Change search
Refine search result
3456789 251 - 300 of 2324
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
Rows per page
  • 5
  • 10
  • 20
  • 50
  • 100
  • 250
Sort
  • Standard (Relevance)
  • Author A-Ö
  • Author Ö-A
  • Title A-Ö
  • Title Ö-A
  • Publication type A-Ö
  • Publication type Ö-A
  • Issued (Oldest first)
  • Issued (Newest first)
  • Created (Oldest first)
  • Created (Newest first)
  • Last updated (Oldest first)
  • Last updated (Newest first)
  • Disputation date (earliest first)
  • Disputation date (latest first)
  • Standard (Relevance)
  • Author A-Ö
  • Author Ö-A
  • Title A-Ö
  • Title Ö-A
  • Publication type A-Ö
  • Publication type Ö-A
  • Issued (Oldest first)
  • Issued (Newest first)
  • Created (Oldest first)
  • Created (Newest first)
  • Last updated (Oldest first)
  • Last updated (Newest first)
  • Disputation date (earliest first)
  • Disputation date (latest first)
Select
The maximal number of hits you can export is 250. When you want to export more records please use the Create feeds function.
  • 251.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Modernist Writers and the Multilingual Print Culture of Constantinople2022In: Parallax, ISSN 1353-4645, E-ISSN 1460-700X, Vol. 28, no 1, p. 28-42Article in journal (Refereed)
    Abstract [en]

    The productive challenges of the linguistic and cultural unknown provide a framework for this exploration of texts created or published between 1906 and 1915 on Constantinople by Virginia Woolf, Vita Sackville-West, Joseph Conrad, Wyndham Lewis, and Vasily Kamensky, which engage with the multifarious expressions and stimuli of the imperial capital. The heterogeneity of narrative and cognitive strategies with which they convey their experiences connotes Constantinople as a contested object of desire of several national and supranational forces between East and West that defies the single, monolingual community, be it imagined or real. The multilingual and multiscriptal print culture of Constantinople, as well as the modernist writers’ literary and artistic imagination and their various translation and transcription practices, delineate what Bodin defines as heterolingualism, namely, linguistic – or literary – situations where communication in one language directed to other languages and produced in otherscripts forms the expected precondition.

    Download full text (pdf)
    fulltext
  • 252.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Mångkultur och identitet i ortodoxa kyrkor i Sverige2015In: Att mötas är att växa: en studie i mångkulturalitet / [ed] Sven Arne Flodell, Skellefteå: Artos & Norma bokförlag, 2015, p. 250-269Chapter in book (Other academic)
  • 253.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Narrating the crisis of Constantinople 1908–1922: A lost world in Greek, Armenian, Turkish and Russian2022In: Literature and the Making of the World: Cosmopolitan Texts, Vernacular Practices / [ed] Stefan Helgesson, Helena Bodin, Annika Mörte Alling, London: Bloomsbury Academic, 2022, 1, p. 15-49Chapter in book (Refereed)
    Abstract [en]

    Bodin explores a case of literary world-making which transgresses the languages of national literatures. She examines four novels by Theotokas in Greek, Yessayan in Armenian, Edib Adıvar in Turkish and Zdanevich in Russian. They are all set in Constantinople between 1908 and 1922, a period which meant a protracted political crisis for the then still multilingual, multi-ethnic and multireligious city. By positing Constantinople’s narrated site before the fall of the Ottoman Empire as a Bakhtinian chronotope of threshold, Bodin studies how time and space are fused with language and agency in the selected novels. Irrespective of the author’s ethnicity or the novel’s language, the analyses demonstrate that the novels deploy displaced narration, and that they recollect or reclaim a lost world. Thereby, the act of writing itself is challenged, questioned or interrupted. Together, these novels make a linguistically multifaceted contribution to world literature and crafts Constantinople as a literary world.

    Download full text (pdf)
    fulltext
  • 254.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Recension av Mats Jansson, Poetens blick. Ekfras i svensk lyrik2015In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, no 2-3, p. 114-116Article, book review (Other academic)
  • 255.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Recension av Thomas Arentzen och Mary B. Cunningham (red.), The Reception of the Virgin in Byzantium: Marian Narratives in Texts and Images, Cambridge: Cambridge University Press, 20192019In: Patristica Nordica Annuaria, ISSN 2001-2365, Vol. 34, no 4, p. 107-110Article, book review (Other academic)
  • 256.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    'Rejoice, spring': the Theotokos as fountain in the liturgical practice of Byzantine hymnography2016In: Fountains and Water Culture in Byzantium / [ed] Brooke Shilling, Paul Stephenson, Cambridge University Press, 2016, p. 246-264Chapter in book (Refereed)
    Abstract [en]

    In Byzantine hymnography, the Theotokos – the God-bearing Virgin, Mother of God and Unwedded Bride of the Orthodox Church – is represented as a fountain, spring, well or source, as an ‘endless source of the living Water’. These verbal images are closely associated with the visual imagery of icons of various kinds and with structures such as the baptisterium.

    The biblical sources for this watery imagery are found in the Old as well as the New Testament. From there come the river and streams (Psalms 46:4), the ‘fountain sealed’ and the well (Song of Songs 4:12, 15), the living water (John 4:10–11), and the water of life in the new, heavenly city of Jerusalem (Revelation 22:1, 17). A special kind of imagery, which should rather be understood as imprints, is the typological imagery, where narratives from the Old Testament offer prefigurations to be fulfilled and interpreted within the frame of the New Testament in the light of the resurrection of Christ. Especially with regard to springs and fountains, important prefigurations are the rock that Moses struck (Exodus 17:6) and the dew on the fleece of Gideon (Judges 6:37). But as will be demonstrated below, the Theotokos is also interpreted as a prefiguration of the baptismal font, or as a new pool of Siloam.

    Usually, these typological images signify the Virgin's womb and aim to articulate and praise her role when Christ was conceived, that is her role in the incarnation of God. The water they incorporate is often interpreted as a symbol of purification or health. However, when these originally biblical verbal images are applied in hymnography, their reference might sometimes be to Christ and sometimes the Theotokos, depending on context. Careful readings and analyses are necessary to single out the significance of the spring in a certain hymn. Similar kinds of imagery with regard to the spring are known all over the medieval Christian world. It is present in Hildegard of Bingen's hymns from the twelfth century, for example with reference to Christ in an antiphon for the Virgin, as well as in the revelations of St Bridget from the fourteenth century, in a dialogue between the Mother of God and Christ, where Christ says to his mother: ‘You are like a free-flowing spring from which mercy flows to the wretched.’

