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  • 1.
    Almerud, Eva-Kersti
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Gränsöverskridande i Olga Tokarczuks roman Styr din plog över de dödas ben2018Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    My aim with this essay was to write about bordercrossing and border changing in Olga Tokarczuk’s literary work with the main focus on her novel Drive Your Plow over the Bones of the Dead. While writing I came to the conclusion that there are very many different sorts of border changing in the novel, for example borders between countries, borders between fiction and reality, indistinct borders, borders between identities and borders in time and space. However, one distinct bordercrossing, that I had not anticipated, emerged very clearly: the border changing when it comes to genre. Drive Your Plow over the Bones of the Dead characterizes as a detective story, but the more you read the novel, the more you realize, that other themes might be more important than the puzzle. This book holds above all eco fiction and posthumanism. By crossing different borders Olga Tokarczuk has transformed an illusory detective story to a nuanced novel about human life on various levels and in different spaces, about human view on animals and about hunters’ disrespect for animals.

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  • 2. Ambrosiani, Per
    et al.
    Löfstrand, ElisabethStockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.Teodorowicz-Hellman, EwaStockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Med blicken österut: hyllningsskrift till Per-Arne Bodin2014Collection (editor) (Other academic)
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  • 3.
    Andersson, Hans
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Något betydelsefullt: Leonid Dobyčins möten bortom orden i den sovjetiska samtiden2019Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This thesis studies the 1931 short story collection Portret [The Portrait] by the Russian author Leonid Ivanovich Dobychin (1894–1936?). My main argument is that the principal theme in Dobychin’s writings arises out of the complexities of human encounters. 

    My approach is based on affirmative interpretations that I call “encountering” readings. They draw on critical practices developed by Boris Gasparov, who argues in his 2013 study of Pasternak Boris Pasternak: Po tu storonu poėtiki (Filosofiia. Muzyka. Byt) that the key to Pasternak’s work lies not in the dominant feature of their linguistic texture, but in the momentary states of everyday life that the author captures, and Henri Meschonnic’s Critique du rythme: Anthropologie historique du langage (1982). Meschonnic focuses on rhythm as an intrinsic aspect of the text that requires the reader to participate actively in appreciating the text as a work of art by following the interplay between rhythm, the active subject and what is expressed. Both scholars reflect a turn away from the linguistically informed theoretical approaches that dominated the academic study of literature in the twentieth century. 

    Similarly, I approach Dobychin’s characters on the level of their personal conflicts and everyday lives by simulating an interpersonal encounter in an anti-theoretical search for meaning that is congenial to both the central theme of the stories and the way in which they reveal human encounters “beyond words,” as it were, both within the works and with the reader, through suggestive associations and not yet categorized, “precategorial” experiences in everyday life. 

    The “unoutspokenness” (nedogovorënnost’)—i.e. reticence, a deliberate avoidance of explicitness that Dobychin’s contemporary critics ascribed to his writings and often disparaged as “incomprehensibility”—serves as a starting point for a critical discussion of both earlier research on Dobychin and theoretical approaches to literature more generally. In searching for a dominant formal feature, a ‘key’ or ‘code’, in Dobychin’s writings, earlier scholars have tended to describe it in terms of an anti-aesthetic. The alleged lack of plot, inner coherence and meaning is explained as deliberate, intended to performatively mirror the absurdness and inadequacies, the disorientation and loss of meaning in Soviet reality itself. In this thesis, I argue instead that there is no such lack or incoherence in Dobychin’s works. The “nedogovorënnost’” of his short stories is instead understood as an exact and purposeful way of conveying meaning through what is experienced and shared beyond words in a time that was overburdened with idealistic ideological discourses. At the heart of Dobychin’s stories are moments of fragile human interaction that underlie trivial dialogues and actions in banal everyday existence. The stories let the reader experience the sudden and unexpected human connections that the characters encounter in their everyday impressions. The contrasts and plurality of human perspectives thus perceived evoke a potential interaction beyond societal roles. These brief encounters are presented as something precarious in a Soviet society striving towards a single true ideology. Such a reading suggests that Dobychin is not so much a deliberately enigmatic author as a writer who aspires to express in words that which is profoundly wordless: the encounters between people outside of the ideological categories and discourses of their language.

