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  • 51.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Australian and New Zealand Art History Historiographical Bibliography Incorporating the Australian Art and Design History bibliography  Including texts relating to interiors, architecture, furniture, decorative arts and crafts; texts published pre-1995, including certain primary sources prepared by Professor Peter McNeil, pp 24-34: With Benjamin Thomas (ed)2011Inngår i: Journal of Art Historiography, ISSN 0424752, Vol. 1, nr 4/June, s. 1-36Artikkel i tidsskrift (Annet vitenskapelig)
    Abstract [en]

    First published bilbiography of works relating to crafts, design and decorative arts in Australia, mainly items pre 1994, based on McNeil's MA Thesis Australian National University 1994

  • 52.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Caricatura e moda: storia di una presa in giro2010Inngår i: Moda. Storia e Storie / [ed] M. Muzzarelli;.G., Riello, & Tosi Brandi, Milan: 9788861594906 , 2010, s. 156-167Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    From the Italian for ‘charge’ or ‘loaded’, the caricature print emerged in large numbers in the eighteenth century in industrialising western Europe. It was in the second half of this century that the caricature which concerned itself primarily with the subject of fashion and manners rather than political or portrait themes developed. The origins and conventions of the fashion caricature include overlapping literary, theatrical, popular-religious and artistic traditions. Greco-Roman theorisations, performances and artistic depictions of the comic world turned upside down, and late medieval woodcuts, in which memento mori  themes of the dance of death and the bonfire of the vanities established the tropes of the veneer of civilisation and the futility of dress and cosmetics in arresting earthly time. The European carnival tradition, commedia dell’arte and puppetry which highlight human foibles, and the figure of the hag who deploys fashion and make-up in an act of sartorial and spiritual delusion, provided subjects for major Romantic artists working in the etching media such as Giambattista Tiepolo (1696-1770), Domenico Tiepolo (1727-1804) and Francisco Goya (1746-1828). Not fashion caricatures as such, nor were these images widely available, but their themes recur in the eighteenth-century caricature print. Caricature fashion prints also exist in a relationship to respectful engravings of the cries or occupations of the town, plates depicting national dress, and ‘costume plates’ depicting courtier men and ‘women of quality’ by 17th century artists including Abraham Bosse and J. D. de Saint-Jean in France and the Bohemian Wenceslaus Hollar (1607-1677) working in England. The work of Jacques Callot (1592-1635) in France crosses the boundary between observation and satire. Etched images take on new meanings when pointed  titles or moralising verse are appended; the caricature generally makes use of a combination of word and image.This essay examines the semantic and visual play of the caricature print and comments on contemporary applications.

  • 53.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Coiffures et postiches: extravagances capillaires au XVIIIe siecle2012Inngår i: Plein Les Yeux! / A feast for the eyes!: Le spectacle de la mode / Spectacular fashions / [ed] Shazia Boucher, Anne-Claire Laronde, Isabelle Paresys, Milan: Silvana Editoriale , 2012, s. 60-65Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 54.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. University of Technology Sidney, Australia.
    Conference Report: Ländliche Eliten. Bäuerlich-bürgerliche Eliten in den friesischen Marschen und den angrenzenden Geestgebieten 1650-1850, a collaborative research project supported by the VolkswagenStiftung initiative ‘Research in Museums’ 2010- 2013: Conducted at the Carl von Ossietzky-Universität Oldenburg, Institut für Geschichte der Frühen Neuzeit, 20-22 September 20122012Annet (Annet vitenskapelig)
  • 55.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Conference Report: 'The Future of Fashion Studies2010Inngår i: Fashion Theory: The Journal of Dress, Body & Culture, ISSN 1362-704X, E-ISSN 1751-7419, Vol. 14, nr 1, s. 105-110Artikkel, forskningsoversikt (Annet vitenskapelig)
  • 56.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Crafting Queer Spaces: privacy and posturing2010Inngår i: Fashion, Interior Design and the Contours of Modern Identity / [ed] A Myzelev; J Potvin, Ashgate, 2010, 1, s. 19-41Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    This paper examines several extraordinary spaces crafted by eccentric and famous men. It will be argued that they created novel and innovative 'queer space' for the projection of fluid male identities and fantasies employing intimate private spaces, furnishings, dress and diversions. In most cases the spaces developed in an organic way over time; even the planning process was odd. The cases will be the English patron-designers Horace Walpole (Strawberry Hill), William Beckford (Fonthill), the Swedish King Gustav III (Haga), and the 20th-century collector and connoisseur Henry Francis du Pont (Winterthur, Delaware). The notion of 'queer' that will be deployed is derived from David Halperin’s Foucauldian reading of sexuality: where queer ‘describes a horizon of possibility whose precise extent and heterogeneous scope cannot in principle be limited in advance’. In reading the meanings of the neo-gothic, neo-classical and historicising spaces created by these men, aspects of the relationships between the crafting of interior decoration, sensibility and sociability will be foregrounded.

