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Seeing the invisible: brand authenticity and the cultural production of queer imagination
Stockholms universitet, Samhällsvetenskapliga fakulteten, Företagsekonomiska institutionen.ORCID-id: 0000-0003-2775-8148
Antal upphovsmän: 22021 (Engelska)Ingår i: Arts and the Market, ISSN 2056-4945, Vol. 11, nr 3, s. 275-297Artikel i tidskrift (Refereegranskat) Published
Abstract [en]

Purpose: The twofold aim of this theory-building article is to raise questions about the ability of queer cinema to transform market culture and ideologies around gender and sexuality. First, the authors examine how the very capitalization of queer signifiers may compromise the dominant order from within. Second, the authors address how brands possibly can draw on these signifiers to project authenticity.

Design/methodology/approach: Through visual methods of film criticism and the semiotic analysis of three films (Moonlight, Call Me By Your Name and Portrait of a Lady on Fire), the authors outline some profound narrative tensions addressed by movie makers seeking to give an authentic voice to queer lives.

Findings: Brands can tap into these narrative attempts at “seeing the invisible” to signify authenticity. False sublation, i.e. the “catch-22” of commodifying the queer imaginaries one seeks to represent, follows from a Marcusean analysis.

Practical implications: In more practical terms, “seeing the invisible” is proposed as a cultural branding technique. To be felicitous, one has to circumvent three narrative traditions: pathologization, rationalization and trivialization.

Originality/value: In contrast to Marcuse's pessimist view emphasizing its affirmative aspects, the authors conclude that such commodification in the long term may have transformative effects on the dominant ideology. This is because even if something is banished to the realm of imagination, e.g. through aesthetic semblance, it can still be enacted in real life.

Ort, förlag, år, upplaga, sidor
2021. Vol. 11, nr 3, s. 275-297
Nyckelord [en]
Authenticity, Commodification, False sublation, Queer imagination
Nationell ämneskategori
Ekonomi och näringsliv
Identifikatorer
URN: urn:nbn:se:su:diva-195893DOI: 10.1108/AAM-12-2020-0053ISI: 000653197000001OAI: oai:DiVA.org:su-195893DiVA, id: diva2:1588108
Tillgänglig från: 2021-08-26 Skapad: 2021-08-26 Senast uppdaterad: 2023-02-03Bibliografiskt granskad
Ingår i avhandling
1. “Woke” Authenticity in Brand Culture: A Patchwork Ethnography
Öppna denna publikation i ny flik eller fönster >>“Woke” Authenticity in Brand Culture: A Patchwork Ethnography
2022 (Engelska)Doktorsavhandling, sammanläggning (Övrigt vetenskapligt)
Abstract [en]

Authenticity is often considered the holy grail in marketing. Prior research has focused on authenticity in consumption and marketing communications based on countercultural images of personal freedom, including mythologies based on resistant rebels and social outlaws. In turn, research has constructed an androcentric view of authenticity using only one-half (i.e., the masculine/agentic) of its inherently ambivalent dialectic of meaning. Little is known about the authentication of more feminine/communally gendered consumers such as stigmatized seekers and other marginalized consumer segments. In that respect the literature on authenticity in consumer research is highly problematic, because the dominant worldview tends to essentialize an exotic version of the Other recognized as authentic while knowing next to nothing about the Other beyond this stereotypical image.

This thesis fills an important gap in knowledge regarding the circuit of cultural ideologies around authenticity, particularly in relation to brand culture and consumers’ authenticating acts. Through a patchwork ethnography consisting of data collected in different empirical contexts (e.g., the Viking myth, queer cinema, disability in ads, etc.), the aim is to deconstruct the androcentric gaze on authenticity. Findings help pave the way toward a more empathic marketing theory and practice in which the Other is less confined by the harmful depiction of stereotypes. These findings are important because we live in times when brands are increasingly purpose-driven and expected to engage in activism (e.g., by taking a stand on socio-political issues even if they are not directly related to their business), while our social institutions are becoming more and more like brands. Indeed, recent marketing tendencies indicate a shifting cultural economy in which myths of personal freedom have been replaced with commodity activism in the “woke” discourse of authenticity in contemporary brand culture.

I contribute to consumer research and conversations concerning the politics of authenticity, emphasizing issues of ethical representation and responsibility toward the Other, which may alleviate androcentric failings in previous research. I do this through thinking rooted in a deconstructive ontology, a feminist epistemology, and a transformative consumer research axiology.

Ort, förlag, år, upplaga, sidor
Stockholm: Stockholm Business School, Stockholm University, 2022. s. 30
Nyckelord
authenticity, consumer research, cultural branding, deconstruction, marginalized consumers, marketing communications
Nationell ämneskategori
Företagsekonomi
Forskningsämne
företagsekonomi
Identifikatorer
urn:nbn:se:su:diva-199361 (URN)978-91-7911-736-8 (ISBN)978-91-7911-737-5 (ISBN)
Disputation
2022-02-01, Bergsmannen, Aula Magna, Frescativägen 6, Stockholm, 13:00 (Engelska)
Opponent
Handledare
Tillgänglig från: 2022-01-07 Skapad: 2021-12-06 Senast uppdaterad: 2021-12-15Bibliografiskt granskad

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