  • 257.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    "Resan är en berättande ikon": Med kvinnor och barn i Grekland under 1950- och 60-talen2016In: Svunna ögonblick: svenska möten med Grekland / [ed] Bodil Nordström-Karydakis, Ann-Louise Schallin, Skellefteå: Artos & Norma bokförlag, 2016, p. 11-34Chapter in book (Other academic)
    Abstract [sv]

    Hur såg de kvinnliga resenärernas och barnens möte med Grekland och dess bysantinska, ortodoxt kristna traditioner ut under 1950- och 60-talen? Artikeln uppmärksammar kvinnliga Greklandsresenärer – Ella Hillbäck, Elsa Kjellberg, Kathrine Aurell, Harriet Hjorth, Vivi Hirdman och Irmelin Sandman Lilius – och deras erfarenheter samt det faktum att hela familjer gärna reste till Grekland. Den allmänna tendensen att skildra bysantinska kulturella traditioner och ortodoxa gudstjänster som exotiska, främmande och obegripliga balanseras i det material som här undersökts av att de kvinnliga skribenterna själva tagit del i traditionerna. De visar ett genuint intresse för vardagslivets sysslor och villkor samt för den ortodoxa trons uttryck i såväl fest som vardag. Det är en självklarhet att barnen, särskilt flickorna, också deltar. Att bli inbjuden och att då själv vilja vara med framstår som det avgörande för det engagemang i de ortodoxa traditionerna och de grekiska livsvillkoren som dessa berättelser från 1950- och 60-talen utstrålar.

  • 258.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Seclusion versus Accessibility: The Harems of Constantinople as Aesthetic Worlds in Stories by Elsa Lindberg-Dovlette2018In: World Literatures: Exploring the Cosmopolitan-Vernacular Exchange / [ed] Stefan Helgesson, Annika Mörte Alling, Yvonne Lindqvist and Helena Wulff, Stockholm: Stockholm University Press, 2018, p. 246-260Chapter in book (Refereed)
    Abstract [en]

    This chapter examines the strategies according to which the Swedish author Elsa Lindberg-Dovlette’s stories, set in Ottoman harems of Constantinople in the early twentieth century, create a distinctive aesthetic world (Hayot, 2012). It is demonstrated that this world is constructed out of the limited and distorted views from behind the veil. By means of their aesthetic “worldedness”, Lindberg-Dovlette’s stories make the secluded milieus of women in the harems of cosmopolitan Constantinople – their special limited view and reduced mobility – accessible to western readers in their vernacular languages, not only in Swedish, but also in translation into Finnish, German, French and Dutch.

    Download full text (pdf)
    fulltext
  • 259.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Skriftens roll i skådespelet: Flerspråkighet och flerskriftlighet i Göran Tunströms Chang Eng2020In: Edda. Nordisk tidsskrift for litteraturforskning, ISSN 0013-0818, E-ISSN 1500-1989, Vol. 107, no 3, p. 196-210Article in journal (Refereed)
    Abstract [en]

    The article explores the use of multilingualism and multiscriptalism in the book edition of Göran Tunström’s drama Chang Eng. Ett skådespel (Chang Eng: A Spectacle) (1987). It stages the life story of the Siamese twins Chang and Eng Bunker (1811–1874), including the freak show in which they were performing artists. With focus on the use of multilingualism (Swedish, English, French, and Thai) and multiscriptalism (Roman and Thai script) within the spectacle, it is demonstrated how the visual-spatial modality of the script and the materiality of the book medium turns the reading of Chang Eng into a spectacle taking place on the book pages. In this respect, one of the drama’s characters, the Novel, also becomes important. Though I do not know Thai, knowledge of Tunström’s view of words as script (letters) and as corporeal bodies, presented in Under tiden (1993), makes a reader like me understand what the last words of the spectacle, written in Thai script, say. The heterographic relation between the two scripts within the material form of the book mirrors the conjoined, single body of Chang and Eng – that is, Chang Eng.

  • 260.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    "So let me remain a stranger": Multilingualism and Biscriptalism in the Works of Finland-Swedish Writer Tito Colliander2020In: The Aesthetics and Politics of Linguistic Borders: Multilingualism in Northern European Literature / [ed] Heidi Grönstrand, Markus Huss, Ralf Kauranen, New York: Routledge, 2020, p. 242-262Chapter in book (Refereed)
    Abstract [en]

    This chapter examines the intriguing multimodal genre of "biscriptalism". It ties also into the role of the reader in the construction of literary multilingualism. The Finland-Swedish, polyglot writer Tito Colliander's memoirs show how Colliander embodied the three roles of author, translator and stranger in the Orthodox Christian diaspora, in both Finland and Estonia, ever since his decision to become a Russian-Orthodox Christian. The use of spoken Russian and Cyrillic script is analysed in order to discuss what these devices meant for Colliander's poetics and identity, also taking into account religion as an important parameter of diversity in the study of literary multilingualism and translingual life writing. It is demonstrated that the experience of translating, mediating and going in-between is crucial to Colliander's life and work: multilingualism and biscriptalism play decisive roles in his diaspora Orthodox Christian identity, but the reader is also invited to continue this task of the translator and to experience the in-betweenness of Colliander's stranger.