  • 57.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Critical and Primary Sources in Fashion, The 18th Century2009Bok (Fagfellevurdert)
  • 58.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Critical and Primary Sources in Fashion, the 19th Century2009Bok (Fagfellevurdert)
  • 59.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Critical and Primary Sources in Fashion, the 20th Century to Today2009Bok (Annet (populærvitenskap, debatt, mm))
    Abstract [en]

    Winner, Best anthology or edited book, AAANZ, Art History Association of Australia and NZ

    Citation: 

    Best Edited Book

    Peter McNeil, Fashion: Critical and Primary Sources. Late Medieval to Renaissance (4 volumes, 1600 pp.), Berg, Oxford and New York, 2009 

    Judges Report

    AAANZ 2010

    As with the Best Large Catalogue this year, the judges were encouraged by the extraordinary quality of entries in this category. Several major volumes were put forward which represent diverse fields of international scholarship notable for their interdisciplinary approaches. This year the sheer wealth and breadth of scholarship of the anthologies has made the task of judging particularly challenging complicated by entries that encompass such diverse fields. For that reason we have chosen to highly commend two edited books, both of which bring new and original scholarship to focus on major fields of enquiry, along with high production values, useful indexes and wonderful covers: ‘Photography Degree Zero: Reflections on Roland Barthes’s Camera Lucida’, edited by Geoffrey Batchen and published by MIT Press can rightfully claim to reopen the conversation on Barthes’ most influential 1980 text, by introducing a new generation of scholars to interpret and interrogate such intellectual heavyweights as Michael Fried, Victor Burgin and Rosalind Krauss; and ‘Reframing Darwin: Evolution and Art in Australia’ edited by Jeanette Hoorn, is a beautifully produced set of essays of original research by key experts in the field published by the wonderful Miegunyah Press at the University of Melbourne that makes a book into a beautiful object.

     

    The judges noted two significant themes in the submissions this year: the art history of Charles Darwin’s anniversary and the relatively new field of fashion histories. ‘Reframing Darwin’ is just one of the excellent submissions in the former category. In the latter category the judges noted the high quality of new work in the field and would like to present the award of Best Edited book to Peter McNeil’s 4-volume Fashion: Critical and Primary Sources.

    This monumental contribution to fashion history spans the late medieval to modern period. It is the result of a Herculean effort of scholarship, which will undoubted change the way that the field is understood by specialists and taught to future generations of scholars.

    Ann Stephen and Jennifer Milam

  • 60.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    'Despots of Elegance': Mens Fashion 1715-19102016Inngår i: Reigning Men: Fashion in Menswear, 1715-2015 / [ed] Sharon Sadako Takeda, Kaye Durland Spilker, Clarissa M. Esguerra, Prestel , 2016Kapittel i bok, del av antologi (Fagfellevurdert)
  • 61.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier.
    Eroticism: Interview with Valerie Steele2009Inngår i: ACNE PAPER, Vol. 1, nr 8Artikkel, omtale (Annet vitenskapelig)
  • 62.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    'Everything degenerates': The Queer Buttonhole2016Inngår i: The Languages of Flowers: Media of Floral Communication / [ed] I. Kranz, A. Schwan, E. Wittrock, Berlin: Wilhelm Fink Verlag, 2016, s. 1-2Kapittel i bok, del av antologi (Fagfellevurdert)
  • 63.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Art History.
    Fashion and Display: from the Couturier to the Interior Designer2008Inngår i: The Furniture History Society Australasia Inc. Newsletter, Vol. 1, nr 50, s. 3-6Artikkel i tidsskrift (Annet vitenskapelig)
  • 64.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Fashion: Critical and Primary Sources: Late Medieval to Today2009Collection/Antologi (Annet vitenskapelig)
    Abstract [en]

    Major multi-volume work of referemce which brings together the seminal writings on fashion. Winner of Best Edited Book, AAANZ 2010.

