhibition represent a new way of staging within museums. The power has gradually shifted from only involving objects and knowledge of the museum to including a narrative of visitors and different interpretations of history. The Royal Armoury has challenged old conventions of museum and started to question their power position. 

  • 98.
    Redbark-Wallander, Ingrid
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department for Musicology and Performance Studies. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Kroppen - ett projekt i förändring2009In: Kroppsspråk och Tankesprång: Vetenskap i rörelse / [ed] Anne Lundqvist, Ingrid Redbark-Wallander, Mikael Strömberg, Kalle Westerling, Stockholm: STUTS , 2009, p. 16-38Chapter in book (Other (popular science, discussion, etc.))
  • 99.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Against Tolerance: Thoughts on Contemporary Scandinavian Racism2014In: Fiebach: Theater, Wissen, Machen / [ed] Antje Budde, Berlin: Theater der Zeit , 2014, p. 58-66Chapter in book (Other academic)
  • 100.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Art and Conflict: Reflections on Snow White and the Madness of Truth2014In: Snow White and the Madness of Truth / [ed] Dror Feiler & Gunilla Sköld Feiler, Stockholm: Ordfront , 2014, p. 76-90Chapter in book (Other academic)
    Abstract [en]

    In the winter of 2004, the Israeli ambassador to Sweden shut down and vandalized Dror and Gunilla Sköld Feiler's outdoor installation Snow White and the Madness of Truth at the Swedish History Museum, making it one of the most talked-about art installations in the world. This book chapter discusses art and political conflicts. 

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  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf