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Drama as a resource for transformative learning in sustainability education
Stockholm University, Faculty of Humanities, Department of Teaching and Learning.ORCID iD: 0000-0002-7133-7554
Number of Authors: 12025 (English)In: International Journal of Sustainability in Higher Education, ISSN 1467-6370, E-ISSN 1758-6739, Vol. 26, no 9, p. 412-426Article in journal (Refereed) Published
Abstract [en]

Purpose – In an era of social and ecological crises new ways of teaching are being called for. This paper aims to explore applied drama as a teaching resource in learning about sustainability and future scenarios. The imaginative aspects of drama are explored as a possibility to find hopefulness and support transformative learning.

Design/methodology/approach – Drama workshops were carried out in a higher education course and with young adults in a youth project. The participants were interviewed after the drama interventions and the transcripts were analysed from the perspective of transformative learning, to understand how drama methods can contribute to the field.

Findings – The results show drama to be a supportive resource in the first stage of transformative learning, in this material in relation to learning about sustainability issues and the emotions that this generates. Drama is also shown to be a possible spark to transformative learning in that the teaching method is unfamiliar to many participants and can initially be uncomfortable and disorienting. Additionally, drama is shown to have relevance to embodied cognition. Finally, the idea of drama enabling role cognition is introduced. Role cognition is suggested to be a part of drama that reaches beyond the embodied aspects and comes out of the specific element of taking on another role in drama.

Research limitations/implications – The study is limited to the experiences of drama as expressed by participants in interviews. To further understand the implications of drama in higher education and in environment and sustainability teaching, research that observes what is happening in the interactions should be carried out.

Practical implications – This study points to the possibility of drama to support transformative learning processes and be a practical resource in working with embodied cognition and role cognition.

Originality/value – This study meets the need of developing teaching methods that are explorative and give room to embodied and emotional dimensions of environment and sustainability teaching.

Place, publisher, year, edition, pages
2025. Vol. 26, no 9, p. 412-426
Keywords [en]
Applied drama, Embodied cognition, Environment and sustainability education (ESE), Role cognition, Sustainability, Transformative learning
National Category
Didactics
Identifiers
URN: urn:nbn:se:su:diva-248389DOI: 10.1108/IJSHE-10-2024-0756ISI: 001578343400001Scopus ID: 2-s2.0-105017577695OAI: oai:DiVA.org:su-248389DiVA, id: diva2:2008953
Available from: 2025-10-24 Created: 2025-10-24 Last updated: 2026-06-11Bibliographically approved
In thesis
1. Lek, kropp, framtidshopp: Drama som resurs i hållbarhetsundervisning
Open this publication in new window or tab >>Lek, kropp, framtidshopp: Drama som resurs i hållbarhetsundervisning
2026 (Swedish)Doctoral thesis, comprehensive summary (Other academic)
Alternative title[en]
Embodied playfulness for hopeful futures : Drama as a resource in sustainability education
Abstract [en]

In a time marked by ecological and social uncertainty, there is a growing need for educational practices that foster hope, agency, and embodied engagement with the future. This doctoral thesis explores how applied drama can serve as a resource in sustainability education. The study investigates how university students and young adults engage in embodied and imaginative practices that enable them to relate to sustainability issues in new ways. The research is conducted within the framework of drama education and is based on drama interventions with students in a university course and participants in a youth project. Of the 85 participants in four groups, 36 volunteered to be interviewed afterwards about their experiences. The transcribed interviews and other documentation were analysed through an approach that evolved from qualitative to post-qualitative, including arts-based elements. Additionally, the thesis contains autoethnographic traces and reflections from clown work related to sustainability issues.

The findings show drama to be a powerful, yet demanding, pedagogical tool in environmental and sustainability education. It enables emotional expression and embodied and collective reflection in the creation of imagined futures. It also fosters group cohesion and a sense of hope in the face of complex challenges. However, drama as a teaching method requires not only knowledge of both drama and sustainability but also participant willingness, psychological safety, and time to build trust. The research further demonstrates that drama and creative processes can contribute in a meaningful way to knowledge production, particularly when addressing existential and societal crises. The aesthetic dimension is revealed as valuable in order to remain open, playful and creative in the midst of uncertainty.

Place, publisher, year, edition, pages
Stockholm: Institutionen för ämnesdidaktik, Stockholms universitet, 2026. p. 138
Keywords
Applied Drama, Environmental and Sustainability Education (ESE), Sustainability, Transformative learning, Arts-based research, Role-Play, Clown, Transgressive learning
National Category
Didactics
Research subject
Teaching and Learning with Specialisation in the Arts Education
Identifiers
urn:nbn:se:su:diva-253591 (URN)978-91-8107-562-5 (ISBN)978-91-8107-563-2 (ISBN)
Public defence
2026-05-22, hörsal 6, södra huset C, vån 3, Universitetsvägen 10 C och digitalt via Zoom, länk finns tillgänglig på institutionens webbplats, Stockholm, 13:00 (Swedish)
Opponent
Supervisors
Available from: 2026-04-24 Created: 2026-03-20 Last updated: 2026-04-29Bibliographically approved

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