  • 65.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Art History.
    Fashion, form, identity: Swedish Fashion: Exploring a New Identity2008Inngår i: Swedish Fashion: Exploring a New Identity, Swedish Institute Stockholm , 2008, s. 42-45Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    This is a catalogue for the exhibition Swedish Fashion - Exploring a New Identity, produced by the Swedish Institute. The exhibition is scheduled to tour the world during two years, starting in 2009. McNeil's essay argues why fashion is a type of abstraction that permits social understandings.

  • 66.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Fashion History - Exoticism - Interview with Dr Valerie Steele2008Inngår i: ACNE Paper, Vol. 1, nr 6, s. 46-47Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
    Abstract [en]

    Critical interview with fashion curator of Fashion Institute of Technology, New York

  • 67.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Fashion Houses2012Inngår i: Nordic Fashion Studies / [ed] Peter McNeil, Louise Wallenberg, Stockholm: Axl Books, 2012, s. 245-270Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 68.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Fashion in Fiction: Text and Clothing in Literature, Film and Television2009Bok (Fagfellevurdert)
  • 69.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Fashion Research at Design Schools, Kolding, Denmark, February 20082008Inngår i: Fashion Research at Design Schools, Kolding, Denmark, February 2008, 2008Konferansepaper (Annet vitenskapelig)
  • 70.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Flowers in the Art of Dress across the World2010Inngår i: Berg Encyclopedia of World Dress and Fashion, Volume 10: Global Perspectives / [ed] Eicher, Joanne B. & Tortora, Phyllis G., Berg Publishers, 2010, s. 146-155Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 71.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Haute Couture within a fashion studies perspective2011Inngår i: Kunglig vintage / Royal Vintage (exhibition catalogue) / [ed] The Royal Armoury/Andersson, Fredrik [ed], Stockholm: The Royal Armoury/Livrustkammaren , 2011, s. 175-183Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    The history of haute couture is well researched from perspectives that range from mythologising studies of particular designers to market-field research. Haute couture occupies a rather ambivalent place within the contemporary field of fashion studies, a field that concerns itself as much with everyday dress or sub-cultural style as with rare pieces of luxury. The values that couture was meant to uphold were themselves the subject of dispute and debate in the years after the second world war, when changing notions of the role and social place of the fashion designer also transformed the ‘brief’ of fashion design. A focus on individuality within set parameters has led today to the idea of customisation, which we associate with youth culture, Nike, Iphones and ‘apps’ – but the couture was always a process of customization, more regarding suitability than extremism, perhaps, for a member of the Swedish royal family. Haute couture is also important from the perspective of the status of the designer in twentieth-century culture. The production of clothing generated from a designer’s ‘vision’ or intention marks something distinctive that raises issues of the quest for artistic rights and copyright within the appearance industries. The couture inverts an older more obsequious idea concerning service – the couturier creates the vision for the client, although the customer was also involved in the negotiations when the garment was made up. It was never a one-way fashion street.

  • 72.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    How artists changed fashion: 'back-story'2011Inngår i: Art Monthly Australia, ISSN 10334025, Vol. #242, nr August, s. 21-25Artikkel i tidsskrift (Annet vitenskapelig)
  • 73.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. University of Technology Sydney, Australia.
    Introduction: Indexing Dress2012Inngår i: Fashion Theory: The Journal of Dress, Body & Culture, ISSN 1362-704X, E-ISSN 1751-7419, Vol. 16, s. 5-8Artikkel i tidsskrift (Annet vitenskapelig)
  • 74.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Introduction to Book reviews, new series2010Inngår i: Fashion Theory: The Journal of Dress, Body & Culture, ISSN 1362-704X, E-ISSN 1751-7419, Vol. 14, nr 4, s. 533-534Artikkel, forskningsoversikt (Annet vitenskapelig)
  • 75.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Japanese Fashion: A Cultural History by Toby Slade2010Inngår i: Fashion Theory: The Journal of Dress, Body & Culture, ISSN 1362-704X, E-ISSN 1751-7419, Vol. 14, nr 4, s. 549-552Artikkel, forskningsoversikt (Annet vitenskapelig)
  • 76.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Le Steele Gothique (with Masafumi Monden)2010Inngår i: Fashion Theory: The Journal of Dress, Body & Culture, ISSN 1362-704X, E-ISSN 1751-7419, Vol. 14, nr 4, s. 511-524Artikkel, forskningsoversikt (Annet vitenskapelig)
    Abstract [en]