    Download full text (pdf)
    fulltext
  • 261.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Sophie Elkan's Ambiguous Dream of the Orient: On Cultural Identity and the National Literary Canon2015In: Rethinking National Literatures and the Literary Canon in Scandinavia / [ed] Ann-Sofie Lönngren, Heidi Grönstrand, Dag Heede, Anne Heith, Newcastle upon Tyne: Cambridge Scholars Publishing, 2015, p. 78-103Chapter in book (Refereed)
    Abstract [en]

    The aim is to consider the formation of a Nordic literary canon from a cultural semiotic perspective as presented by Yuri M. Lotman and others, by means of a discussion of a Swedish and Western identity and selfunderstanding as mirrored and enacted in several works by the Swedish writer Sophie Elkan (1853–1921) set in Sweden, Egypt, Lebanon, and Constantinople. The works examined are the novel Drömmen om Österlandet [The Dream of the Orient], and two short stories, “Herr Schwartz” [“Mr. Schwarz”] and “Ställ ut armeniern!” [“Sling out the Armenian!”], all published in 1901. I propose an understanding of the literary canon as a kind of cultural, collective memory. Elkan’s narratives, set in Oriental milieus, are demonstrated to create their own semiotic spaces, where the semiospheres of traditional Western and Eastern cultures overlap in surprisingly new constellations. Her stories question otherwise not explicitly articulated cultural norms and enquire into presupposed normative Swedish or Western cultural identities. According to the argument of cultural semiotics, it is essential to all national literatures, their canons and the cultural identities they foster that challenging stories like these, stories which stage cultural clashes, cultural misunderstandings and cultural differences, are narrated, discussed and interpreted.

  • 262.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Ståle Johannes Kristiansen, Avdekning og tilsløring. Dionysius Areopagitens symboltenkning og Jean-Luc Marions ettermoderne kunstfilosofi. Dokt. avh. Universitetet i Bergen 20142015In: Patristica Nordica Annuaria, ISSN 2001-2365, Vol. 30, p. 133-136Article, book review (Other academic)
  • 263.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    ‘The clamour of Babel, in all the tongues of the Levant’: multivernacular and multiscriptal Constantinople around 1900 as a literary world2020In: Textual Practice, ISSN 0950-236X, E-ISSN 1470-1308, Vol. 34, no 5, p. 783-802Article in journal (Refereed)
    Abstract [en]

    With a focus on the crafting of Constantinople as a literary world, this article considers how the city’s particularly rich and composite soundscape, linguascape and scriptworld around 1900 contributes to a vernacular poetics. Such a poetics, I suggest, could be described in terms of a heterolingual and multivernacular foregrounding of linguistic difference and asymmetry. Issues relating to the materiality of language and linguistic diversity, including the role of scripts, are explored in a selection of ten Western European travelogues and narratives set in Constantinople during the last period of the Ottoman era (1876–1922) and written in Italian (De Amicis), French (Loti), Danish (Jerichau-Baumann), Norwegian (Skram), and Swedish (Lindberg-Dovlette and Beyel). Proceeding from the soundscape via the linguascape to the scriptworld of the city, it is demonstrated how these ‘-scapes’ and worlds are established, rendered, thematised, transcribed, and inscribed as heterolingual, multivernacular and multiscriptal in Constantinople as a literary world. Different textual and paratextual strategies are identified and analysed with regard to their auditory, visual and material features. However, as a part of monoscriptal Western European literature using Roman script, this literary world becomes cosmopolitanised. In this case the vernacular poetics did not embrace the many scripts of Constantinople.

  • 264.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    The Gunnar Ekelöf Room and the Poet’s Widow as Archivist and Author2022In: Transforming Author Museums: From Sites of Pilgrimage to Cultural Hubs / [ed] Ulrike Spring; Johan Schimanski; Thea Aarbakke, New York/Oxford: Berghahn Books, 2022, p. 154-176Chapter in book (Refereed)
    Abstract [en]

    The Gunnar Ekelöf Room is a reconstructed memorial museum of the late home of the Swedish modernist poet at the Sigtuna Foundation not far from Stockholm. While Gunnar Ekelöf’s original manuscripts are archived at Uppsala University Library, their copies are accessible in the duplicate so-called Home Archive, set up by his widow Ingrid Ekelöf and housed in the Gunnar Ekelöf Room, as is also the extensive correspondence between her and the literary critic Brita Wigforss. Guided by cultural memory studies and archival studies which regard archives and writers’ houses as texts and media, this chapter explores how the Home Archive through this correspondence recounts its own origin, thereby offering new aspects of the metonymic principles that generally guide archival work.

  • 265.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Två flickors minnen – kulturmöten mellan svenskt och ryskt2017In: Mångkulturell barn- och ungdomslitteratur: Analyser / [ed] Maria Andersson, Elina Druker, Lund: Studentlitteratur, 2017, p. 109-126Chapter in book (Other academic)
    Abstract [sv]

    Artikeln tar upp kulturmöten mellan Sverige och Ryssland och den kunskapsöverföring som då sker. Två självbiografiska skildringar på svenska, en resedagbok och en barndomsskildring, diskuteras med utgångspunkt i Jurij Lotmans kultursemiotiska definition av kultur som vårt gemensamma minne: Adelaide von Hauswolffs resedagbok Journal hållen under resor i Ryssland då jag följde min far i hans fångenskap 1808-1809, och Vera Alexandrovas roman Sandal och sidensko (1949). De två texterna förmedlar kunskap mellan olika länder men också mellan olika tider i mötet med en senare tids läsare. Flickornas erfarenheter och minnen av rysk-ortodoxa religiösa seder blir genom att återberättas i ett svenskt sammanhang även en del av svensk litteratur och kultur.

  • 266.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    "Världens härskare ska förnedras" – om Pussy Riot och de heliga dårarna2022In: Religion & livsfrågor, ISSN 0347-2159, no 3, p. 13-17Article in journal (Other academic)
  • 267.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    "Weeping at the Grave Creates the Song: Alleluia": The Nachleben of Russian Orthodox Funeral Hymns in Modern Culture2023In: Why We Sing: Music, Word, and Liturgy in Early Christianity: Essays in honour of Anders Ekenberg's 75th birthday / [ed] Carl Johan Berglund; Barbara Crostini; James A. Kelhoffer, Leiden: Brill Nijhoff, 2023, p. 531-550Chapter in book (Refereed)
    Abstract [en]

    This chapter explores the reception within modern culture of Russian Orthodox Christian funeral ritual and its hymnography, grounded in early Byzantine traditions. The selected examples of modern literary and musical works span from the 1940s to the 1990s. They are produced in Russian (Anna Akhmatova; Boris Pasternak), Swedish and Finland Swedish (Vera Alexandrova; Hagar Olsson), Church Slavonic (Krzysztof Penderecki), and English (John Tavener). Through their references to Orthodox funeral hymns and practices, a religious and cultural heritage that was severely threatened and almost destroyed by the atheistic communist state of the Soviet Union was remebered and activated anew. Due to their transfer into a secular semiosphere, the funerary texts gained new meanings and functions according to the norms and values which set the standards for modern culture. 