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  • 4.
    Andrén, Ingrid Lindgren
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Inte ett dugg eller bara nästan inte: en korpusanalys av kollokationer med partikeln vůbec i tjeckiskan2020Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    I den här undersökningen studeras hur den tjeckiska partikeln vůbec används i kollokationer där den ursprungliga absoluta betydelsen begränsas. De ord som undersökts i kombination med vůbec är skoro, téměř, málem, takřka och bezmála, som alla kan översättas med ’nästan’. Studien har gjorts i två subkorpusar till den tjeckiska nationalkorpusen, SYN 2015 och ORAL v1, och har inom tidsramen 1990–2014 undersökt frekvensen av de angivna kollokationerna och eventuella tendenser till ökning eller minskning i användningen. Den första korpusen, SYN, omfattar skriven tjeckiska och den andra, ORAL, tjeckiskt talspråk. Undersökningen bygger på relativa frekvenser av förekomster vilket möjliggjort jämförelser mellan de båda korpusarna, och därmed mellan skriven och talad tjeckiska.

     

    Studien visar att vůbec är ett vanligt förekommande ord i tjeckiskt språkbruk och i synnerhet i det talade språket. Den totala användningen av vůbec separat är ungefär tre gånger större i talspråket än i skriftspråket. Det omvända gäller för de ordkombinationer som har betydelsen ’nästan inte alls’. De är i stället mer frekventa i skriftspråket. Tendenser till ökning eller minskning har med det valda underlaget inte kunnat påvisas.

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  • 5. Baer, Brian James
    et al.
    Witt, Susanna
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Introduction: The Double Context of Translation2018In: Translation in Russian contexts: culture, politics, identity / [ed] Brian James Baer; Susanna Witt, London: Routledge, 2018, p. 1-16Chapter in book (Other academic)
    Abstract [en]

    This introduction problematizes the notion of context in relation to translation and provides a short overview of Russian translation history, situating the chapters of the book in a chronological and theoretical framework.

  • 6.
    Balzewska, Katarzyna
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Czeslaw Milosz on Thomas Mann's The Magic Mountain2016In: Telos, ISSN 0090-6514, E-ISSN 1940-459X, no 174, p. 93-106Article in journal (Refereed)
  • 7.
    Björn, Hanna
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Nikolaj Evreinovs Teater för en själv: Aspekter av Teatralisering2018Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
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  • 8.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Anteckningar om Anna Achmatova: bok 1; 1938-41. Om Silverålderns öde och överlevande under sovjettiden2016In: Signum : katolsk orientering om kyrka, kultur, samhälle, ISSN 0347-0423, no 1, p. 30-35Article, book review (Other (popular science, discussion, etc.))
  • 9.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Canonization and Politics in Post-Soviet Russia2012In: Doron Rhodopoikilon: Studies in Honour of Jan Olof Rosenqvist / [ed] Denis Searby, Ewa Balicka-Witakowska, Johan Heldt, Uppsala: Uppsala universitet, 2012, p. 95-106Chapter in book (Other academic)
  • 10.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Church Slavonic in Russian Dystopias and Utopias2020In: The Post-Soviet Politics of Utopia: Language, Fiction and Fantasy in Modern Russia / [ed] Mikhail Suslov, Per-Arne Bodin, London: I.B. Tauris, 2020, p. 219-234Chapter in book (Refereed)
  • 11.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Den svarta kvadraten avslöjad2016In: Axess, ISSN 1651-0941, no 6, p. 62-63Article in journal (Other (popular science, discussion, etc.))
  • 12.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Den ukrainska kampen om det förflutna: Yuliya Yurchuk, Reordering of Meaningful Worlds: Memory of the Organization of Ukrainian Nationalists and the Ukrainian Insurgent Army in Post-Soviet Ukraine2015In: Respons : recensionstidskrift för humaniora & samhällsvetenskap, ISSN 2001-2292, no 3Article, book review (Other academic)
  • 13.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    From Biography to Hymnography: On the Canonization of Patriarch Tikhon2017In: Spiritual and Ecclesiastical Biographies: Research, Results, and Reading / [ed] Anders Jarlert, Stockholm: Kungl. Vitterhets Historie och Antikvitets Akademien, 2017, p. 148-165Chapter in book (Refereed)
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  • 14.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Från Bysans till Putin: Historier om Ryssland2016Book (Other academic)
  • 15.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    I ensamt majestät mot ryska regimen2016In: Svenska dagbladet, ISSN 1101-2412, no 29 februariArticle in journal (Other (popular science, discussion, etc.))
  • 16.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Ikoner, ikonoklasm och rysk konst i dag2017In: Religionen tur och retur / [ed] Jenny Björkman, Arne Jarrick, Göteborg: Makadam Förlag, 2017, p. 63-78Chapter in book (Other academic)
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  • 17.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Kampen om ikonen2017In: Axess, ISSN 1651-0941, no 2, p. 66-67Article in journal (Other (popular science, discussion, etc.))
  • 18.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Making Martyrs East & West: Canonization in the Catholic and Russian Orthodox Churches. By Cathy Caridi2017In: The Catholic Historical Review, ISSN 0008-8080, E-ISSN 1534-0708, Vol. 103, no 2, p. 323-324Article, book review (Other academic)
  • 19.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Mandel'shtam and the Opera: On the Poem “Chut' Mertsaet...”2017In: Russian literature, ISSN 0304-3479, E-ISSN 1878-3678, Vol. 91, p. 27-46Article in journal (Refereed)
    Abstract [en]