    Review of Gothic Dark Glamour, FIT, NY, with extended commentary on dress and gender

  • 77.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Libertine Acts: Fashion and Furniture2009Inngår i: The Places and Spaces of Fashion, 1800-2007 / [ed] John Potvin, New York: Routledge, 2009, 1, s. 154-165Kapittel i bok, del av antologi (Fagfellevurdert)
  • 78.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Old empire and new global luxury: Fashioning global design2011Inngår i: Global Design History / [ed] Glenn Adamson, Giorgio Riello and Sarah Teasley, London and New York: Routledge , 2011, s. 138-149Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    The essay explores the design process and cultural politics of Ausrralian fashion designers Easton Pearson, who work extensively in India. The debate regarding the west’s ‘invention’ of fashion is lengthy, complex and unresolved. It cannot simply be a matter of attaining luxury and novelty in dress, as the historically and culturally specific meanings of cyclical time have a role to play. Nonetheless, it becomes increasingly problematic to suggest that fashion can only emanate from several cardinal points, as today its very means of imagination and production are completely global. The work of Easton Pearson might also be seen as participating in this global shift in which international fashion trends became complicated by regional variation and agency.

     

  • 79.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Paul T. Frankl and Modern American Design, Christopher Long, Yale University Press, 2007: (Book Review)2008Inngår i: Journal of Design History, ISSN 0952-4649, E-ISSN 1741-7279, Vol. 21, nr 1, s. 113-115Artikkel, forskningsoversikt (Annet (populærvitenskap, debatt, mm))
    Abstract [en]

    Review, scholarly book

  • 80.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Plumes: Ostrich Feathers, Jews and a Lost World of Global Commerce' (Sarah Abrevaya Stein)2010Inngår i: Journal of Design History, ISSN 0952-4649, E-ISSN 1741-7279, s. 432-435Artikkel, omtale (Annet vitenskapelig)
  • 81.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Portable Decoration: Easton Pearson, history and traditions2009Inngår i: Easton Pearson / [ed] M Wallace, Brisbane: Easton Pearson, Queensland Art Gallery/Gallery of Modern Art, Brisbane , 2009, 1, s. 109-122Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 82.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Art History.
    Sandra Backlund, Swedish Designer2008Inngår i: Object Magazine, Australian Centre for Craft and Design, ISSN 1038-1856, Vol. 1, nr 56, s. 42-47Artikkel i tidsskrift (Annet vitenskapelig)
    Abstract [en]

    Critical review and interview with Swedish designer.

  • 83.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Shoes: A History from Sandals to Sneakers2011Bok (Annet vitenskapelig)
  • 84.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Sneakers/Trainers (with Roger Leong)2011Inngår i: The Encyclopedia for Consumer Culture / [ed] Dale Southerton, Thousand Oaks: Sage Publications, 2011Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 85.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    ‘“Subterranean influence”: Debating the Life of Ursula Hoff, Art Historian’2011Inngår i: Journal of Art Historiography, ISSN 2042-4752, E-ISSN 2042-4752, Vol. 1, nr 4, s. 1-7Artikkel, omtale (Annet vitenskapelig)
    Abstract [en]

    This extended review compares two approaches to the biography of the art historian Ursula Hoff (1909-2005); Sheridan Palmer’s Centre of the Periphery. Three European Art Historians in Melbourne. Australian Scholarly Publishing. 2009, and Colin Holden’s The Outsider: A Portrait of Ursula Hoff. Melbourne: Australian Scholarly Publishing. 2009. Palmer’s approach outlines a view of post-WW II cultural progress and the ways in which émigré culture contributed to the remaking of Australian social and cultural horizons. This can be contrasted with Holden’s, which makes Hoff’s outsider status as part Jewish and as migrant the very title of his book. The review suggests certain parallels that can drawn between the attitudes and frustrations of Hoff and the novelist Patrick White, the latter a homosexual ‘returned’ émigré. Hoff’s subject position and her distaste for a complacent and snobbish Australian cultural establishment echo White’s contemporaneous views in the 1950s-1970s. Certain approaches to the writing of cultural history, biography and ficto-criticism are highlighted, in order to emphasise the complex work performed by the cultural historian.