    Download full text (pdf)
    fulltext
  • 268.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Whose Byzantinism – ours or theirs? On the issue of Byzantinism from a cultural semiotic perspective2016In: The reception of Byzantium in European culture since 1500 / [ed] Przemysław Marciniak, Dion C. Smythe, Farnham: Ashgate, 2016, p. 11-42Chapter in book (Refereed)
    Abstract [en]

    From a cultural semiotic perspective, inspired by Yuri Lotman and Itamar Even-Zohar, it is demonstrated in this article that the notion of Byzantinism is used in both the Western semiosphere, relating to Paris as its cultural centre, and the Byzantine semiosphere, relating to Constantinople. Since Byzantinism functions in different ways and carries different meanings and values in these semiospheres, it has often been used to separate the semiospheres from each other. In this sense, the notion of Byzantinism marks the cultural border between ‘us’ and ‘them’, from the point of view of the Western as well as the Byzantine semiosphere. An all too simple and superficial understanding of this phenomenon has been challenged however by various writers and intellectuals, who represent different languages and cultures, and who operate within either the Western or the Byzantine semiosphere, yet who all say ‘our Byzantinism’.

    Byzantinism might strengthen the sense of belonging to a Byzantine community, or articulate the desire to do so, as in the case of Konstantin Leontiev’s Russian article on ‘Byzantinism and Slavdom’. In the French avant-garde context of La Revue blanche, the notion of Byzantinism, might be brought from the periphery of the Western cultural system into fin-de-siècle Paris, right into the heart of the Western semiosphere. Cavafy’s poem ‘Στην Eκκλησία’ (In the Church) represents a case of interference between the Western and the Byzantine cultural systems. Rather than adherence to any culturally central norms it articulates a state of cultural change.

    Byzantinism conceived as ‘ours’ is not a culturally centralised notion carrying positive value only within the Byzantine semiosphere. This complex and enigmatic notion can be characterised by its tendency to cause interference and transfers in the peripheries of both the Western and Byzantine cultural systems. The notion of Byzantinism has proved to be able to both separate and unite East and West, i.e. the Byzantine and the Western semiospheres. From within either, Byzantinism can be shown to be not only theirs, but also ours.

  • 269.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Öppningar mot väst inom den grekisk-ortodoxa kyrkan?2015In: Signum : katolsk orientering om kyrka, kultur, samhälle, ISSN 0347-0423, no 5, p. 4-6Article in journal (Other (popular science, discussion, etc.))
  • 270.
    Bodin, Helena
    et al.
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Helgesson, Stefan
    Stockholm University, Faculty of Humanities, Department of English.
    Huss, Markus
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, German.
    Inscriptions of worldliness: linguistic materiality and the poetics of the vernacular2020In: Textual Practice, ISSN 0950-236X, E-ISSN 1470-1308, Vol. 34, no 5, p. 713-719Article in journal (Other academic)
  • 271.
    Bodin, Helena
    et al.
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Helgesson, Stefan
    Ljunggren, Anna
    Mörte Alling, Annika
    Nyqvist, Anette
    Rasmussen, Irina D.
    Rydholm, Lena
    Ståhlberg, Per
    Viktorin, Mattias
    Afterword. World literature in the making2022In: Literature and the Making of the World: Cosmopolitan Texts, Vernacular Practices / [ed] Stefan Helgesson; Helena Bodin; Annika Mörte Alling, London: Bloomsbury Academic, 2022, p. 307-311Chapter in book (Refereed)
    Download full text (pdf)
    fulltext
  • 272.
    Bohlin, Anna
    et al.
    Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Gender Studies.
    Haux, Caroline
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Förtrollande nationer: Varumarknad, folktro och nationalism i skandinavisk skönlitteratur 1830-18502016In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, no 1, p. 65-69Article in journal (Other academic)
  • 273.
    Bohlin, Billy
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Kyrkan som instrument: Arthur Engberg och den socialdemokratiska kyrkopolitiken 1918–19392022Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    The purpose of this study is to address a period in Swedish political history when the politicization of the Church of Sweden was formed, a politicization that still exist. How this period came about is viewed through the writings and speeches of an important member of the Social democratic party, Arthur Engberg, who became Minister of Education and Religion in the first Swedish social democratic government in 1932.

    Prior to being a minister, Engberg first argued to immediately separate the church from the state. Later, he argued that the church first must be reformed by the state before the separation can take place. The question addressed in the study is, if Engberg continued his efforts as a minister, 1932­–1939, or if he instead, as some implies, aligned with the church? The most authoritative literature when studying Engberg is Beltzén Arthur Engberg – publicist och politiker (Arthur Engberg – publicist and politician) from 1973 which suggest that he did follow his early intensions. This is however contradicted by a contemporary prominent party member, Rickard Lindström in an article in Tiden 1946.

    The method applied to study this question was to research Engberg’s writings and speeches in a chronological order and to put them into context with the parallel processes of the formation of the Christian Socialist Group and with the internal reformation of the church. 

    The conclusions drawn by the study is that Engberg became a defender of the church as the cultural institution he wanted it to be. He had come to realize that the church could be accepted and even useful for managing the religious matter of the state. As such it must be controlled by the state and a separation between state and church is not necessary in the foreseeable future.

    Download full text (pdf)
    fulltext
  • 274.
    Bohman, Anne-Linn
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Dalís symboliska mat: En kontextuell bildanalys av två verk i Dalís surrealistiska kokbok Les Dîners de Gala2022Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Salvador Dalí var en konstnär som uttryckte sig i många medium. Han designade allt från böcker till parfymflaskor och kläder. Han skrev manus till filmer och publicerade en rad egna böcker varav en, hans kokbok Les Dîners de Gala, är studieobjektet för denna undersökning. Inuti kokboken finns 136 recept med illustrationer, målningar och fotografier, verk som Salvador Dalí skapat. Syftet med denna undersökning är att förstå vad de surrealistiska verken i Dalís kokbok förmedlar för betydelser och vilken innebörd maten har i symboliken. Detta görs genom att analysera två verk ur boken för att för det första se vilka konsthistoriska och psykoanalytiska teman de knyter an till, samt hur och varför de gör det. Och för det andra se vilken symbolisk betydelse maten i verken bär på.