    Osip Mandel'shtam's poetry has been interpreted abundantly by scholars and it might be seen as preposterous to return to one of the most discussed poems in general: “Chut' mertsaet prizrachnaia stsena” dealing with Gluck's opera Orpheus and Eurydice. My approach will be an intermedial one and I will analyse it in relation to the famous productions at the Mariinskii Opera in 1910 and in 1919. The task will be to scrutinize the relationship between the text of the poem and various paratexts, or, in the words of Derrida (1987) and broader, the relation between ergon and parergon. The focus is on the aesthetic impact of these relations more than on the question of genesis or influence. The basis for the interpretation will be the opposition between the period of the performance and the post-performance time, as well as the notion of liminality. The poem will be analysed against the background of the motif of the exit from the theatre in Russian 19th century Russian culture both in relation to literature and to a lithography from 1843 made by Rudol'f Zhukovskii. I will, however, use in particular material concerning the opera performance alluded to in the poem.

  • 20.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Myt och dystopi i Andrej Platonovs Dzjan2017In: Revolution och existens: läsningar av Andrej Platonov / [ed] Tora Lane, Stockholm: Ersatz , 2017, p. 97-114Chapter in book (Other academic)
  • 21.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic Languages and Literatures. Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Om ukrainska och ryska katter2015In: Östbulletinen, ISSN 1654-8698, no 1, p. 2-10Article in journal (Other academic)
  • 22.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Om ukrainska och ryska katter2016In: Da veselitsa Novʹgradʹ = Må Novgorod fröjda sig: Hyllningsskrift till Elisabeth Löfstrand / [ed] Per Ambrosiani, Per-Arne Bodin Nadezjda, Zorikhina Nilsson, Stockholm: Institutionen för slaviska och baltiska språk, finska, nederländska och tyska, Stockholms universitet , 2016, p. 31-48Chapter in book (Other academic)
  • 23.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Pavel Florenskij, matematiken och ikonteologin –  Apropå Fabian Heffermehls Bildet sett fra innsiden: Matematiske og ikonoklastiske konsepter i Florenskijs omvendte perspektiv2016In: Signum : katolsk orientering om kyrka, kultur, samhälle, ISSN 0347-0423, no 6, p. 46-50Article in journal (Other (popular science, discussion, etc.))
  • 24.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Prima ballerina2017In: Axess, ISSN 1651-0941, no 9, p. 66-67Article in journal (Other (popular science, discussion, etc.))
  • 25.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Pusjkin och Greta Garbo2016In: Aiolos, ISSN 1400-7770, no 55, p. 43-51Article in journal (Other academic)
  • 26.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Putin vill revidera Ukrainas historia2014In: Svenska dagbladet, ISSN 1101-2412Article in journal (Other (popular science, discussion, etc.))
  • 27.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Putin vill stjäla en viking: Nu skrivs Rysslands historia om på nytt2017In: Forskning och framsteg, ISSN 0015-7937, Vol. 52, no 4, p. 48-53Article in journal (Other (popular science, discussion, etc.))
  • 28.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Religious, cultural and political dimensions of winter bathing in Russia2015In: Religion, politics and nation-building in post-communist countries / [ed] Greg Simons, David Westerlund, Farnham: Ashgate, 2015, p. 45-63Chapter in book (Refereed)
  • 29.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Russian Geopolitical Discourse: On pseudomorphosis, phantom pains and simulacra2016In: Eurasia 2.0: Russian geopolitics in the age of new media / [ed] Mark Bassin, Mikhail Suslov, Lanham, Maryland: Lexington Books, 2016, p. 167-184Chapter in book (Refereed)
  • 30.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Ryska ortodoxa kyrkan och revolutionen2017In: Östbulletinen, E-ISSN 1654-8698, no 2, p. 34-41Article in journal (Other academic)
  • 31.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic Languages and Literatures. Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Rysslands gränser i politiken, kyrkan och fantasin2009In: Östbulletinen, Vol. 3, p. 7-19Article in journal (Other academic)
  • 32.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic Languages and Literatures. Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Språket som storpolitik2015In: Axess, ISSN 1651-0941, no 4, p. 34-37Article in journal (Other (popular science, discussion, etc.))
    Abstract [sv]