  • 86.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    The Beauty of the Everyday2012Inngår i: Dressing Sydney: The Jewish Fashion Story / [ed] Roslyn Sugarman, Sydney: Sydney Jewish Museum , 2012, s. 91-147Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    Dressing Sydney: the Jewish fashion story is a welcome addition to the developing field of Australian fashion scholarship. Based on written sources and over 150 hours of oral history interviews with 100 informants, it brings to light the impact of Jewish people on the post-1945 Australian garment and fashion industry. It consists of two essays written by curator Roslyn Sugarman and fashion scholar Peter McNeil and is generously illustrated with 87 images. These essays focus on the contribution of Sydney's immigrant Jewish community to the success of the rag trade from the 1930s to the 1980s. The book was published concurrently with an exhibition of the same name curated by Sugarman at the Sydney Jewish Museum from October 2012 to December 2013.

  • 87.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    The Duke of Windsor and the creation of the "soft look"'2012Inngår i: Ivy style: radical conformists / [ed] Patricia Mears [et al.], New Haven: Yale University Press , 2012, s. 44-61Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 88.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    The Fashion History Reader: Global Perspectives2010 (oppl. 1)Bok (Annet vitenskapelig)
    Abstract [en]

    The Global History of Fashion Reader is an innovative work that provides a broad introduction to the complex literature in the fields of fashion, and dress and fashion history. It is a comprehensive resource for those who wish to further their engagement with fashion as a contemporary phenomenon. The book connects a diverse range of approaches and incorporates non-Western literature within better-known studies on Europe and North America. It identifies the history of fashion as a meeting point between the long-standing historical investigation of ‘dress’ and ‘costume’ and the more recent development of those sociological and anthropological-inspired studies that have come to be called ‘fashion theory’.

    Over thirty-five chapters cover a wide range of topics and approaches within the history of fashion, ranging from object-based studies to theory-driven analyses, mostly published by academics, curators and fashion specialists over the last two decades. The book is divided into nine parts, surveying some of the key themes in the history of fashion. Themes also move in and across time, providing a ‘disguised’ chronology to enable student learning:  parts 1-4  cover the four centuries from the 15th to the 18th century; parts 5-7 cover the 19th century to the contemporary (with particular attention given to extra-European countries) and part 8 provides a survey of the global setting and current globalised nature of fashion.

    Winner: Best Book Edited or Anthology, AAANZ, Art History Association of Australia and NZ:

    Citation: See http://aaanz.info/prizes/

     

  • 89.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    The Men's Fashion Reader2009Bok (Fagfellevurdert)
  • 90.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    The Prince of Wales2009Inngår i: Vestoj. The Journal of Sartorial Matters, ISSN 2000-4036, Vol. 1, nr 1, s. 47-55Artikkel i tidsskrift (Annet vitenskapelig)
  • 91.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    The Structure and Form of European Clothes2010Inngår i: Berg Encyclopedia of World Dress and Fashion, Volume 8: West Europe / [ed] L Skov, Berg Publishers, 2010, 1, s. 33-38Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 92.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    The Uses of History: Reflections on a HERA FEM workshop – Rokokomania – connecting the past and the present2012Annet (Annet vitenskapelig)
  • 93.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Art History.
    'Tradition': Interview with Martin Kamer, fashion collector, London and Switzerland2008Inngår i: ACNE Paper, Vol. 1, nr 7, s. 2-Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 94.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Washing and Whiteness or the Art of Being Properly Dressed2009Inngår i: Persuasion: Fashion in the Age of Jane Austen / [ed] Roger Leong, Melbourne: National Gallery of Victoria , 2009, 1, s. 21-23Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 95.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Art History.
    “We’re Not in the Fashion Business:” Fashion in the Museum and the Academy2008Inngår i: Fashion Theory: The Journal of Dress, Body & Culture, ISSN 1362-704X, E-ISSN 1751-7419, Vol. 12, nr 1, s. 65-82Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    As one of the major ‘frames’ for understanding both historical and contemporary fashion, this paper will focus upon some of the debate surrounding the fashion exhibit conducted in the museum. It will take as a case-study 'AngloMania. Tradition and Transgression in British Fashion', held at The Metropolitan Museum of Art, 3 May- 4 September 2006, as an example of a possible new type of exhibition merging art historical research with contemporary styling and viewing practices including net-based and pod-cast activity.