    De två verk som undersökts är två stilleben, båda en blandning av collage och olja. Verken utfördes speciellt för kokboken under samma år som den publicerades, 1973. Den teoretiska grunden för uppsatsen berör således stilleben-genrens typiska memento mori motiv, sambandet mellan det surrealistiska kreativa skapandet och självskapandet tillsammans med inslag av Freuds psykoanalys. Verken har analyserats utifrån Panofskys ikonografiska analysmodell där undersökningens teorier har kunnat appliceras i bildanalysen för att ytterligare analysera och kontextualisera innehållet. Resultaten redovisas slutligen i en komparativ analys i den avslutande diskussionen. 

    Undersökningen visade att motiven i verken knyter an till konsthistoriska teman från religiös bildkonst samt antikens, medeltidens och renässansens konstnärliga seder. Tematiken rör sig från liv och död till religiös uppoffring som kunde kopplas till konstnärens relation till sin fru Gala samt hans egna relation till sex. Maten innehar mycket av verkens symbolik genom dess konsthistoriska ikonografi och psykoanalytiska betydelser för konstnären.

  • 275.
    Bomark, David
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics. Stockholm University, Faculty of Humanities, Department of Art History.
    Identitet och motstånd: Normbrott inom hiphop2014Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Den här uppsatsen undersöker hur identitet uttrycks i tre musikvideos som tillhör genren ”queer rap” (Mykki Blanco, Le1f och Zebra Katz) där jag ställer frågan om den identitet som uttrycks hos dem är subversiva. För att ta reda på detta användes representations-begreppet tillsammans med Richard Dyers definition av stereotyper och José Esteban Muñoz avidentifikations-begrepp.

    Dessa tre artisters identiteter går att tolkas som subversiva då de använder normer och redan befintliga identiteter för att skapa nya uttryck, både från det heteronormativa och andra subversiva subkulturer. De skapar nya identiteter och uttryck med de normer som finns.

    Download full text (pdf)
    Identitet och motstånd
  • 276.
    Boonyiam Demir, Patricia
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Inredningsmedia: En diskursanalys om de samhälleliga normer och ideal inredningsmedia genererar och upprätthåller2015Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Uppsatsens ämne berör inredningsmedias påverkan av samhälleliga normer och ideal. Det empiriska materialet består av tre utvalda hemma hos-reportage ur tre av Sveriges mest lästa inredningstidningar. Syftet med uppsatsen är att synliggöra, analysera och diskutera vilka samhälleliga normer och ideal inredningsmedia genererar och upprätthåller i dagens samhälle. Frågeställningarna är: Vilka normer och ideal produceras i inredningsmedia och på vilka sätt konstruerar inredningsmedia kön och klass.

    Det teoretiska perspektivet bygger på Norman Faircloughs kritiska diskursanalys utifrån hans tredelade analysmodell bestående av text, diskursiv praktik och social praktik. Uppsatsens tre kapitel är uppdelad utefter tre olika aspekter och synvinklar, det vill säga: Konsumtion, identitet och genus.  

    Resultatet visar på att inredningsmedia genererar ideal så som att värna om miljö och en hållbar utveckling, DIY (do it yourself) och att inneha rätt smak. Inredningsmedia upprätthåller också vissa normer och föreställningar kring könsidentitet och klass genom reportagens framställning i bild och text. 

    Sökord: Norman Fairclough, Diskursanalys, Inredningsmedia, Inredningstidningar, Konsumtion, Identitet, Genus 

    Ventileringstermin:   VT2015

  • 277.
    Boragina, Antonella
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Marriage Dynamics in Pride and Prejudice: Jane Austen’s Critique and the Pursuit of Happiness2024Independent thesis Basic level (degree of Bachelor), 14 HE creditsStudent thesis
    Abstract [en]

    Courtship and marital arrangements went through many drastic changes during the late 18th and early 19th century. Female writers such as Mary Wollstonecraft started to question and criticize women’s role in marriage and what it meant for their status in society. These changes pushed forward the companionate marriage as the new ideal which Jane Austen took inspiration from when writing Pride and Prejudice (1813). There is, however, something that makes her stand out among other novelists writing on this subject; that she does not romanticize marriage. This essay investigates the four couples Austen presents in her novel and analyses their progression toward marriage in comparison to the social expectations prevalent in her time. It identifies four types of marriages that are central to the plot: the marriage as a social and economic contract, the scandalous marriage, the idealized marriage and lastly the marriage of the equals which is the illustration of the companionate union. This study argues that Austen presents the companionate marriage as the kind of union that leads to true happiness for women. By examining novels that focus on this subject through the lens of their historical context, we can strive to gain a more profound comprehension of the significance of marriage and family life for women during that period. Moreover, this exploration could facilitate our understanding of the progression from those historical norms to our present views of marriage and family life and how it affects women today.  

    Keywords: Jane Austen; Pride and Prejudice; marriage; courtship; companionate marriage.