    Trots regimens lögner finns ett formidabelt kulturellt kapital i den ryska litterära traditionen från Pusjkin till Solzjenitsyn. Det är det kapitalet som inger hopp för ryska språket och för Ryssland.

  • 33.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    The Making of the New Martyrs of Russia: Soviet Repression in Orthodox Memory, Karin Hyldal Christensen,
 København: Humanistisk fakultet, Københavns universitet 20162017In: Nordisk Østforum, ISSN 0801-7220, E-ISSN 1891-1773, Vol. 31, p. 37-39Article, book review (Other academic)
  • 34.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    The Merry Widow and Socialist Realism2019In: Words, Bodies, Memory: A Festschrift in honor of Irina Sandomirskaja / [ed] Lars Kleberg, ars Kleberg, Tora Lane, Marcia Sá Cavalcante Schuback, Huddinge: Södertörns högskola, 2019, p. 231-244Chapter in book (Other academic)
  • 35.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    The Monument to Grand Prince Vladimir in Moscow and the Problem of Conservatism2020In: Contemporary Russian conservatism: problems, paradoxes, and perspectives / [ed] Mikhail Suslov, Dmitry Uzlaner, Leiden/Boston: Brill Academic Publishers, 2020, p. 304-319Chapter in book (Refereed)
  • 36.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    The Russian Language in Contemporary Conservative Dystopias2016In: Russian Review, ISSN 0036-0341, E-ISSN 1467-9434, Vol. 75, no 4, p. 579-588Article in journal (Refereed)
    Abstract [en]

    The topic of this paper concerns a subgenre of modern prose, namely the linguistic dystopia, by which I mean a depiction of a future (“pessimistically extrapolating contemporary social trends into oppressive and terrifying societies”), in which the dysfunctionality or power potential of language is thematicized and operationalized by either the narrator, various characters in the novel, or the reader. The focus in the article will be on the mirroring of the development in Russian politics and society of today in the dystopias (or utopias) of Russian conservative authors through language.

  • 37.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    The Russian Orthodox Church, its domains and borders 2015In: Crossings and crosses: Borders, educations, and religions in northern Europe / [ed] Jenny Berglund, Thomas Lundén, Peter Strandbrink, Boston: Walter de Gruyter, 2015, p. 15-28Chapter in book (Refereed)
  • 38.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    TSVETAEVA AND HISTORY: ON THE DEMESNE OF THE SWANS AND THE POEM, “TO THE TSAR—AT EASTER”2015In: Slavic and East European Journal, ISSN 0037-6752, E-ISSN 2325-7687, Vol. 59, no 4, p. 544-564Article in journal (Refereed)
  • 39.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic Languages and Literatures. Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Tänk på ukrainska!2009In: Forskning och framsteg, ISSN 0015-7937, no 4, p. 51-55Article in journal (Other (popular science, discussion, etc.))
  • 40.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Unorthodox Beauty: Russian Modernism and Its New Religious Aesthetic. By Martha M. F. Kelly. Evanston, IL: Northwestern University Press, 20162017In: Slavic Review: American quarterly of Russian, Eurasian and East European studies, ISSN 0037-6779, E-ISSN 2325-7784, Vol. 76, no 2, p. 562-563Article, book review (Other academic)
  • 41.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Vestments of a Russian Bishop: A Cultural Study2016In: Szata liturgiczna / [ed] Adelajda Sielepin, Jarosław Superson, Kraków: Uniwersytet Papieski Jana Pawła II , 2016, p. 87-108Chapter in book (Other academic)
  • 42.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Vladimir Sorokin, Tellurien2015In: Signum : katolsk orientering om kyrka, kultur, samhälle, ISSN 0347-0423, no 3, p. 55-57Article, book review (Other (popular science, discussion, etc.))
  • 43.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Vzgljad Na Russkuju Cerkov’ V šVecii ėPochi VelikoderžAvija2017In: Christianstvo - pro et contra: konfessionalʹnye faktory formirovanija cennostnoj struktury rossijskoj civilizacii : antologija / [ed] Dmitrij Kirillovič Bogatyrev, Aleksandr M Priluckij, Sankt Petersburg: Russkaja christianskaja gumanitarnaja akademija , 2017, p. 252-262Chapter in book (Other academic)
  • 44.
    Bodin, Per-Arne
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Witchhunt in Northern Sweden: A Bakhtinian Approach2017In: Baltic Worlds, ISSN 2000-2955, E-ISSN 2001-7308, no 1-2, p. 73-81Article in journal (Refereed)
  • 45.
    Bodin, Per-Arne
    et al.
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Jonson, Lena
    Erofeev, Andrei
    Petr Pavlenskii and his Actions2017In: Russia - Art Resistance and the Conservative-Authoritarian Zeitgeist / [ed] Lena Jonson; Andrei Erofeev, Routledge, 2017, p. 271-278Chapter in book (Refereed)
    Abstract [en]