  • 96.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    What’s the Matter?: The Object in Australian Art History2011Inngår i: Journal of Art Historiography, ISSN 24752, nr 4/June, s. 1-19Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    The place from which designs originate renders them distinctive and connected to the global and the local in specific ways. This paper outlines a series of historiographical issues that inflect the study of objects within Australian art history, firstly for the nineteenth century and then, more briefly, for the twentieth. In twentieth-century Australia, architects were prominent in analysing and popularising aspects of both the built environment and decorative arts which elsewhere might have been explored by art historians. Architects sometimes held academic posts that provided opportunities for research, they held strong views regarding urban planning and the built environment, and before the profession of heritage consultant arose, they were often required to research sites and take restoration decisions. This paper also considers the significant role of the collector and the rise of this activity from the 1920s to the 1970s, firstly by individuals, later by museums. The priorities of connoisseurship and a nostalgic evocation of colonial history dominated the inter-war period in Australia, resulting in a significant body of largely expository and romanticised writing. Such writing was nonetheless important in raising awareness, changing attitudes and tastes, and documenting survivals.

  • 97.
    McNeil, Peter
    et al.
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. University of Technology Sydney, Australia.
    Hawker, Rosemary
    Relational Craft and Design2012Collection/Antologi (Fagfellevurdert)
    Abstract [en]

    Issue 4, Relational Craft and Design is guest edited by Professor Peter McNeil (University of Technology Sydney) and Dr Rosemary Hawker (Griffith University). They summarise of the intent and content of Issue 4 as follows. “While definitions of craft and design are diverse, we can be sure that today they are embraced by the broader arts and humanities in a way they have not been since the 19th Century. This issue addresses a series of issues affecting the relationship between design and the crafts in a world that is often perceived as problematically ‘globalised’ and the same. What are the processes through which local producers, entrepreneurs and consumers, operating from both cosmopolitan and provincial sites, interact to create connections in this global context? A surprising number of papers with a strong historical focus came forward.” Six papers by Sally Gray, Juliette Peers, Jess Berry, Sera Waters, Sandra Loschke and Richard Read were selected for publication in this issue.

  • 98.
    McNeil, Peter
    et al.
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Art History.
    Riello, Giorgio
    University of Warwick.
    Scarpe: Dal Sandalo Antico alla Calzatura d'Alta Moda2007Bok (Fagfellevurdert)
    Abstract [en]

    Dal sandalo antico alle impossibili pianelle delle cortigiane del Cinquecento, dallo scarpone militare alle performanti calzature sportive, dai vertiginosi tacchi a spillo del Novecento ai più esclusivi modelli griffati dei nostri giorni. Il libro, scritto da alcuni fra i migliori specialisti di storia della moda e del costume, illustra sia l'evolversi dei modelli delle calzature nelle società occidentali e orientali antiche e moderne, sia il mutare dei significati culturali in funzione del loro uso e dei diversi fruitori, con un'attenzione particolare alle valenze simboliche e psicologiche da sempre connesse alla forma e al colore delle calzature. Un viaggio nell'affascinante universo della scarpa accompagnato da 278 immagini a colori fornite dai maggiori musei del mondo e dalle griffes di moda più famose.

  • 99.
    McNeil, Peter
    et al.
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. University of Technology, Sydney.
    Riello, Giorgio
    University of Warwick, UK.
    The Male Cinderella: Shoes, Genius and Fantasy2011Inngår i: Shoes: A History from Sandals to Sneakers / [ed] G Riello and P McNeil, London: Berg Publishers, 2011, 1:2, s. 386-409Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 100.
    McNeil, Peter
    et al.
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. University of Technology Sidney, Australia.
    Steorn, Patrik
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    An Incredible Fan!2012Annet (Annet vitenskapelig)
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