    Download full text (pdf)
    fulltext
    Download full text (pdf)
    fulltext
  • 278.
    Bortolozzi, Anna
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Architects, Antiquarians, and the Rise of the Image in Renaissance Guidebooks to Ancient Rome2019In: Rome and the guidebook tradition from the Middle Ages to the 20th century / [ed] Anna Blennow, Stefano Fogelberg Rota, Berlin: De Gruyter Open, 2019, p. 115-161Chapter in book (Refereed)
    Download full text (pdf)
    fulltext
  • 279.
    Bortolozzi, Anna
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Carlo Maderno e Francesco Borromini. Il progetto del palazzo in S. Lorenzo in Lucina per il principe Michele Peretti2015In: Storia dell'Arte, ISSN 0392-4513, Vol. 140, p. 97-114Article in journal (Refereed)
  • 280.
    Bortolozzi, Anna
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Italian architectural drawings: from the Cronstedt collection Nationalmuseum, Stockholm2020Book (Refereed)
    Abstract [en]

    This catalogue presents the first comprehensive study of the Italian architectural drawings in the Cronstedt Collection in the Nationalmuseum, Stockholm, comprising 181 drawings dating from c. 1570 to c. 1630. Among them are original projects by Francesco da Volterra, Carlo Maderno and other Roman architects of churches, chapels, palaces, gardens and fountains, many constituting primary and almost unknown source material relating to late Mannerist and early Baroque architecture. Also included is a large corpus of plans, façades, and architectural details by French draughtsmen that meticulously document ancient monuments as well as buildings by the Renaissance masters Bramante, Antonio da Sangallo, Michelangelo and Vignola. The catalogue puts forward new proposals of identification and attribution in the light of recent scholarship, also based on a close examination of the materiality of the drawings (paper, medium, technique, mounting). Comparative illustrations and a photographic catalogue of the watermarks complete the volume.

  • 281.
    Bortolozzi, Anna
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Santi Ambrogio e Carlo al Corso: identità, magnificenza e culto delle reliquie nella Roma del primo Seicento2014Book (Other academic)
    Abstract [it]

    Il primo santo dell’età moderna, un erudito cardinale cercatore di reliquie, un architetto romano fuggito in Lombardia e
 il progetto di una grande chiesa. Questo studio ricostruisce l’acceso scontro che, all’indomani della canonizzazione di Carlo Borromeo, vide coinvolti un gruppo di devoti, una confraternita e due ordini religiosi per il primato del culto carolino a Roma, imponendo alla Nazione lombarda la costruzione lungo la via del Corso di una nuova chiesa “degna della grandezza e meriti del santo”. Il progetto del monumentale edificio che avrebbe assegnato per la prima volta ai Lombardi un posto di primo piano nella geografia dell’Urbe, integrava elementi propri della tradizione architettonica lombarda, ispirandosi ai modelli del Duomo di Milano e del santuario di Santa Maria presso San Celso.
 I lavori, iniziati nel 1612 e finanziati dalle ingenti donazioni
 e legati pii favoriti dall’arrivo a Roma della preziosa reliquia del cuore di san Carlo, si protrassero per tutto il corso del Seicento senza però mai abbandonare l’originario progetto di traslare “la chiesa identitaria di Milano nel cuore della cattolicità”.

  • 282.
    Bortolozzi, Anna
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Two Oxenstierna in Rome: Sightseeing, public performances and artistic education2015In: City of the soul: the literary making of Rome / [ed] Sabrina Norlander Eliasson, Stefano Fogelberg Rota, Stockholm: Svenska institutet i Rom , 2015, p. 31-41Chapter in book (Refereed)
  • 283.
    Boström, Saga
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Anne of Green Gables kärleksarv: Den språkliga och tematiska gestaltningen av omsorg i relationer2024Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    I analys av L.M. Montgomerys verk Anne of Green Gables appliceras feministisk etik för att framföra romanens språkliga och tematiska gestaltning av kvinnliga egenskaper som historiskt sett försummats och nedvärderats. Som en del av den feministiska etiken presenteras omsorgsetiken som betydande för upprätthållandet av mellanmänskliga relationer. Genom att tydliggöra hur romanens moraliska lärdomar kan förstås utifrån en feministisk etik frångår analysen tidigare antaganden av en självuppoffrande moral. Uppsatsen visar hur romanen gestaltar etiskt agerande i form av en omsorg i relationer och hur Anne of Green Gables kan ses som en berättelse om mänsklig egenmakt, genom en omvärdering av traditionellt kvinnliga värderingar som bygger gemenskaper och värdefulla relationer.

    Download (pdf)
    bilaga
  • 284.
    Bovin, Erik
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Ekomimesis i Fredrik Nybergs Offerzonerna2021Independent thesis Basic level (degree of Bachelor), 20 credits / 30 HE creditsStudent thesis
    Abstract [sv]

    Denna uppsats undersöker ekopoetiken i Fredrik Nybergs diktsamling Offerzonerna (2018). Analysen utgår från Timothy Mortons teori om mörk ekologi. Utifrån en tematisk, retorisk och ekokritisk läsning av Offerzonerna – som diskuteras tillsammans med texter av bland annat Kate Rigby, William Cronon och Sofia Roberg – dras slutsatserna att Nybergs ekopoetik kan beskrivas som anti-dualistisk, språkmaterialistisk, fragmentarisk och collageartad. En ödslig och utarmad natur präglad av klimatförändringar gestaltas, samt mötet mellan natur och kultur. Form och innehåll återspeglar varandra och gestaltar ett ekologiskt och anti-antropocentriskt tema.

    Download full text (pdf)
    fulltext
  • 285.
    Bremmer, Magnus
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Konsten att tämja en bild: Fotografiet och läsarens uppmärksamhet i 1800-talets Sverige2015Doctoral thesis, monograph (Other academic)
    Abstract [en]

    The present study inquires into the problematization of attention in the reception and distribution of photography in 19th-century Sweden. It investigates how photography’s alleged abundance of detail and indiscriminate reproduction became a problem in the reception of the medium. The problem became urgent when photographs were put to use by established discourses; specifically, when used in printed publications meant for a public. The thesis therefore argues that the problem of attention had a profound influence on how printed photographic or photographically illustrated editions (photo-texts) were modelled and arranged. For this purpose, the study affirms a particular focus on attention practices: the various ways in which the printed editions aim to regulate the reader’s attention before the supposedly distractive image. Specifically, the thesis focuses on how texts in these printed editions are arranged or juxtaposed in relation to the image, how they speak of and to the images, what values they reflect, and what effects they could be said to produce.

    Consequently, the present study is more than an investigation of a problem; it is also an inquiry into the various attempts to overcome this problem. The problem and its responsive practices will have different characteristics in the various contexts of individual discourses. Therefore, the study situates the problem of attention in four prominent genres of 19th-century photography: the topographical albums of photographic views, art books with photographic reproductions, the scientific atlas, and the photographically illustrated travelogue. These genres and forms of publication, as well as the discourses of attention relating to them, are discussed in separate chapters. Every chapter departs from a specific Swedish photographic edition from the nineteenth-century.

