To empower the young generation to bring about sustainability change is imperative. Living in Anthropocene requires new forms of teaching for sustainability in order to achieve such paradigm shift in regard to sustainability. We build on John Dewey’s educational idea ‘democracy as a way of life’, a pragmatic orientation which is in alignment with civic education conceptualized as ‘learning as participation’. The research project makes use of didactic modelling, a cyclical process where empirical results and theoretical knowledge have been processed by preschool teachers, principals, and researchers, in close collaboration. A new action-oriented model for teaching sustainability was developed and contains the following: A purpose continuous with an authentic sustainability problem; Children participating in processes that include creativity, deliberation and critical evaluation. These aspects are all embedded in an approach of preschool didactics. In addition, by incorporating children’s voices all along the course of action, an agency process is formed, and consequently, an expanded action repertoire for sustainability is achieved.

The purpose of this article is to introduce a methodology for analyzing the complex configurations emerging in students' speech and drawing activities, having consequences for how and what students learn and make meaning of in science. Accordingly, we launch a methodology to unfold the multidimensional communication as to deepen the analysis of the science epistemic discourse. We present an empirical account of students' explorations through different signs to demonstrate the construction of the methodology step-by-step. This methodology, a “seven-concept-assemblage,” is rooted in Dewey's pragmatism and Deleuze's experimentalism broadening teachers' and researchers' possibility to target students' science explorations and meaning-making crosscutting different domains. The methodology diminishes the risk of interpretation when grasping unspoken messages and meanings. Empirical data were collected in an elementary school exemplifying the methodology and consist of audio recordings, photographs, fieldnotes, and students' drawings. The result reveals that the methodology in use exposed what and how students explored and learned cognitively and aesthetically. Imagination fertilized the process throughout. Learning then is suggested as a transductive meaning-making process shaped through oral and pictorial relations—always from a purpose.

Fieldwork in ecology education does things. By employing Donna Haraway’s concept becoming-with companion species and Cathrine Hasse’s emotional collectives to explore fieldwork practice on a bog in Sweden, a piece of the doings will be told. The aim of this study is to explore how ecology fieldwork affords emotional engagement and facilitates growth of ecological literacy in the emotional collectives of students, teachers and nonhumans to become-with each other. The study is based on an overnight field trip with upper-secondary students experiencing black grouse lekking and the ecology of a bog. The empirical material consists of video and audio recordings. In the study, becoming-with is operationalised through the notion of emotional collectives. The result shows three orientations of becoming-with: mimetic, anthropomorphic and fact oriented. Overall, this is a story of fieldwork as a practice of producing companion species; how becoming-with companion species works in practice, how companion species come to matter as emergent ecological literacy.

Aesthetics concerns, on the one hand, people's feelings of pleasure and displeasure, and, on the other hand, the objects these feelings are directed to, that is, what people find beautiful or ugly (Wickman, 2006). Traditionally aesthetics and affect have been treated as separate from cognition and only rarely has it been studied how they are intertwined when learning a specific content (Wickman et al., 2021). However, recent situated and socio-culturally oriented research has begun to elucidate how aesthetics plays a key role for selection of content, what route learning takes in the classroom and for students' opportunities to develop an interest or taste for a specific school subject (e.g., Sinclair, 2006; Ainsworth and Bell, 2020; Wickman et al., 2021). This Research Topic compiles contributions from researchers examining these topics further.

This article illustrates a research project in a Swedish elementary school where young students are engaged in a project on ecology. Species, digital resources and nature contribute to place-based exploration of ecological issues, relevant in learning for sustainability. Since children grow up in a digital era, their meaning-making is transversed by oral, digital and physical modes. By launching the terms relations, gaps, stand fast and chain of transduction as an analytical apparatus and connecting video ethnography to pragmatic theory and multimodal analysis, we contribute to the body of knowledge on students’ participation and meaning-making featured in digital and physical representations. Specifically, ecological and sustainability learning takes place in the transduction displaying students’ drawings, texts, digital images and biological arrangements. The article concludes with several education concerns: the teacher’s responsibility in supporting agency-processes, the growth of ecological literacy in a blurred ‘digital-ecology’ environment and the educational need to support students’ attachments and care for the living and nonliving.

