Power relations have long been a central concern in relation to hip-hop for both artists and scholars. Inequalities of race, ethnicity and class have often been in focus, and to a more limited extent questions about gender and sexuality. However, until recently, questions about dis/ability have been largely neglected. This chapter adds to the emerging literature on dis/ability in hip-hop by analyzing how disability is constructed in hip-hop in Sweden. Drawing on crip theory, the chapter identifies three different articulations. First, ‘dissing disability’ denotes uses of disability as a metaphor for that which is not desirable. Second, ‘enjoying the stigma’ refers to when disability is used metaphorically in a positive way for transgressions of a dull and conventional normality. Both these uses remain limited, however, because of their being employed from a normate, able-bodied point of view. In contrast, ‘cripping the gaze’ is a more political articulation that starts off from non-normative embodiment and calls into question able-bodied social practices, as well as welfare state cutbacks. The chapter argues for more attention to questions about dis/ability within Hip-Hop Studies, and in particular sheds light on the need to distinguish between normate and crip articulations of dis/ability.