    In sum, the thesis aims – with its focus on the problematization of attention – at giving a new historical perspective on the emergent relation between photography and the printed word.

    Download full text (pdf)
    Konsten att tämja en bild
  • 286.
    Brigo, Federica
    et al.
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Çimen, OnurStockholm University, Faculty of Humanities, Department of Culture and Aesthetics.Kautsky, EliasStockholm University, Faculty of Humanities, Department of Culture and Aesthetics.Klintenberg Gedda, EllenStockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Oracular Visions: In the Darkness of the Night2020Collection (editor) (Other academic)
    Abstract [en]

    In times of uncertainty, contemporary oracles can provide the answers to our questions. Students on the International MA in Curating Art at Stockholm University, who edited this book, have been investigating the entanglement between commissioning as a curatorial practice and the task of formulating and posing crucial questions. “Amidst this multiplicity of truths, and all the places and possibilities that a future could lead us to, perhaps what we are seeking is guidance and ways to navigate through what will come. Thus, we approached artists, art critics and curators, and asked them to provide their own oracular visions."

    Download full text (epub)
    fulltext
  • 287.
    Brinch, Rebecca
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Att växa sidledes: Tematik, barnsyn och konstnärlig gestaltning i Suzanne Ostens scenkonst för unga2018Doctoral thesis, monograph (Other academic)
    Abstract [en]

    The aim of this thesis is to highlight and discuss the artistic force, potential and significance of performing arts for children and young audiences through the example of the work by Suzanne Osten. The focus of this research is on themes, notions of the child and artistic expressions and strategies. The dissertation discusses both the aesthetic and the political aspects of Osten’s theatre for young audiences and takes an interdisciplinary approach, combining theatre and performance studies and childhood studies. A fundamental assumption is that childhood is not a fixed or stable phase that manifests itself in one particular way for all children during all times. Another assumption is that theatre is more than what is visually apparent on stage. What is staged does not take place inside a vacuum, but is closely connected to the surrounding society and culture. To study theatre for young audiences as a cultural expression is therefore, to a great extent, also about analysing notions of the child.

    Five performances have been selected, all for young audiences: Paddakvariet (The Toad Aquarium, 1988, for ages 10 and over), Delfinen (The Dolphin, 1992, for ages 3 and over), Irinias nya liv (Irina’s New Life, 1996, for ages 9 and over), Flickan, mamman och soporna (The Girl, the Mother and the rubbish, 1998, for ages 7 and over), and Lammungarnas fest (The Baa-lambs Holiday, 2014, for ages 13 and over). A model for performance analysis has been constructed, based on hermeneutics and semiotics, complemented by three key theoretical concepts. Firstly focalization, as used by theatre scholar Maaike Bleeker, in order to understand the interaction between the spectator and the visions produced by the apparatus of performance. The reasoning of theatre scholar Gay McAuley about space in performance is used to examine how space is utilized and retained in the performances, while the notion of utopian performative by theatre scholar Jill Dolan provides tools to discuss how moments of ‘feeling utopia’ are a significant part of the selected works which raises questions of the transformative and affective power of theatre. In order to contextualize and historicise the analyses, the response of the performances is also taken into account drawing mainly on theatre reviews.

    As a whole the analyses show Osten’s theatre for young audiences as an ongoing research project problematizing the situation and position of children in society, as well as the view of art for children. Ostens performances for young audiences exhibit and make possible notions of a child outside of the norm in late 20th and early 21st century childhood discourses both within research and society as a whole. Osten’s theatre and artistry are identified as growing sideways, developing in unexpected directions while disrupting ideas about childhood and adulthood, and also what can be viewed as theatre for children and theatre for adults. The dissertation states that Osten’s theatre for young audiences can be seen as pioneering, not only in the field of children’s theatre, but also for the development and renewal of Swedish theatre in general.

    Download full text (pdf)
    Att växa sidledes: Tematik, barnsyn och konstnärlig gestaltning i Suzanne Ostens scenkonst för unga
    Download (jpg)
    Omslagsframsida
    Download (pdf)
    errata
  • 288.
    Brinch, Rebecca
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Barns rätt till konst och kultur: en rätt med undantag?2020In: En sten i magen: Rättigheter för barn utan undantag / [ed] Rebecca Brinch; Rebecca Örtman; Margareta Aspán; Karin Helander; Pernilla Leviner; Malena Janzon, Stockholm: Styx förlag , 2020, p. 45-61Chapter in book (Other academic)
  • 289.
    Brinch, Rebecca
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Historiska narrativ och samtidens Sverige i teater för ung publik: Ögonvittnen som trauma-drama2023In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 53, no 1, p. 25-42Article in journal (Refereed)
    Abstract [en]

    Historical Narratives and Contemporary Sweden in Theatre for Young Audiences. Eyewitnesses as Trauma-Drama. Children’s theatre in Sweden has a tradition of working with various political, social and existential issues. The purpose of the article is to explore the potential of children’s theater to stage an inclusive Sweden, with an empirical starting point in the theatre production Eyewitnesses. In Eyewitnesses, Young Malmö City Theatre wanted to bring to life testimonies from the Holocaust, in a city that is known for having extended problems with contemporary anti-Semitism. Eyewitnesses is based on true life stories and aimed at a young audience aged 13-18. The article examines wether Eyewitnesses has the potential to contribute to increased intercultural understanding and respect for human rights, focusing on the emotions that the performance evokes. In the article, I employ theories about cultural trauma and trauma-drama, and focus on the dramaturgical choices that are made, and the young audience’s reception. The article’s empricial basis consists of performance observations, audience observations, and interviews with the young audience. The article shows that Eyewitnesses not only has the potential to function as a historical narrative, but reflections are also awakened about contemporary social traumas and sufferings. At the same time, a discrepancy in the image of contemporary Sweden is revealed. Some informants highlight Sweden as an equal country characterized by freedom, while others identify issues of racism and segregation. From this perspective, three different images emerge: one where racism is seen as something that primarily happens outside Sweden's borders, one that highlights segregation and that we live in a racist society, and finally a third, which is also the dominant one, where critical reflection on current issues of inequality is sparked from the encounter with the theatre performance. In this way, Eyewitnesses has the potential to function as a trauma-drama, depending on the emotions that the performance evokes.