This study is about the use of contemplative practices in forest fieldwork and how such practices could support the growth of ecological literacy. Ecological literacy is explored by employing Donna Haraway’s notions of becoming-with and companion species. The study is based on fieldwork with a group of adult learners attending a folk high school in Sweden. The participants are followed as they encounter and are becoming-with species of the forest. The empirical material consists of video- and audio-recordings. The results provide a narrative of forest encounters, environmental concerns and dreams about the simple harmonic life. The forest fieldwork thus provides a site for elaborating a more inclusive ethics and teaching strategies where nonhuman-human relational aspects become center to ecological literacy. The results suggest that folk high school environmental education could be used as a source of inspiration in disrupting the practices of compulsory science education.

In this article, we show empirically how preschool childrens’ creative, physical, and digital leaps, provide new perspectives concerning childrens’ engagement in ecology related questions in the domain of Sustainability Education. The metamorphosis of insects is explored by children digitally, embodied and 'hands-on', and the children move through the digital and analogue interfaces. Childrens’ embodied explorations through instant encounters with nature has an obvious place where the digital world and nature become intersected forming a whole. We introduce a transduction chain, a didactic design-theoretic analysis tool, which supports teachers and researchers to get to hold of childrens’ digital and analogue meaning-making sign use. We draw attention to the preschool children's contribution in the area, which is made visible through transduction processes. We do not yet have the answers to the complex questions of sustainability, implying the need of all citizens’ participation and contributions. In anthropocene, it is also important to strengthen agency processes by paying attention to children's own course of actions and proposals. In light of this study, preschool teachers need to provide rich opportunities where children can explore and process what is happening around them.

The purpose is to contribute knowledge to the field regarding the role of aesthetic experience when young students participate in intertwined science–art activities in science class. More precisely, we scrutinise how science suggestions are shaped in students’ processes of imagination when exploring animal’s ecology. Data corpus comprises audio recordings, photographs, drawings and field notes. The school is located in Sweden and the participating students were between 6 and 7 years old (Swedish grade 1). Seven students and their teacher participated in the study. The dialogues were analysed by means of a practical epistemology analysis (PEA), based on Dewey and the later Wittgenstein. In addition, the analytical term pictorial relation is launched to analyse the visual language exposed in students’ drawings. The results reveal that throughout the process, the young students in transaction with the contextual features, imagined suggestions and solutions to science-related issues. Facts and fiction, sense and nonsense blended when new solutions of pleasurable hiding-places for prey were aesthetically and imaginatively explored and designed. In addition, the students owned the problem throughout and developed agency, which resulted in novel science–art outcomes and the students’ communicative repertoire was extended when involved in intertwined dialogues and art activities. 

This study explores how fieldwork can contribute to the development of ecological literacy and draws on actor-network theory and science studies which imply an understanding of agency as being distributed. The aim is to explore the consequences of the human-nonhuman encounters in fieldwork practice for the growth of ecological literacy. The explorations employ Bruno Latour’s concept of “the terrestrial attractor” and its potential contributions to environmental education. The study is based on a field trip to experience black grouse lekking in Östergötland, Sweden. The empirical material consists of video- and audio-recordings. The results show two dimensions of encounters: (1) ways of initiating encounters, and (2) the human-learner actant configurations involved. The dimensions of encounters afford contributions to ecological literacy. 

The aim of this study is to explore the role of reflective practices in ecology fieldwork for supporting learners’ senses of care and compassion with companion species. The study draws on the works of Donna Haraway regarding (human) becoming with companion species. The study is an ethnography based on participant observation during fieldwork in a folk-high-school course in Sweden. The analysis focusses how the adult learners are becoming with companion species and draw on the notion of string figures. The preliminary results show three string figures of how the adult learners are becoming with companion species in the reflective practices: A string figure of contemplation with companion species, A factual string figure of ecology, questions and concerns, and A string figure of dreams about the simple harmonic life. The results indicate that reflective practices in ecology fieldwork might contribute to mitigating (self)destructive relations to the Earth through science education.