    The art action that has attracted by far the most attention in Russia in recent years is Petr Pavlenskii's Threat, which was performed in November 2015. Pavlenskii stands out as the next step after Pussy Riot in the evolution of Russian art. Pavlenskii himself mentions Chris Burden, who died in 2015, as a source of inspiration. Pavlenskii's most recent performance took place on 9 November 2015, when he took himself to the Lubyanka, headquarters of the Russian Federal Security Service and former KGB, lit petrol he had poured on one of its wooden doors and posed for a photograph holding the empty petrol can. A video clip was also made of the action and of Pavlenskii's arrest. The prominent contemporary Russian gallery owner and curator Marat Gelman called the work The Door to Hell, alluding to both Dante's Divine Comedy and the important symbolism of doors in the Russian Orthodox Church.

  • 46.
    Bysell, Lina
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Michail Arcybaševs Sanin – en skandalroman från det förrevolutionära Ryssland2016Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Denna uppsats syftar till att undersöka Michail Arcybaševs roman Sanin i den samtida kontexten under 1900-talets första decennium i Ryssland. Mot bakgrund av den sociala och kulturella kontexten analyseras romanens teman och dess mottagande i samtiden. Med utgångspunkt i Jauss receptionsteori diskuteras frågor om hur den samtida läsaren kan ha uppfattat romanen, hur romanen förhöll sig till den större kontexten, hur författaren själv betraktade romanen och vad kritikerna ansåg om den. Ett försök görs också att förklara varför romanen, som orsakade en sådan uppståndelse i sin samtid, idag är i det närmaste bortglömd.

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    Sanin_lina_bysell
  • 47.
    Bysell, Lina Emilia
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Ryska böneskrifter från svenska Ingermanland: En textfilologisk analys av tolv suppliker från 16372021Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    This thesis examines a manuscript consisting of 12 Russian legal petitions from 1637. The purpose is to describe the material from a philological point of view and thereby determine whether it conforms to V. M. Živov's system of written registers. Analyses of stylistic, phonetic, and morphological aspects of the text are presented. A comparison is made with texts from the same time period and genre. The stylistic analysis shows that the petitions meet the formal and stylistic standards of the genre. The phonetic and morphological analyses show that the petitions contain features that were typical for the chancellery register and that they, in general, conform to the 17th-century norm for chancellery texts. The thesis concludes that the material is illustrative of Živov's theories on the development of Russian literary (standard) language.

    The work includes transcriptions of previously unpublished archive material.

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    Ryska_böneskrifter_från_svenska_Ingermanland
  • 48.
    Cassisa, Carlo
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    Nyspråk under kriget i Ukraina: ”Specialoperationens” ord och uttryck. Ett språkligt anfall och dess motstånd.2023Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Varje omvälvande händelse i Rysslands historia har fört med sig en språklig brytpunkt som inletts med en momentan tillkomst av tidstypiska ord och yttryck. Denna uppsats undersöker om den ”militära specialoperationen” som inleddes den 24 februari 2022 är början på en sådan omvälvande händelse även i ett språkligt hänseende.

    Syftet med denna studie är undersöka ryska ord och yttryck under kriget i Ukraina genom att ta avstamp i begreppet nyspråk (rys. novojaz; eng. Newspeak) i George Orwells roman ”1984” och i den ryska språkforskningen. Studien undersöker detta genom att identifiera och analysera några frekventa ryska ord och uttryck som kommit att bli karakteristiska för diskursen i rysk media i Ryssland, i rysk media i exil, i ukrainsk media i Ukraina samt i det som kanske kan benämnas som oppositionell ukrainsk media. Undersökningen har använt sig av kvalitativa och kvantitativa lingvistiska metoder, som utgår från ordets och begreppets definition vid detaljanalysen av urvalet. Ett försök att bedöma förekomsterna har gjorts från ett urval av relevanta tidningsartiklar och Telegramkanaler från de ovannämnda mediala grupperingarna. Insamling av material har fortlöpt sen den 24 februari 2022 och varit föremål för omprövning då bland annat en övervägande del av de oberoende ryska medierna gått i exil och den tvåspråkiga ukrainsk-ryska publiceringen i Ukraina minskat. Vidare har avlyssnade ryska soldaters telefonsamtal hem till familjen analyserats för förekomster av karakteristiska ord och uttryck.

    Studien ger indikationer på att nya ord och uttryck som används i en medial top-down-kaskad inte nödvändigtvis påverkar det produktiva ordvalet hos befolkningen i stort, detta trots en ibland massiv förekomst i allehanda kommunikativa kanaler.

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    Cassisa 2023 Novojaz
  • 49.
    Christensen, Henrik
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    We Call upon the Author: Contemporary Biofiction and Fyodor Dostoevsky2021Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This thesis studies fictional representations of Fyodor Dostoevsky in contemporary biofiction. The aim of the study is to present an intermedial theoretical framework for biofiction, a genre defined as fictional biographical and often metafictional narratives in which a biographical subject serves as the focal point for the story or plays a role integral to the narrative. Drawing on contributions from prior studies within different areas—biopics, the biographical novel, intermediality, transmedial narratology—the thesis identifies the most salient tenets of an increasingly important and ubiquitous genre—its fictional, intermedial, and metafictional properties—to suggest a medium-spanning definition. From this intermedial definition of the genre, it is suggested that biofiction studies should move beyond medium-specific analysis. By situating the genre firmly within the realm of fiction, the thesis underlines the fact that it is exactly the fictional element that allows the genre to open up important ways to engage with a certain biographical subject. Overall, the biofiction definition presented in the thesis is inspired by Jacques Derrida’s différance.

    Arguing that contemporary biofiction arose from the larger aporetic shift in theory and fiction in the 1960s, which was directed toward various presuppositions undergirding epistemological, metaphysical, and ontological projects, it is contended that biofiction fictionalizes subjects to engage with and reassess the assumptions that suffuse our understanding of the subject. From their metafictional perspective, biofictions also employ subjects for various purposes to interrogate contemporary issues. Biofictions are thus turned toward both a historical moment and its own contemporary context. Buttressed by the intermedial perspective, it is argued that biofictions often employ sustained intermedial strategies—for instance, intermedial references and formal imitation—to engage not only with artistic subjects such as Dostoevsky and their work but also with the premises of creating art.

    The thesis centers on five Dostoevsky biofictions within film and literature: Aleksandr Zarkhi’s biopic Twenty-Six Days from the Life of Dostoevsky (1980), Leonid Tsypkin’s novel Summer in Baden-Baden (1982), J. M. Coetzee’s novel The Master of Petersburg (1994), Lara Vapnyar’s novel Memoirs of a Muse (2006), and Vladimir Khotinenko’s television series Dostoevsky (2010). As contemporary biofictions, these fictional representations of Dostoevsky were all produced or written in the wake of the aforementioned aporetic shift and therefore comprise examples of the reflexive and metacritical form of biofiction that is discussed in the thesis. The inclusion of Dostoevsky biofictions is, in part, connected with the various critical perceptions of the writer; it is maintained that biofictions such as those analyzed in the thesis proffer new readings of issues that have been overlooked or have not received due attention, such as how Dostoevsky engaged with and augmented the rivalry polemics of his day; the ways in which his conceptualization of Russian identity rested as much on inclusion as exclusion; how Dostoevsky has been employed to propagate certain models of the muse, the genius, and canonicity; and how, in today’s Russia, the writer is employed to embody and express the hyperreal politics of Vladimir Putin’s administration.

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    We Call upon the Author
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    Omslagsframsida
  • 50.
    Christensen, Henrik
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, Slavic Languages.
    When Stenka Razin Went Carousing on the Volga: Revisiting the Russian pre-Revolutionary Biopic2015Conference paper (Other academic)
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