  • 290.
    Brinch, Rebecca
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Inledning: antirasism, dekolonisering och migration i svensk teater2022In: Berätta, överleva, inte drunkna: Antirasism, dekolonisering och migration i svensk teater / [ed] Rebecca Brinch; Dirk Gindt; Tiina Rosenberg, Stockholm: Bokförlaget Atlas, 2022, p. 14-39Chapter in book (Other academic)
  • 291.
    Brinch, Rebecca
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Scenkonst i Sverige för barn och unga: migration, mångfald och representation2022In: Berätta, överleva, inte drunkna: Antirasism, dekolonisering och migration i svensk teater / [ed] Rebecca Brinch; Dirk Gindt; Tiina Rosenberg, Stockholm: Bokförlaget Atlas, 2022, p. 257-278Chapter in book (Other academic)
  • 292.
    Brinch, Rebecca
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Suzanne Osten and Swedish Theatre for Young Audiences2019In: Theatre for Young Audience Journal GEKI, no 21Article in journal (Other academic)
  • 293.
    Brinch, Rebecca
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Teater på arabiska för alla: reflektioner från ett samtal om Arabiska Teatern2022In: Berätta, överleva inte drunkna: Antirasism, dekolonisering och migration i svensk teater. / [ed] Rebecca Brinch; Dirk Gindt; Tiina Rosenberg, Stockholm: Bokförlaget Atlas, 2022, p. 306-315Chapter in book (Other academic)
  • 294.
    Brinch, Rebecca
    et al.
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Gindt, Dirk
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    "All teater har en samhällsrevolutionerande potential": Ett samtal om Unga Klara med Farnaz Arbabi2022In: Berätta, överleva, inte drunkna: Antirasism, dekolonisering och migration i svensk teater / [ed] Rebecca Brinch; Dirk Gindt; Tiina Rosenberg, Stockholm: Bokförlaget Atlas, 2022, p. 337-351Chapter in book (Other academic)
  • 295.
    Brinch, Rebecca
    et al.
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Gindt, DirkStockholm University, Faculty of Humanities, Department of Culture and Aesthetics.Rosenberg, TiinaStockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Berätta, överleva inte drunkna: Antirasism, dekolonisering och migration i svensk scenkonst2022Collection (editor) (Other academic)
  • 296.
    Brinch, Rebecca
    et al.
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Lorentzon, Ylva
    Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies.
    Lund, Anna
    Stockholm University, Faculty of Social Sciences, Department of Sociology. Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies.
    Empati och erkännande i teater som gestaltar migration för barn och unga2023In: Konsten att beröra: Känslor i barnkulturen / [ed] Margareta Aspán; Mats Börjesson, Stockholm: Centrum för barnkulturforskning, Stockholms universitet , 2023, p. 133-155Chapter in book (Other academic)
  • 297.
    Brinch, Rebecka
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Martin Hellström, Pippi på scen: Astrid Lindgren och teatern2016In: Barnboken, ISSN 0347-772X, E-ISSN 2000-4389, Vol. 39Article, book review (Other academic)
  • 298. Brinkemo, Per
    et al.
    Lundberg, JohanStockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Klanen: individ, klan och samhälle från antikens Grekland till dagens Sverige2018Collection (editor) (Other academic)
    Abstract [sv]

    Klanen : Individ, klan och samhälle från antikens Grekland till dagens Sverige beskriver klansamhällen från antikens Grekland till dagens Sverige. En genomgående insikt är att den liberala demokratin utgår från individens rättigheter medan klansamhället bygger på att individen underkastas gemenskapen.

    Kan två så skilda ordningar någonsin förenas i samma stat?

  • 299.
    Broman Åkesson, Johanna
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Om nostalgi och svenskhet i Mando Diaos tolkning av Strövtåg i hembygden2015In: Nordisk musikblad Visor/viser - Nordisk tidskrift för visor & singer/songwriters, ISSN 1893-9694, no 5, p. 52-54Article in journal (Other (popular science, discussion, etc.))
  • 300.
    Brånstad, Fredrik
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Ur asken: Petter Mellgren och Philip Gernandt, två namngivna tillverkare av spelmarkeraskar inom den anonyma hantverkstekniken halmintarsia vid sekelskiftet 1700-18002020Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Min studie fokuserar i första hand på spelmarkeraskar med halmintarsia från sekelskiftet 1700-1800, gjorda av två namngivna tillverkare i Vittskövle men också på halmintarsia som teknik och dess historia. Syftet med studien är att belysa denna något bortglömda men framför allt anonyma teknik genom att studera två tillverkare som hette Petter Mellgren och Philip Gernandt. Jag genomför en föremålsanalys utifrån materiella kulturer av en spelmarkerask gjord av Petter Mellgren och kombinerar denna analys med mikrohistoriska arkivstudier och ett undersökande av publicerat material. Modellen för objektsanalysen är hämtad från E. McClung Flemings Artifact Study – A Proposed Model som publicerades 1974. Det finns väldigt lite skrivet om halmintarsia och forskningsläget är ytterst begränsat. Föremålsanalysens upplägg möjliggör dock en mer tvärvetenskaplig undersökning och gränsar till en historisk och etnologisk studie där forskningsläget är mer omfattande. Studiens resultat visar hur omständigheterna för Mellgren och Gernandt såg ut och problematiserar bilden av halmintarsia som allmoge- eller folkkonst. Tekniken utfördes under specialiserade former och studien visar på en tillverkning och distribution utanför styrande skråsammanslutningar. Undersökningen påvisar en koppling mellan de namngivna tillverkarna och den högadliga familjen Barnekow, vilket kan ha varit avgörande för produktion och distribution av föremålen. Undersökningen visar också på visuella samband mellan tysk och svensk produktion under mitten av 1700-talet men indikerar även likheter mellan de undersökta spelmarkeraskarna och franskt mode mot slutet av århundradet där optiska och geometriska uttryck var gällande. Studien belyser material och tekniker från tiden men även användningen av spelmarkeraskar och vilka dessa var riktade till.

    Download full text (pdf)
    fulltext
3456789 251 - 300 of 2324
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf